À Caça do Monstro

The wealthy Dr. William Barton (Jeff Morrow) organizes an expedition to the Florida Everglades with the scientists Dr. Thomas Morgan (Rex Reason), Dr. Borg (Maurice Manson) and Dr. Johnson (James Rawley) to capture the Creature. They navigate in the ship of Capt. Stanley (David McMahon) with Jed Grant (Gregg Palmer) and Dr. Barton's wife Marcia Barton (Leigh Snowden) joins the team. Dr. Barton is paranoid with the jealousy of Marcia and Jed is harassing her in the trip.

They chase and capture the Creature that is totally burnt. Without breathing through the gills, the Creature is turned into an air breather through his hidden lungs and brought to the ranch of Dr. Barton in California. Dr. Morgan defends the thesis that the Creature responds to the way that he is treated and asks people to be not violent with him. But Dr. Barton is near a breakdown with his jealousy of Marcia.

"The Creature Walks Among Us" is a pleasant B-movie of the 50's and the conclusion of the Black Lagoon trilogy. This is a film that belongs to my childhood and today I have just seen it again. My vote is seven.

Title (Brazil): "A Caça do Monstro" ("The Hunting of the Monster")

Like a few other posters, I consider THE CREATURE WALKS AMONG US the best in the Gill Man series. Granted that's not saying a whole lot because I never cared for the Creature films anyway. The concept of an amphibious monster lurking underwater was just way too limited and never really held my interest. Still, in CREATURE WALKS AMONG US he becomes a much more intriguing character due to the plight his human costars impose on him, and Don Megowen's (uncredited) performance as the Creature is very good. Like Christopher Lee in Hammer's THE MUMMY he manages to convey emotion without the benefit of dialog or even facial expressions. And his final rampage through the house is terrific for such a low budget film. There's a real sense of brute power as he smashes everything in his path in his attempt to reach his human tormentor. And like almost everyone else, I find the ending surprisingly poignant.

"The Creature Walks Among Us" may not be everyone's cup of tea, but as a monster movie fan, I enjoyed it. It continues is the same vein (and vein-tearing) of the previous two "Black Lagoon" films, but while the level of violence, mayhem, and male protagonists goes down, there's more contemplation, "philosophy," and questioning the nature of the creature. It maintains the aura of man vs. nature, but a bit more intellectual than the other two. A good way to end the series, methinks. The acting, of course, isn't exactly its strong point, but in that aspect, it differs little from its predecessors. I must say, the creature's makeover into a more-man-than-gill is done with astonishingly good special effects- considering the time in history and the resources at hand. Overall, if you liked "The Creature from the Black Lagoon," you're bound to like this deeper, more eerie sequel, which is a little less blatant and a little more figure-it-out-yourself.

I remember seeing `The Creature Walks Among Us' on TV as a kid. The local syndicated TV channel had worked out a deal with Burger King where you would buy one of their Happy Meal rip-offs (whatever they were called then) and get a pair of 3D glasses, so you could watch the movie with its `full effect.' Brilliant. I don't recall that the 3D worked very well (it rarely does on a TV screen), but I do remember how excited I was to stay up late and see the Creature from the Black Lagoon arise again in glory.

Now this was the third film in the `Creature' trilogy, and it's clear that the budget was far smaller than on either of the previous films. I'm guessing that accounts for the recycled underwater footage (there is not one new shot of the Creature swimming – it's all from the first film) and the limited use of the original Creature suit. In all probability, the suit was showing its wear and tear, we only see it from the waist up, in darkness, except for the brief scene in which they set it on fire (!). After the Gillman is captured, they explain his modified (cheaper) makeup by explaining that he is `mutating' to adapt to air-breathing circumstances. Apparently his skin is now so `sensitive' that he is required to wear a potato sack for `protection.' This means that they only had to come up with hands and a head for the actor to wear, rather than a full-bodied suit.

Still, there is something compelling about this picture, even after 20 years of growing up. Somehow the fact that the Creature is brought into our world and made to wear clothes reminds one of the Fall of Man, and our unexpected shame at our nakedness. This Creature still longs for that innocence, for a return to his primal water environment, even though his gills are damaged and his lungs would drown if submerged. The romantic subplot parallels this theme in its reversal of the original `Creature' pattern. This time, instead of a lustful but rich scientist hitting on the Hero's girl, the girl is married to the rich but jealous scientist while our Hero reminds her what love is meant to be like. This girl is already Fallen, and she begins the movie looking like a slut, but she slowly comes around to innocence, under the charms of Rex Reason.

Jeff Morrow and Rex Reason have a fascinating chemistry, just as interesting here as in their better known picture, `This Island Earth.' In that movie, again, Morrow plays the scientist who `has it all' – unlimited funding, access to advanced alien technology, and Reason portrays the good guy who won't sell his soul to get ahead. This version of the story has Reason a bit more subdued, and Morrow a bit more paranoid/manic. Comparing the two films makes it possible to appreciate the actors' range, and makes me wish they had worked together more often.

After seeming to have been killed at the end of each prior installment (with no explanation in this or the prior sequel how he survived), the Gill Man is now residing in the Everglades of Florida. Wealthy scientist Jeff Morrow has gathered a team of medical and scientific types to help him catch the Gill Man and study him. The creature is caught, but seriously burned in the process. Rushing him back to the boat, they wrap him up in bandages, and try to save his life. As he recuperates, his gills fall off, and a humanistic skin if found underneath. Okay, a little far fetched, but, the Gill Man is in between man and fish, so this plotline works. What got me was that the new human Gill Man is gigantic and lumbering in size, where the original was trim and athletic. That never made sense to me. Don Megowan (the new Gill Man) was a big fellow, and his size made him more menacing, but, I have always had a problem with that size and weight difference.

Again, we're treated to some excellent underwater photography. And, the action is on par. Jeff Morrow is nicely evil, and Rex Reason is ruggedly masculine as the hero. Leigh Snowden as Morrow's wife, lends the added touch of beauty to the story, and Greg Palmer's rather slimey character is played perfectly.

Almost any movie could have been improved upon (well maybe not an Orson Welles or Frank Capra film), and yes, there could have been some changes that would have made this better, but, I still like today as I did in 1956 when I first saw it. It's a proud member of my classic library. For most, this would be a fair at best movie, but, you gotta give 'em credit for trying to be original with the Gill Man, and not just rehashing parts one and two. Also, the team of Morrow and Reason always made for good viewing.