Domínio dos Homens sem Lei

John Wayne's Batjac Productions produced this average and cheap potboiler noir and the cast and credits look like they could have come from a Wayne film. With Andrew McLaglen directing, Burt Kennedy doing the script and William Clothier behind the camera it sure looks like a Wayne western.

But it's a modern noir film that Batjac has given us. I think John Wayne was trying to launch William Campbell's career with a lead and while Campbell had a good career, he sure never became box office.

Campbell plays a locksmith who Berry Kroeger wants to employ to make a duplicate key for a safety deposit box that contains $200,000.00 in cash. Kroeger is one ruthless dude and has many ways of persuasion including capturing and threatening to torture Karen Sharpe who Campbell has recently been seeing. He's got Mike Mazurki for the rough stuff on his payroll.

It's a real pickle Campbell is in, but he's a plucky soul

A lot of money sure wasn't spent on this given the folks associated with this one. All I can say is that in this average noir film, a whole lot of people did this one as a favor to the Duke.

If "Man in the Vault" was made today it would go straight to the video. In the old days it was probably shown as a first feature before the real thing. I am a big fan of the film - noir movies. The dark atmosphere, sharply drawn characters, daring look at the humankind and of course' some of the greatest stars of all times. This little flick has none of the above. It looks extremely cheap and tawdry, the acting belongs to the Ed Wood school of movie making( especially William Campbell who is absolutely frightful), there is no sense of humor or snappy dialog. Even my penchant for nostalgia doesn't hide the fact that this is, sadly a dreadful little picture.

I had an old fuzzy copy-of-a-copy-of-a-copy of a TV broadcast of this 1956 crime-noir B programmer, but now that there's a new letter-boxed DVD out, I threw the old tape away and can finally enjoy this film for what it is: a solid "b" crime film with good performances, good pacing, and great Los Angeles location photography. The under-rated William Campbell plays an average guy working as a locksmith, who is approached by a gangster who wants to break into a safe deposit box. Campbell, like most people probably, initially tries to be polite, but turns down the offer. Gangsters don't like being turned down, so one can imagine where the plot goes. There's a woman involved, a shady lawyer, another gangster who has gone legit, Mike Mazurki as an ex-boxer turned enforcer, and the comedy of Pedro Gonzalez Gonzalez (a regular in Batjac Productions of this era). The main female role is played (well) by Karen Sharpe, who hails from here in San Antonio! Anita Ekberg is in a small role as the girlfriend of James Seay's character, the owner of the safe deposit box. Ekberg is not really given much to do. The film, an early directorial credit of Andrew V. McLaglen. legendary director of many classic westerns and action films, is very well-paced and has amazing location photography of 1950's Los Angeles. A few key scenes take place in a bowling alley, actually Art Linkletter's La Cienega Lanes, which is of great documentary value in itself. Wait until you see the climax inside the bowling alley! This probably deserves a "7" rating, but I'll give it one star more for the nice widescreen transfer on the DVD and the great location photography. This plays a lot like an Allied Artists low-budget 50's crime film, and for me that is a high compliment. Check it out...

Adapted by Burt Kennedy from the Frank Gruber novel, The Lock and the Key, Man in the Vault is a minor 50s crime flick that has somehow been lumped into the film noir encyclopedias. Andrew V. McLaglen directs and William Campbell, Karen Sharpe, Anita Ekberg and Berry Kroeger star. Story has Campbell as a locksmith who gets coerced into a deposit box theft just as Sharpe turns his head romantically.

Amazingly, nothing much happens, there's a lot of talking and pouting, Campbell's teddy-boy quiff always holds court, while Kroeger tries to eat all the indoor scenery. William H. Clothier is utterly wasted on photography, only really getting to use his skills when the story enters out onto the real L.A. locations; which are actually the film's only saving grace. OK! The deposit box sequence has a modicum of suspense, the mystery element as Campbell tries to fathom out what's going on also works, but come the weak and cop-out finale you may well wish you had done the gardening instead. 5/10

Tommy Dancer is a locksmith whose skills do not go unnoticed by mobster Willis Trent. Trent wants Tommy to get into the safe deposit box of a rival mobster. Tommy refuses, despite being offered $5000 and later being roughed up by one of Trents goons. Tommy agrees when he his tipped off by one Trents men that the box contains $200,000 in cash. Tommy decides to go along with the plan, and keep the 200 grand for himself and run off with Trents moll, whom he has fallen in love with.

MAN IN THE VAULT is standard low budget crime thriller from the period made enjoyable by the presence of Berry Kroeger, Paul Fix and Mike Marsurki. William Campbell gives a good performance as Tommy. There are some good moments of suspense, but things get a bit confusing toward the end.