Impulsos da Mocidade

A rich mummy's boy gets bad grades at college so is forced to enlist in the Infantry. This was supposed to be a comedy, though I found the humour lacking, probably because the lead actor, Tab Hunter, wasn't very good. Natalie Wood had a smaller role playing Tab Hunters girlfriend, and the future major of Amity Island in Jaws played a sergeant. Only watch is you are very bored.

.....then by all means let me know directly at the above e-mail address so that I may arrange for a copy for you. This winning military "dramedy" stars the never-lovelier Natalie Wood as the titular dish waiting back home for her college-flunkie boyfriend (and barracks brat) Tab Hunter to smarten up and get a life in the army. Among the many highlights are some meaty set-pieces pitting n'er-do-well Hunter against his superior officers, all played with gusto by Murray Hamilton, Jim Backus and David Janssen (while Henry Jones and Alan King deliver equally fine turns as Hunter's pals. Look for James Garner, too). Action, comedy and emotional resonance in equal measures in a true classic of its kind that unfortunately never got its due. Worth repeat viewings if only to behold Ms. Wood's unique incandescence at its peak.

Referred to by both its leading players as The Girl With The Left Behind this is by no means a great movie but one certainly better than its sullied reputation would lead you to believe.

A large part of that bad rep comes via its two stars, Tab Hunter and Natalie Wood. A large portion of their distaste for this and several of their other co-starring pictures is surely attributable to the fact that they were contract players at the time and handed one indifferent script after another until Natalie graduated to A level stardom and Tab left the studio.

The film itself is an innocuous trifle about a selfish spoiled young man who has a problem with authority and the pains he and the officers over him suffer when he's drafted. Hardly a new plot or revolutionarily enacted this is stuffed with excellent character actors all contributing fun performances. A few standouts are Jessie Royce Landis as Tab's addled mother, Murray Hamilton as his exasperated direct superior and Henry Jones as an amiable cohort. Natalie's disregard for the film is understandable though since she's handed one of the nothing girl parts she had to endure while toiling her way to the top.

An unremarkable studio product this is still an enjoyable picture.

Tab Hunter plays a disgruntled college football star with bad grades who reluctantly joins the Peace Time Army, immediately getting on the wrong side of the other G.I.s with his surly attitude. I doubt, even in 1956, that Army officers would have put up with as many of Hunter's time-wasting shenanigans as they do here: he nods off and snores during a speech, he gets sarcastic and throws a few punches, his mother and former girlfriend both come for visits during Basic Training. The Fort Ord locations in California are well-captured, but this script seems conjured up by Hollywood persons unfamiliar with the milieu. For his part, Tab Hunter does almost nothing naturally as an actor. When he focuses on another performer, Hunter's intense stare makes him look furious--and when he's joshing or sweet-talking his mama, the smile is forced and nervous. Hunter isn't a bad actor, necessarily; there are one or two scenes where he seems in the moment. Still, both he and Natalie Wood are slumming here, giving about fifty-percent of what they've got. Supporting players Henry Jones, Jim Backus, Murray Hamilton, James Garner (in a small role), David Janssen, and even Alan King (as the proverbial barracks clown) do much better work than the stars. ** from ****

First saw this movie in 1965 the night before marksmanship qualification at Parris Island, I suspect that the reason they showed it to us is so that we could react to the slogan on the sign at the 11th Infantry's Headquarters. Yes, it was "Semper Fidelis"! The whole theater erupted each time that was shown. We also enjoyed the Sergeant's "Your behinds are grass, and I'm the lawnmower" because it was one of our DI's favorites; although with more colorful mode of expression.

The movie itself was hilarious in its badness (except for Natalie Wood). We could not fathom anyone getting away with the crap that Tab Hunter's "Andy" was dishing; not even in the Army! The less said about Andy's 'heroics', the better.

As for the romantic aspects, it was clear to all of us that Hunter's interest was not in Wood. No one (especially an actor as bad as Tab Hunter) could be within a mile of Natalie Wood and pretend such indifference. Even a great actor could not be indifferent.

A nice piece of big studio fluff that is too bad to get made today.