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Another big-budget WWII adventure, filmed in color and widescreen by Fox in the '50s - and a misleadingly titled one, as it barely concerns the crucial 1944 Normandy invasion it references (not surprisingly Fox returned to this subject, and tackled it much more comprehensively, in THE LONGEST DAY [1962])! As a matter of fact, the film's one genuine battle sequence, while quite well done, occurs only after having gone through some 80 minutes of incessant talk; the bulk of this footage is devoted to a romantic triangle, told in lengthy flashbacks, which comprises American Robert Taylor and Brits Richard Todd and Dana Wynter, plus a rather irrelevant subplot involving maverick Colonel Edmond O'Brien! That said, the film is glossily proficient and remains highly watchable as the kind of unassuming entertainment turned out on a general basis by Hollywood in its heyday...

A film which springs immediately to mind after watching D-Day the Sixth of June is Abbott and Costello go to Mars. In that cerebral little opus A&C never actually get to Mars - they go to Venus instead, and even then it is only after some considerable preliminaries. Unlike that picture, D-Day the Sixth of June does actually get to the events referred to, but it is only as an aside for ten minutes or so at the end; like Abbott and Costello go to Mars, the title is a complete misrepresentation.

For most of its running time this film is actually a boring and clichéd melodrama in which Robert Taylor, Richard Todd and Dana Wynter play three two-dimensional characters involved in a love triangle against a backdrop of wartime England (Hollywood's conception of wartime England, anyway). The three roles may just as well have been played by cardboard cut-outs, but for what it's worth Richard Todd probably comes off best, being the only one of the major cast members who even hints at creating a real-life character. Robert Taylor is at his most wooden, and also possibly a little too old for his role. His love scenes with Dana Wynter generate less passion than an undertaker's convention. But then again, Dana Wynter always did seem to me to be a particularly passionless actress.

It can only be regretted that the film's makers did not spend more time on the subsidiary characters, who seem to me to be far more interesting. Brigadier Russell is well played by John Williams, and his resentment of the American interlopers is a theme which could have been developed far more fully. Likewise the flaky nature of Edmond O'Briens Colonel Timmer is never really explored or explained in any sense at all.

All in all, I enjoyed Abbott and Costello Go to Mars a lot more.

It's rather strange watching D DAY THE SIXTH OF JUNE in 2005 because what strikes you is that it's a war movie made with a female audience in mind . Maybe it wasn't so strange at the time because a large proportion of the female population in Britain at the time could probably relate to having both a British boyfriend and an American lover on the go at the same time , but still the thought of a war movie marketed towards women seems somewhat bizarre since it's a genre most females seem to dislike . For example has anyone seen the comments on BLACK HAWK DOWN from teenage girls confessing they went to the cinema simply to see Orlando Bloom and had to endure two hours of on screen carnage ?

My problem D DAY THE SIXTH OF JUNE is that it's an American movie . Nothing wrong with that since the Yanks make better films than anyone else but since it's based on actual events it's a very poor history lesson . For example we cut via flashback to a radio broadcast in 1942 stating that because of American involvement in North Africa the campaign was now a foregone conclusion . I will state truthfully that Britain couldn't have won the second world war without American assistance , but we won the Battle of Britain without American assistance and in 1941 British Commonwealth forces numbering 36,000 managed to hold back an Italian army numbering 400,000 in North Africa , while the decisive battle in the region at El Alamein was an entirely British commonwealth victory save for some equipment that was made in America . Watching this movie you're led to believe that the Brits didn't have a clue what they were doing unless they had expert help from Uncle Sam . Britain spent almost two years alone fighting the Axis powers , which is not something you'd learn from this movie

There areone or two good points . One is Richard Todd's performance as a British para . Todd spent the second world war as an officer in the parachute regiment and took part in the D Day landings himself so he gives method acting a whole new meaning , though his character isn't on screen as much as he should have been . Despite being filmed 50 years ago the long awaited battle scenes are good and must have been outstanding in their day , and lastly despite having an American bias this movie occasionally points out the Canadian contribution to the Second world war something that THE LONGEST DAY negates somewhat

This is one of those movies where history (IWW II) seems to get in the way of romance (Taylor and Wynter). He's a married American officer stationed in England, falling in love with a beautiful young Red Cross worker (Wynter), while she's already in love with a gung ho British officer (Todd). Wow! All that with bombs falling, guns firing and secret missions. Taylor and Wynter pull it off nicely, but the movie as a whole will leave you a little disappointed. Mind you, it is a good way to kill a couple of hours.

For many years, I avoided watching "D-Day the Sixth of June" because I assumed it was a film about the D-Day invasion. I was shocked to learn that it really was NOT about D-Day...and was much more a romance than a war film. What a surprise.

The film begins on a transport ship taking some commandos on a raid just before the main D-Day attack. A British officer (Richard Todd) and an American one (Robert Taylor) meet each other for the first time and they both realize they have something in common...they are in love with the same woman. The film then does a brief flashback about the relationship between Todd and Dana Wynter and a much longer flashback about the relationship between Taylor and Wynter. The latter is complicated because Taylor's character happens to be married.

This film plays more like a soap opera in many ways than a war film. In this sense, it's a bit similar to "From Here to Eternity"....though a bit less grand in scope. After all, the battle sequences consists of a few dozen men at a time and lacks the scope of the attack on Pearl Harbor in "From Here to Eternity". However, they both are very good films...soap and all.

Overall, this is a very good film despite the ubiquitous use of the song "You Never Know"...a song you come to hate after a while. Still, very well made and worth seeing.