Loucos São Vocês

In 1955 after Abbott&Costello Meet The Mummy, Bud and Lou finished their long stint with Universal Pictures. They did one more film, an independent released by United Artists titled Dance With Me Henry.

The title comes from a hit song of the time that her nibs, Miss Georgia Gibbs had a hit record of. It's heard instrumentally at some points in the film. The film has a role reversal of sorts, Bud is a shiftless gambler who owes some big money to gangster Ted DeCorsia because of some bad bets and Lou is the owner of a small amusement park, beloved by the kids especially the orphans from a home run by Father Frank Wilcox. Lou being the good hearted soul that he is takes Bud in.

But the gangsters want their money from Bud and if not they want him to go to work for them on some jobs like a bank heist they pulled just recently. Lou arranges to meet the District Attorney Robert Shayne and tell him what he knows. But then at the amusement park the DA is killed by DeCorsia's chief henchman Richard Reeves and Reeves also hides the loot from the job because he's planning a double cross.

It's quite a jackpot the boys have themselves in, but there's a providence that watches out over innocents in films. And in Dance With Me Henry, Lou is almost Stan Laurel like in his innocence.

That's what's missing in Dance With Me Henry. The old burlesque routines that one expects from an Abbott&Costello film just aren't here for their fans to savor. Abbott who's usually a sharpie and always putting stuff over on Costello is the idiot here and it doesn't wear well on him. He's also put on a lot of pounds and he's almost as rotund as Costello. Lou's character is something new, as if he was trying to explore new vistas.

The film didn't go over so good and the boys split up the following year. And Lou would do one solo feature film before his demise two years later. Dance With Me Henry is not a horrible film, but it just isn't what I and other fans came to expect from Bud and Lou. They deserved something better as a farewell.

Abbott & Costello's swansong was a reasonable farewell, playing like a fifties sitcom with a rather subdued Lou who in a plot reminiscent of Norman Wisdom gets involved with cute kids and mean adults.

the marx brothers and laurel and hardy and their fans suffered thru mediocre final films and Abboott & Costello were no different.

DANCE WITH ME, HENRY (title and tune based upon an early Etta James cover of a hank Ballard tune) has none of those records' energy but it is certainly more energetic - and better - than the critics have said it was.

number one: the story, although overly sentimental, is fun (Lou is a kind of local "pied piper" and protector of "lost" kids, always ducking and dodging the local social workers) but our heros get a chance to do a little more *acting* (Bud is effective as a real down and outer, not the usual conniver).

directed by SUPERMAN (TV) Director Charles Barton. and if U R a fan of the Danny Thomas Show, you'll see Rusty Hamer, a year or so before it premiered!

The final Abbott & Costello movie sees them trying something different, with notably less emphasis on violent slapstick and more on emotional resonance. Costello is particularly subdued; his character isn't the bumbling incompetent he was in all their other pictures, and neither is he Abbott's scapegoat. It's not an entirely successful move, but it has its moments, and Costello is surprisingly effective.

**1/2 out of ****

I think Abbott and Costello's last movie together is underrated. It's not among their finest, but they made less amusing movies together, and there still are some chuckles to be had here. At the time of production, Lou was reported as saying that the days of slapstick were over for them, and that both men were interested in actually doing more serious and emotional types of roles. But DANCE WITH ME, HENRY is obviously still a comedy even though it tries hard to inject some dramatic issues and sentiment along the way.

Lou Henry (Costello) operates "Kiddyland", a little amusement park, where he allows his drinking and gambling pal Bud Flick (Abbott) to work so his friend can pay off a huge debt he owes to a group of gangsters. Meanwhile, Lou is trying to gain custody of two orphan kids, but Bud's constant turmoil with the criminals keeps getting in the way.

Yes, it's obvious that the comedy team is older now, but they still have their moments in a few humorous scenes interacted together. I wouldn't say this A&C Swan Song is at all bad or unwatchable. The title of the film, which was named after a forgotten song that used to be popular and which has nothing to do with the story, doesn't help matters.