Davy Crockett e Os Piratas do Rio

This was the second of two Disney Crockett theatrical features, edited from a pair of Disneyland TV episodes during that show's second season. The first three Crockett stories, run during the first season and then later released theatrically as a mini-epic, were all at least in part based on Crockett's life, as the opening image - his journal allowing us to slip inside - makes clear. The follow-ups were based on the famed Almanacks that appeared after Crockett's death in 1836, and so are right filmed in a much broader style, visually suggesting a tall tale rather than a fact based adventure. In the first half, Davy (Fess Parker) and pal Georgie (Buddy Ebsen) engage in a legendary keel boat race with Mike Fink (Jeff York). Lots of good natured action-fun. In the second part, they join forces to eradicate the wicked river pirates who not only prey on innocent passersby but blame their wicked deeds on the innocent Indians. That allows for a highly effective message, much like that in the first film, whereby Crockett becomes a spokesman for Indians' rights. As always in Disney, the entertainment qualities are balanced with an attempt to educate the audience on the greatness of ethnic diversity. Some fifty years after its release, this is still a delight.

"Davy Crockett And The River Pirates" was originally produced for television and was broadcast on ABC as two episodes of the "Disneyland" series in 1955.

It is very easy to see why there was a Crockett phenomenon at the time. Fess Parker is perfect as Davy, and his sidekick, Georgie Russel, is played by Buddy Ebson, a few years before "Beverly Hillbillies". They play off of each other like a perfectly matched pair of shoes.

This film is wonderful and makes me wish that Disney had made more of them back in the 1950's. Unfortunately, however, the interest in Crockett was winding down by the time this one played in the theaters, and Disney used Fess Parker in other movies, like "Old Yeller" and "Westward Ho! The Wagons"

Still, this is a great film that is a lot of fun. The boats were later taken to Disneyland and utilized as the Mike Fink Keelboats ride.

-- One sidenote here: the keelboats were removed from Disneyland in 1996 following an accident that dumped a load of passengers into the water! --

As with most of the old Disney titles, I greatly recommend this film.

Wow.

Sometimes a film is powerful because it WAS powerful.

This is an amazingly dumb movie but perhaps no dumber in extremes than today's. The reason it might be on your radar is because of how influential it was.

It was the first movie with multimedia tie-ins. You could buy Davey Crockett hats and weapons. And lunchboxes — stuff like that. That wasn't all that extraordinary then. But this was also the first movie that was also a theme park ride. So it is the beginning of a food chain that leads us to the Depp pirate projects. That Davey Crockett ride lasted 40 years! (Incidentally, students of film will see blocking similarities between Depp's boat ride in the bayou and Parker's.)

Its also one of the movies most obviously designed for boys. Here you have guys pretending to be Indians and dying by falling down. You have water play. You have racing. You have tricksters.

And most of all, you have a juvenile version of that John Ford/ John Wayne meme: real men achieve honor through recreational fighting.

Seeing it again fifty years later is very strange. Young people watch movies more closely than adults I think. I remembered the smallest details, like the lettering on barrels, which incidentally was inspired by the Our Gang/Little Rascals cosmology that things become props by labelling them.

There are no "girls;" this is strictly boy's play. The only time girlie stuff appears is when the pirates try to attract Mike Fink's crew to an ambush. They do this by dressing up as floozies, which of course he cannot resist.

And its also an influential film in melding a certain collection of values to a certain collection of cultural carriers.

The values are honesty, plainspokenness, insight outside of book-larnin', loyalty (at least among men). The cultural carriers today are what's been labelled as "country" music (and its advertising affiliate, NASCAR).

Ted's Evaluation -- 2 of 3: Has some interesting elements.

Davy Crockett counted to infinity - twice.

If you found 'Davy Crocket: King of the Wild Frontier' a fun film, you probably liked it. 'Davy Crocket and the River Pirates' continues the fun and increases it as it flows more smoothly story wise then it's predecessor. It flows smoothly perhaps because there is a river in it, because rivers usually flow well if not roughly at times. Davy goes up against the King of the River Mink Fink in a race down the Ohio. I currently live near the Ohio river in Steubenville Ohio. It doesn't look as clean as it did back then, as everything looked cleaner back then if you take 50's films seriously.

After beating the tar out of each other, they take on the river pirates giving the Indians a bad name and beat the tar out of them. The action is more intense then the last time around, because it ignores the moral Mr. Smith dialogues in congress in favor of fists flying through the air. And the fight scenes believe you me, looks just as real as if Davy Crockett was fighting outside your local bar.

Davy Crocket is so suave and cool, basically because he just is and quite frankly he is humble about it which makes him more suave and cool. He doesn't brag or come up with wise cracks like some modern action heroes, he just goes and kicks butt wherever it is needed. Kinda of like Chuck Norris. But Davy has his own theme song, which they take time for in this production to sing as their going down the river. Mink Finch has his boys sing a song about him, but it never caught on in record sales.

The River Pirates deserves a place on your video library shelf, right next to the other Davy flick. Chances are they'll be on the same DVD, so you may have no choice in the matter.

What is the quickest way to mans heart? Davy Crockett's fist.

'Davy Crockett: King of the Wild Frontier' may not be a masterpiece, and there are better Disney live-action films and Disney films overall. It is a however impossible to dislike film and it was easy to see why anything to do with Davy Crockett was such a phenomenon in the 50s.

The same goes for its sequel 'Davy Crockett and the River Pirates'. Sequels don't always match their predecessors and even more rarely even better, with numerous examples of vastly inferior (polar opposite in quality) ones. 'Davy Crockett and the River Pirates' is every bit as good, with two improvements over its predecessors, it is not quite as episodic (while still feeling like a film of two halves) and it flows a little.

It is not perfect. The dialogue is even sillier and more childish in places than in 'Davy Crockett: King of the Wild Frontier', and a couple of the action sequences in the second half are still exaggerated and more cartoonish than epic.

As hoped though, 'Davy Crockett and the River Pirates' has a lot to like and is very difficult to hate. It is a good-looking film, with gorgeously epic scenery and evocative production design that looks like a lot of care and homework went into it, all handsomely filmed. The music is rousing, especially the timeless theme song that is one of Disney's and childhood's best and most memorable theme songs.

There is some endearingly-good natured dialogue, and as said the story is eventful and often exciting. A lot happens, especially in the first half, and never does it lull. The characters are a lot of fun, with a charismatic and likable hero in Davy Crockett, and direction is breezy and bright.

Fess Parker is jovial, charismatic and immensely likable in the title role and Buddy Ebsen counteracts with him very nicely. The acting may not be "great" but hardly bad, more than competent. A splendidly hammy Jeff York stands out in support.

Overall, a very enjoyable sequel with a huge amount of appeal. 8/10 Bethany Cox