Blefando a Morte

Richard Wilson gave us a very similar western with Robert Mitchum: MAN WITH A GUN, but there were so many with this topic, this same plot. Tony Quinn is as good as Mitchum in such a character, and Katy Jurado is also exquisite. It is also the only western directed by Harry Horner, so shame because he seemed good in that register. So MAN FROM DEL RIO is a western that is worth seeing and for Tony Quinn in search of a rare film starring him, you are not allowed to miss it. Despite its predictable plot, it remains interesting. Besides this, nothing special to be particularely excited about. I would have liked a couple of terrific villains; those here are a bit bland for me. The anti climax finale is a total surprise. I was deceived but surprised.

I re-watched this movie recently and it re-affirmed my belief that Anthony Quinn is one of the great character actors. Man From Del Rio was obviously a low-budget film - not because it looks 'cheap' but because it was shot in a simple old-West town setting, much like High Noon, and because it is in b/w and doesn't have any of the really top-name stars. None of those things detract from it because it has a very good story, an excellent, taut script and fine performances all-round. (Well, with one reservation I'll mention later.) Right at the beginning of the movie, David Robles (Quinn) approaches gunfighter Dan Ritchey (Barry Atwater). He has spent the last few years learning to shoot so he could avenge those who Ritchey and his friends killed when they shot up Robles' hometown of Del Rio. When Robles kills the noted gunfighter the town offers him the job of sheriff.

But the town is crooked, basically run behind the scenes by the former gunfighter who owns the saloon, and Robles makes it apparent from the start that he is not going to play along. The townspeople even regard Robles as little more than just a 'tool' to keep order, not wanting to afford him equal treatment as one of their own.

Katy Jurado plays Estella, the assistant to the town doctor, and Robles has eyes for her. She has been in SO many Westerns, playing mostly the same role - the detached, cool, beautiful Mexican lady - but here she speaks her lines in such wooden fashion it's like she's reading them phonetically and doesn't really know what she's saying. Her inflection doesn't go with her words sometimes. It's not too off-putting but I did notice it enough to mention.

I don't want to spoil the story, and there is a lot more to it than this, but it's an excellent little Western with a good plot, well-written script and believable dialogue. I would recommend this to anyone who wants to see a less-well-known but still worthwhile Western.

An easy role for Anthony Quinn who plays himself, which does not mean that he's bad, on the contrary, because of his strong personality, without too much effort, outlines a credible character. Mexican Katy Jurado, who also starred with Anthony Quinn in "Barabbas" plus other famous westerns ("High Noon" with Gary Cooper, "Broken Lance" with Spencer Tracy, "One-Eyed Jacks" with Marlon Brando, "Pat Garrett & Billy the Kid " with James Coburn and Kris Kristofferson) is also credible in the role of Estella. A western without too many gun-shots, but with more realism.

Man From Del Rio (1956) is one of a large number of well directed, nicely written and acted westerns from the 50s, a decade rich in quality westerns, from the small scale, epic and everything in-between. The film's director, Harry Horner, was an old Hollywood hand, used some odd camera angles and made the visual and spatial aspects of this modest production interesting, pleasing to look at, even as the film is itself low budget and in black and white.

Anthony Quinn is the Hispanic sheriff of a small western town where he is needed, due to his skill with handguns, but not liked or wanted due to his ethnic background. Even Katy Jurado's token Hispanic woman, playing somewhat against type, would rather Quinn would simply disappear. The supporting cast is outstanding for a film of this sort, with such familiar players as Whit Bissell and Douglas Fowley in roles in which each would seem be a better fit for the the other's.

It helps to be a western fan to enjoy this picture. This is not a movie for everyone. The story itself is by the numbers, but it works some nice variations on its familiar themes; and star Anthony Quinn is excellent in the lead. He was on the verge of major stardom when he appeared in the film, and on the basis of his performance it's easy to see why. The film was released the same year as Lust For Life, in which Quinn's supporting performance won him an Academy award. It's difficult for me to imagine two more different films for this actor to have appeared in during the same year.

In The Man From Del Rio Anthony Quinn rides into town on a mission, kind of like James Caan in El Dorado. Both are after a group of men and both kill the last they were after. But whereas Caan takes up with John Wayne as a mentor and fights for law and order, Quinn starts to hang out at Peter Whitney's saloon with a whole collection of prize specimens of fast guns who are nothing but bullies.

Whitney has a plan to recreate his sleepy prairie town into a wide open cattle drive town and make a ton of money, never mind what the solid citizens want. Quinn likes the idea and becomes the sheriff, but soon the solid citizens see him as their savior. Will Quinn step into the role?

The Man From Del Rio is a minor western that did not even rate color back in the Fifties. Rarely seen today it's in that category of adult westerns so popular in the Fifties and Sixties with some very adult themes. Quinn and Katy Jurado have some truly adult dialog and she most of all persuades Quinn to step in the role of hero.

Not a film often shown today, The Man From Del Rio with a bit better in the production values department could have been a big hit. Quinn, fresh off his second Oscar for Lust For Life does well in a part perfect for him. Check this one out if broadcast.