Mulheres, Sempre Mulheres

In this day and age of R rated movies with blood and sex and violence, isn't it nice to have a little foolishness and fun in beautiful color. Enjoyed the costuming. Loved seeing Clint Eastwood in his youth. Loved seeing Carol Channing as well. James Arness before Gunsmoke was fun. It was just a fun movie for a rainy Sunday afternoon.The movies with Doris Day, Ginger Rogers, and others at the time brought relaxation and escape. Reality movies like we see today are too real. Our lives are real enough.To go back to a time that was relaxing, funny, and not real is a good break. Nothing wrong with reality movies, but movies like this are a chance to take a breath, smile and enjoy with the whole family.

One of the final RKO radio films produced in the last leap of faith in 1956. THE FIRST TRAVELING SALESLADY is a very enjoyable light comedy. What sets it apart from TV shows like PETTICOAT JUNCTION or films like OKLAHOMA both of which it strongly resembles is the A studio production values which allow the film to take on a lavish western look more akin to CALAMITY JANE. It is a jalopy western set in the horseless carriage days of 1899. Ginger Rogers was 43 and Carol Channing was 35 in production and given the mature age of both and the feminist slant of the story, it makes for a liberating tone for a film of the mid 50s. It is well worth looking at the last 20 films made at the RKO studio in this period by RKO TELERADIO PRODUCTIONS who revived the label after Howard Hughes trashed it. All 1955-58 RKO films are very well made, above the prior years of Hughes. TRAVELING SALESLADY is beautiful to see and has visuals cluttered with style and color. I thought it quite lavish in some scenes with overstuffed furniture and antiques that must have helped see unloved props get a final airing. In widescreen and technicolor it must have resembled GIGI or THE MERRY WIDOW. The most hilarious scenes to really really lap up involve a very young Clint Eastwood (25 years old) kissing Carol Channing! Fantastic! They elope together in the last reel! The railway station Ginger arrives at earlier at is the same as seen in OKLAHOMA, the last big musical distributed by RKO; Their very last film a minor but snazzy musical was THE GIRL MOST LIKELY also beautifully produced. Shame they gave up, but their films of the time, terrific as they were and modern in tone, just did not include respectable profits to continue. All other studios big and small had at least one blockbuster in this period, but alas RKO and Republic did not and folded.

After many years of making wonderful films, RKO closed its doors and was sold to Desi Arnaz and Lucille Ball...becoming Delilu Studios. Sadly, its final production was "The First Traveling Saleslady"...an inconsequential piece of fluff starring Ginger Rogers. Apart from it being the studio's last film, there really isn't much to recommend it and making bland pictures like this in the 1950s led to the studio's demise.

The film is about a lady who is trying to make a go of her corset company and later a barbed wire company. And, to help make a go of it, Rose (Rogers) goes on the road to market the products. Not surprisingly for the turn of the century, she encounters hostility from many of the men in the field as well as a bit of romance. And, along for the ride is Carol Channing who is mostly annoying in the role of Rose's friend and business partner. Oddly, Channing's love interest in the film is played by Clint Eastwood...in his first credited movie.

I am pretty sure by now you realize that I was not in love with this film. Too often, I found myself bored by it and found the story uninvolving. Additionally, while Ginger Rogers could be amazingly good in films, here she seems a bit out of her element...and perhaps it was made worse by Channing who seemed out of place in so many ways. All I know is that I found myself wanting to just turn it off after a while and cut my losses. A sad finale for RKO...and perhaps my score of 4 is a bit charitable.

By the way, this film was parodied on "Green Acres" in the episode entitled "The Old Trunk".

Mild comedy starring Ginger Rogers as a corset shop owner who goes broke and becomes a traveling saleslady in 1897 Texas. But because she owes money she ends up selling barbed wire. Very strange premise but a decent cast and a few good lines here and there save this one.

Rogers' modeling assistant is none other than Carol Channing, in Hollywood after her smash success on Broadway in Gentlemen Prefer Blondes. And she's not bad at all. Channing does a quickie song called A Corset Can Do a Lot for a Lady and she's hilarious, altering between her trademark Channing voice and some basso sounds that sound like Bea Arthur. Too bad the direction--as usual--cuts away from her to show the man behind the desk. Musicals always did this--cut away from the performer to show the audience.

James Arness is the rancher. Barry Nelson is the car owner. David Brian is the steel man. Clint Eastwood is the cavalry man. Robert F. Simon is a henchman.

What helps sink this is the overall cheap look and bad color. Rogers would star in 2 more films and then appear only sporadically. Channing would not appear in a film for another decade but would win an Oscar nomination for it--Thoroughly Modern Millie. And this is NOT Channing's film debut as is often stated. She had appeared in Paid in Full in 1950. But this was Eastwood's first screen kiss---with Carol Channing!

A dull little situation comedy made at the end of RKO's reign, and it looks desperate -- the patently false production values, the cheesy Americana, the mid-century niceness that dates so many '40s and '50s movies. However, and I can say this with authority: It's the only movie you will ever see where Clint Eastwood ends up paired with CAROL CHANNING. The Fifties were strange times, children.