O Dia Do Fim Do Mundo

Okay, while the scientific background of this film is, to say the very least, incredibly void of any sound scientific data concerning atomic/nuclear type bombs aimed at ending human civilization, the story has charm, a bit of wit, and is quite entertaining as one man, his daughter, and five other strangers live in his home hidden in mountains/valley away from any fallout. Paul Birch plays the man who tried to convince everyone of what they needed to do but wasn't heeded. Birch gives a stoic performance with little emotion. His daughter is played by Lori Nelson(Revenge of the Creature). Her love interest, Richard Denning, plays good guy to gangster Touch (Mike) Connors and his moll, Adele Jergens. Rounding out the cast is inebriate Raymond Hatton with donkey in tow. All of the cast do a very good job. Connors plays a despicable thug very nicely. Hatton is effective as a drunk, and Jergens really shines (and is gorgeous) as a burlesque queen past her prime and stuck with a guy that no longer wants her. You can imagine how things go when rations decrease and sensitivities increase. One man, not aforementioned, named Radek gets affected and fear worms its way into this powder-keg group. The story is a lot of fun despite the total absence of any scientific validity to its premise. Director Roger Corman once again does a workmanlike job.

The Day the World Ended deals with The End of the World...not the one prophesied in the Book of Revelation, but the one popular with Hollywood. After all, if Christ returns for His own, how can you make a movie on the Millennial Kingdom?

"Day" is one of Roger Corman's first forays into low-tech, low-budget science fiction movies. His first effort is commendable; if only he had remembered his lessons when he made some of his more notable bombs. A Navy vet and his daughter are living in a home protected by a plot contrivance - it's basically sheltered from radiation from the surrounding mountains. Hills, mind you, that deadly radiation cannot get over, but are easily traveled by an old man and his burro.

Beyond that, it is an intriguing story of what happens when a little pocket of humanity survives mankind's worst nightmare. Mike "Touch" Connors does an interesting turn as a bad guy with a moll whose old enough to be his mother. Connors has the hots for the Navy vet's daughter, and would like to repopulate earth with her. Other stowaways include an archeologist and a man suffering from radiation poisoning. In this movie, radiation poisoning either kills you, turns you into a monster, or makes you look like Moe Howard.

Even with the end of the world, God is not left out. Notice that the Navy vet asks his daughter to marry the archeologist before they seek to restart humanity, as well as his later statement that, "I prayed and then I stopped worrying."

Sterno says "Day" is a great movie for a rainy Saturday afternoon.

This film was recently televised on AMC in 2:35 Superscope, and if you've seen it before (like me), you've missed almost half the picture. The wide photography opens up the film considerably, in the mountains, at the lake, even in the house. The film is eerie, with creepy music and atmosphere, but monster costume at the end disappoints. Yet director Roger Corman wisely keeps the creature offscreen most of the time, effectively using sounds, shadows, and blurred camerawork in this end-of-the world thriller. Lori Nelson is lovingly photographed, playing the comely daughter of Navy vet Paul Birch. It's odd that all the seven survivors gather at once in the beginning of the film, including Richard Denning as (conveniently) a geologist, Adele Jergens (excellent) as a stripper and Mike Connors her punky boyfriend. The film is not uninteresting, and I wonder whether the creature is actually Nelson's transformed boyfriend, since she claims he keeps calling her by name. Worth seeing, but ONLY in widescreen.

Fun Roger Corman flick about a small group of people who survived a nuclear war only to be in danger from a monster. The survivors are a geologist (Richard Denning), a guy with a Moe Howard haircut who suffered radiation burns (Paul Dubov), a hotheaded hoodlum (Mike Connors) and his stripper girlfriend (Adele Jergens), an old prospector (Raymond Hatton), and a father (Paul Birch) and his daughter (Lori Nelson). They spend most of the movie hanging around Birch's house talking, fighting, and lusting after Nelson, but it's not as boring as it sounds. The characters are pretty one-note but the actors are able to keep them interesting enough. The monster is courtesy of Paul Blaisdell. It's a pretty kooky-looking creature. This is a low budget movie so don't expect much from the effects or production values. But there's a charm to it, as with many of Corman's early films, that I find hard to resist.

Director Roger Corman's first sci-fi film effort in 1956, "The Day The World Ended", is a low-budget, marginal film. The story involves an older man(Paul Birch) and his lovely, grown daughter,(Lori Nelson) who are holed up in their house after a nuclear holocaust has decimated most of the worlds population; their home has been protected from radioactive fallout by the surrounding mountains. The setting is limited to the house and its immediate surrounding area; Corman makes some attempt at post-holocaustic atmosphere by using smoke-generators in the surrounding foothills. At the start of the film, Birch and Nelson are suddenly besieged by five survivors, including a burrow - who all inexplicably arrive within a short time of

one another. One of the survivors has been affected by radiation and is horribly disfigured on one side of his face. It struck me as unusual that some of them appeared remarkably clean and well groomed for this sort of situation. The characters are varied and much of the conflict results from the contrasting personalities, especially in regard to the limited supplies and to geologist(Richard Denning's) and tough guy(Mike "Touch" Conner's, later TV's Mannix) heated competition over the young Nelson. Denning and Conners give the best performances in this film, Adele Jergens(Connor's girlfriend) also delivers an entertaining bit when reenacting her striptease dancing act. However, the interactive scenes within the house drag on and

on for most of the movie without a glimmer of the "mutant monster" (Paul Blaisdell); the monster finally appears after some foreshadowing, but is remarkably inept in its attack on Denning and Nelson and quickly dies from exposure to the "pure rain" that comes just in time. Anti-climatic; with Denning delivering the cliche', "Man created him, God destroyed him". Not much comic relief except for the ridiculous looking monster, who wouldn't frighten anyone but the very young (I saw it at a local drive-in when aged 12 or 13, and although it appeared interesting at the time to my youthful eyes, it was certainly not scary), and a laughable scene where Conners sticks his exposed hand out a window to collect rainwater in a container to see if it's contaminated by radiation. Some of the dialogue is atrocious, for example, one of the

characters suggests that human skin exposed to radiation could be called "atomic skin" - I rolled at that one. A one-time viewing of "The Day The World Ended" should be more than enough for most, except for perhaps the most ardent Corman fan.