Ódio e Ternura

While this wasn't an Oscar movie, I enjoyed this charming film on TCM. I find Aldo Ray a very interesting actor. He defines that 40s/50s rugged charisma (John Wayne-type) that I think lends itself well to the true story of a WWII veteran being touched by a Japanese woman and Japanese orphans. I really didn't know he had romantic leading man roles even though its a bit of a stretch for him at times. The movie is sensitive in its treatment of the cultural differences between the Japanese and Americans without being demeaning or hokey. Although the musical South Pacific touched upon similar themes, this doesn't always seem to be typical of the era.

Mitsuko Kimura was very good and endearing. I wonder of her acting career listed here was actually that limited. Philip Carey, Dick Sargent and Chuck Connors all were good in their supporting roles. It's kind of funny watching Chuck Connors pitch in a charity baseball game knowing he played professionally. Even though he did not pitch in the pros, it looks like he was laying off the fastball.

I also find this era in post-war Japan to be fascinating. Here you see some of Osaka and the lights of downtown Tokyo from the early-50s. It's too bad this was not filmed in color because there is some beautiful scenery around the Kyoto era.

Thank you to Alana O'Reilly and the Veterans here who give this story a personal face.

I was a U.S. Air Force airman in the 1503rd Air Transport Squadron. Our squadron shared air terminal facilities at Haneda International Airport in Tokyo with Japanese civilian airlines as well as a few other international airlines. My tour of duty was 1954-1955. During that period, a small portion of Three Stripes In The Sun was filmed at this airport located in Tokyo Bay. The Columbia Pictures crew recruited a few of us off duty enlisted men to be extras in a scene where Aldo Ray is just arriving in Tokyo from the U.S. Our part was to depart the aircraft by walking down some portable steps to the tarmac and then marching into the air terminal building in a single file. That all seemed simple enough but the first take didn't go so well. One of the navy guys stumbled and fell down the steps so we had to get back into that hot aircraft that had been baking in the sun to do it again. This really upset Aldo Ray because he was a little hung over from doing the town the night before and he didn't relish getting back into that oven.

Heartwarming tale, based on a true story. An American GI in Japan for the post WWII occupation hates the Japs, and is rather a grouch. But he falls in love with a Japanese orphanage worker and proceeds to do much to help the plight of the orphaned children. This includes actually stealing army supplies, and diverting them to the kids !

The story doesn't fall into the trap of being soppy or sickly sweet, and the depiction of army life is pretty realistic. A feelgood story, very well done. Highly recommended.

This movie was filmed in Osaka, Kyoto, Camp Otsu and around Beiwako (Lake Biwa). My commanding officer Lt. Brazil was the officer in the movie that loaned his jeep to Aldo Ray. I also had another friend in the film Dick Simonaue that played a M. P. that had a speaking part. The film was well made and showed the resentment that some of the American service men had for the Japanese. This is understandable because it took place in that period between 1945 and 1951. Most of the men there had just fought in the war and remembered how some of the Japanese soldiers killed civilians and tortured their prisoners. After a while they begin to see that the average Japanese people were not much different then ourselves. This brought about the understanding and liking the Japanese people. The picture was finished in February of 1955 and shown in the Camp Otsu theater in June of 1955. If it ever comes back to TV I would like to tape it because of the fond memories that I have of that time. Robert

I'm writing this in reaction to some of the comments posted about this movie. Although this movie is a product of Hollywood, and therefore tends to be sickly sweet, I want to confirm that almost all of the story is true. My grandfather was nowhere near as racist as Aldo Ray's character in the beginning of the movie, but having fought in brutal conditions in the Pacific against a foreign enemy, he naturally felt great resentment against the Japanese people. Understandably, when he first arrived in Japan, he wanted very little to do with the Japanese people. However, when he first came across the devastated orphanage in Osaka, he knew immediately that he had to come to the aid of the children who were barely surviving in a war-torn nation. He did in fact steal food and medicine for the children, and started collecting donations from fellow soldiers. His efforts that had begun 60 years ago continue to this day, and the orphanage is still closely tied to the Wolfhounds. He also met and married my grandmother, Yuko, (who was the translator in the movie for the sake of the story). This movie should not just be taken at face value, but understood for its deeper meaning. My grandfather's story is just an example of the human connection between completely foreign people. People whose lives were destroyed by an unspeakably devastating war, still managed to surpass their hatred for one another, and find some peaceful middle ground.