Ama-me com Ternura

Though this is the one film that Elvis didn't receive top billing for, his tremendous singing and acting ability go a long way toward making it a lot of fun to watch. He shows us here that he was a terrific actor as well as a gifted singer. The story starts off a little slow but hits the mark after the first ten to fifteen minutes and leads to a well crafted climax. Worth watching for any Elvis fan.

Finally got around to seeing Elvis Presley's debut film in its entirety and in widescreen, and I think it's a good deal better than it's usually given credit for. Richard Egan plays Vance Reno, who is serving in the Civil War and returns home after the war ends to join his family and reunite with his lover (Debra Paget). But a tragedy ensues when it's learned that while he was away, his young brother Clint (Elvis) fell in love with and married his girl, after hearing that Vance had died. Also factoring into the trouble is that Vance has kept some Union cash which he never delivered to its destination when he found out the war had ended in the interim.

This turned out to be a good, solid story with fine performances, especially by Richard Egan. But again, Elvis is amazing as a completely first-time novice actor. He always wanted to be on the big screen from youth, after admiring James Dean, Marlon Brando and Tony Curtis. For a film fan who never had any professional acting training or experience, he's really quite good as Clint Reno. Though he didn't want to sing in this film, Presley was already a big recording star so of course there had to be songs in the movie. The title tune is a classic and it's very emotional as perfromed within the context of the film. I also like the singalong ditty "We're Gonna Move", which is performed by Elvis on the front porch "1950s-style" with his family, even though it's 1865. Other songs include the unremarkable "Let Me" and "Poor Boy". *** out of ****

The title sounds more like a soap opera than the sombre black & white post-Civil War tale it actually is, the shooting title of which was 'The Reno Brothers'. It was changed to name it after one of the songs sung by the heavy-lidded, swivel-hipped kid playing Richard Egan's young brother, and was the first feature ever to recoup it's entire cost in its first three days.

The lad shows promise; I wonder what became of him...

Headed by a cast that includes Richard Eagen, Debra Paget, Mildred Dunnock, Bruce Bennet, James Drury, and, oh yes, a young crooner making his film debut, Elvis Presley, "Love Me Tender" is a tidy post-Civil War western. Directed by Robert D. Webb from a screenplay by Robert Buckner, the story follows the Reno family in the period just after the War between the States. Four of the Reno brothers were Confederate soldiers, who, on the day after Lee's surrender, steal the Union payroll from a military train. When the brothers realize that the war is over, rather than deliver the cash to their Confederate superiors, they decide to keep it as spoils of war. When the three brothers reach home, they face several unexpected changes that propel the rest of the film.

Without Presley as Clint, the youngest Reno brother, who stayed home with their mother, "Love Me Tender" would likely have gathered dust in the vaults of Twentieth Century Fox. Not that the film lacks merit. Ruggedly handsome Eagen is a strong lead as the eldest brother, and the story holds viewers' attention, as does solid acting from veteran actress Dunnock as the boys's mother. Another major asset is Leo Tover's luscious black and white cinematography, which captures the period in images that often merit freezing and framing. However, even before the inclusion of Presley, the film had anachronisms with Paget, whose hair, costumes, and demeanor have more to do with the mid-1950's than the post-civil-war era.

While Elvis Presley is the film's major asset, he is also a major detriment to credibility. As an actor, the young rock and roll singer is quite good in the dramatic scenes; he has an easy natural quality, and the camera loves him. Unfortunately for the film, but fortunately for his fans and music history, "Love Me Tender" features several songs by Presley, which have nothing to do with the Civil War. He delivers the rock songs with his trademark hip swiveling, which sent audiences wild on the Ed Sullivan show, but might have merited strong disapproval from Ante-Bellum Southerners. Only the title tune, beautifully sung to Clint's mother and wife on the family porch, arguably fits into the film. However, without Presley and his songs and his hip swivel, "Love Me Tender" would not have received the care and visibility that it has. A mixed bag, but all on the positive side, "Love Me Tender" showcases a young actor with dramatic potential, some 1950's rock and roll hits, and an engaging western story. That's good entertainment value for 52 cents, the average cost of a movie ticket in 1956.

Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.

So how does The King of Rock and Roll fare here in his screen debut? There is some stiffness here, which isn't unexpected in anybody making his debut (though with Elvis it was something that was never completely shaken off) and his trademark moves during the songs while fun to see feel anachronistic in a Civil War Western film. However, generally 'Love Me Tender' contains one of his better performances, there is a real charm, easy-going charisma and also a genuine emotional honesty. He sings sublimely, his rendition of the iconic title song "Love Me Tender" (one of his most gorgeous songs) is beautifully sung. The other three songs are not quite as great but are still good, regardless of what can be said about how they're placed and how they fit.

He is very well supported by the rest of the cast, the heart-wrenching Richard Egan stealing the film pretty much and Debra Paget is sympathetic and charming. Mildred Dunnock is always reliable and is here. The conflicts are interesting enough, and the tragic finale is genuinely moving.

For a modest budget, 'Love Me Tender' looks good, the western setting while not majestic, evocative or sweeping is handsome and not cheap and the black and white is quite nice. The film is competently directed, and as said the music is good with one song being fantastic.

Dialogue is not a strong suit though, being somewhat awkward-sounding, parts of it and the anachronisms causing unintentional humour. Nor is the start of the film, until Elvis appears 'Love Me Tender' is pretty dull and uneventful.

Parts don't fit with the story or setting as well as ought, one never feels like the film is set in the 1860s instead feeling like a 1950s film set amidst a Civil War backdrop.

Overall, a decent if not great film and one of Elvis' better films and performances. 7/10 Bethany Cox