A Maldição da Montanha

In a small village at the base of the Alpine mountains, a greedy young man--tired of living poorly with his elderly brother on a sheep farm--talks his sibling into climbing one of the highest peaks to raid a doomed Indian aircraft of its gold. Engrossing story from Henri Troyat's novel is genuinely beautiful to behold in color-saturated VistaVision. Critics at the time complained about the interspersing of on-location footage with studio shots, as well as the age difference between brothers Spencer Tracy and Robert Wagner. Poor Tracy (already well into his golden years) seems pressed to the breaking point in this physical role, while scowling mercenary Wagner is one-note obstinate throughout. Still, Tracy's work is so fluid, so compassionate and believable, one gets caught up in this saga despite the picture's weaker attributes. Expository early scenes and other minor characters are practically irrelevant, and cinematographer Franz F. Planer captures it all with astute grace. **1/2 from ****

The emotional power of Dmytryk's films may derive from his range of vision always patronizing his characters, restoring honesty and ability to a style and realism...

For Tracy climbing a mountain is a matter of integrity... The conquest of a peak brings moments of exultation and bliss... What he gets from the adventure is just sheer joy... He is simple, kind and sincere...

All brothers dream, but Tracy dreams for the little... He sees life in an honest way... His brother (Wagner), at the contrary, dreams big and with open eyes to make it reality...

When a plane crashes on the top of the mountain, Wagner insists on going up to plunder the remains of the wrecked plane... Spencer accedes to the request to stop his spoiled younger brother to climb the mountain alone...

The avaricious brother is a novice in climbing techniques... He is seeking outdoor adventure only to bring gold and silver, and to strip the dead passengers robbing their money, jewelry and goods...

Tracy - with previous mountaineering experience - had something else in him which responds to the challenge and goes out to meet the struggle of life itself upward and forever upward to shield the safety of his brother with passion and enthusiasm...They are two generations apart, two opposite characters with two utterly different goals...

After a long and hard journey up the mountain, they succeed to reach the airplane wreck and to find that one passenger is still alive - a Hindu girl (Anna Kashfi).

A concerned Tracy gives all his good nature assistance as a caring human being to the injured delicate girl... But an unscrupulous brother intends to murder the helpless woman in order to steal her precious gem...

With the most gorgeous natural areas around; large fields with many ridges and faces; difficult rock climbing; and weak snow bridges, Dmytryk adds to the drama (in VistaVision and Technicolor) the magic and beauty of the high mountain country...

This is a really good, solid film from the 1950s American era. Spencer Tracy and Robert Wagner play two brothers who climb a mountain - but the characters and motives are very different, and there are twists in store when they reach the top.

Tracy is always watchable, and this is no exception. He plays a simple man, a good climber and a deeply honourable person. His younger brother (a very beautiful-looking 26-year old Robert Wagner) is everything he isn't: greedy, lazy, shallow and petulant. The climbing scenes are terrific. Even if you aren't interested in climbing (I'm not) they are so precise and tense you will find yourself mesmerised. But it's really the actors, and the relationship between the two characters, who hold your attention.

If you find this film on TV it's likely to be in the afternoon. And it's a very good way to spend a couple of hours. The cliché is unavoidable, but they really don't make them like this anymore!

In this adventure film in the Swiss Alps, a plane crashes and there are plans to make a climb to see if there are survivors. Spencer Tracy does a very good job as a Swiss mountain man who has lived there his whole life and knows the mountain like the back of his hand. His younger brother?, Robert Wagner, who is well over thirty years younger (this narrative was extremely hard to swallow), is a greedy, murderous creep, who thinks the world owes him a payday. Wagner is amazingly convincing in the role, even though in most former and latter roles, he was generally a substandard actor. Maybe this film was a taste of things to come in the future.

This movie is often described as simple and unidimensional. But in the context of spirituality and high moral character, this movie rates high.

Spencer's character is described as dull, and his acting effort minor. But how else is a man reverent of nature and God supposed to be portrayed. The subtleties of this character are often overlooked in our glamorized, sensationalized society. Quiet reverence, devotion to God and family are the central messages of this movie. Observe how Tracy's character tolerates and endures the unruly "modern-ess" of his much younger brother, portrayed well by Wagner.

This movie may be "sappy" to some, but I found it's moral message to be most uplifting and a pleasant departure from machine guns, gangster and starlets, sex and violence. Although, in a very minor respect, those elements are visible in this movie. This is a good family movie.