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IMDbPro

À Caça do Monstro

Título original: The Creature Walks Among Us
  • 1956
  • Approved
  • 1 h 18 min
AVALIAÇÃO DA IMDb
5,6/10
4,4 mil
SUA AVALIAÇÃO
Jeff Morrow, Gregg Palmer, Rex Reason, and Leigh Snowden in À Caça do Monstro (1956)
Home Video Trailer from Universal Studios Home Entertainment
Reproduzir trailer2:06
1 vídeo
99+ fotos
Ficção científicaHorror

Adicionar um enredo no seu idiomaA scientist captures the Creature and turns him into an air-breather, only for him to escape and start killing.A scientist captures the Creature and turns him into an air-breather, only for him to escape and start killing.A scientist captures the Creature and turns him into an air-breather, only for him to escape and start killing.

  • Direção
    • John Sherwood
  • Roteirista
    • Arthur A. Ross
  • Artistas
    • Jeff Morrow
    • Rex Reason
    • Leigh Snowden
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    4,4 mil
    SUA AVALIAÇÃO
    • Direção
      • John Sherwood
    • Roteirista
      • Arthur A. Ross
    • Artistas
      • Jeff Morrow
      • Rex Reason
      • Leigh Snowden
    • 84Avaliações de usuários
    • 46Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    The Creature Walks Among Us
    Trailer 2:06
    The Creature Walks Among Us

    Fotos127

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    Elenco principal14

    Editar
    Jeff Morrow
    Jeff Morrow
    • Dr. William Barton
    Rex Reason
    Rex Reason
    • Dr. Thomas Morgan
    Leigh Snowden
    Leigh Snowden
    • Marcia Barton
    Gregg Palmer
    Gregg Palmer
    • Jed Grant
    Maurice Manson
    Maurice Manson
    • Dr. Borg
    James Rawley
    • Dr. Johnson
    David McMahon
    David McMahon
    • Captain Stanley
    Paul Fierro
    Paul Fierro
    • Morteno
    Lillian Molieri
    Lillian Molieri
    • Mrs. Morteno
    Larry Hudson
    • State Trooper
    Frank Chase
    Frank Chase
    • Steward
    Ricou Browning
    Ricou Browning
    • The Gill Man (In Water)
    • (não creditado)
    Don Megowan
    Don Megowan
    • The Gill Man (On Land)
    • (não creditado)
    George Sowards
    George Sowards
    • Ranchhand
    • (não creditado)
    • Direção
      • John Sherwood
    • Roteirista
      • Arthur A. Ross
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários84

    5,64.3K
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    Avaliações em destaque

    grghull

    My favorite in the series

    Like a few other posters, I consider THE CREATURE WALKS AMONG US the best in the Gill Man series. Granted that's not saying a whole lot because I never cared for the Creature films anyway. The concept of an amphibious monster lurking underwater was just way too limited and never really held my interest. Still, in CREATURE WALKS AMONG US he becomes a much more intriguing character due to the plight his human costars impose on him, and Don Megowen's (uncredited) performance as the Creature is very good. Like Christopher Lee in Hammer's THE MUMMY he manages to convey emotion without the benefit of dialog or even facial expressions. And his final rampage through the house is terrific for such a low budget film. There's a real sense of brute power as he smashes everything in his path in his attempt to reach his human tormentor. And like almost everyone else, I find the ending surprisingly poignant.
    mord39

    My favorite in the trilogy (and uderrated)

    MORD39 RATING: *** out of ****

    Why Oh Why do so many fans never let go of an original film and denounce any improvement that might be made? While the original film is a classic of the fifties, I think that was purely because it was the first (a distinct advantage most first films in a series have!)

    The second film was only "okay," and was a rehash of the first one. But why I like #3 so much is due to the daring change made to the Creature himself. He looks truly menacing and powerful when he becomes a land being, but more importantly he becomes much more human-like. We get to see how docile he truly is, and how it turns out to be that destructive animal known as Man who really makes him wild.

    When the Creature DOES get wild in this one, he's a REAL killing machine! The rampage he goes on in this movie still packs a jolt for me.
    9TEXICAN-2

    THE CREATURE LIVES

    After seeming to have been killed at the end of each prior installment (with no explanation in this or the prior sequel how he survived), the Gill Man is now residing in the Everglades of Florida. Wealthy scientist Jeff Morrow has gathered a team of medical and scientific types to help him catch the Gill Man and study him. The creature is caught, but seriously burned in the process. Rushing him back to the boat, they wrap him up in bandages, and try to save his life. As he recuperates, his gills fall off, and a humanistic skin if found underneath. Okay, a little far fetched, but, the Gill Man is in between man and fish, so this plotline works. What got me was that the new human Gill Man is gigantic and lumbering in size, where the original was trim and athletic. That never made sense to me. Don Megowan (the new Gill Man) was a big fellow, and his size made him more menacing, but, I have always had a problem with that size and weight difference.

    Again, we're treated to some excellent underwater photography. And, the action is on par. Jeff Morrow is nicely evil, and Rex Reason is ruggedly masculine as the hero. Leigh Snowden as Morrow's wife, lends the added touch of beauty to the story, and Greg Palmer's rather slimey character is played perfectly.

    Almost any movie could have been improved upon (well maybe not an Orson Welles or Frank Capra film), and yes, there could have been some changes that would have made this better, but, I still like today as I did in 1956 when I first saw it. It's a proud member of my classic library. For most, this would be a fair at best movie, but, you gotta give 'em credit for trying to be original with the Gill Man, and not just rehashing parts one and two. Also, the team of Morrow and Reason always made for good viewing.
    7gkrupa73

    The Best of the Three For Me.

    I seem to differ from many of my fellow "monster movie" fans because I find this film the best of the series and in many ways one of the better horror flicks from this era. The reason for this preference on my part is because the human characters are rich, the actors do an excellent job, especially Jeff Morrow, and the focus is on the relationships between the characters against the backdrop of the adventure of again capturing the creature and then dealing with what to do with him when they get him. These relationships are as complex as my last sentence. The film opens with establishing a very strained relationship between Dr. Barton and his wife Marsha by inference of their nonverbal behavior. We soon find that Dr. Barton is not simply a very suspicious man afraid of being turned into a cock old by his young sexy wife. He is exploding with paranoia and she is repelled by him. This sets the underplay of all the remaining events in the film. Dr. Barton is a narcissistic, arrogant man besides paranoid. And, these are his more charming features. Jeff Morrow, who usually played a good natured hero, gets to show his muscles an actor by making himself totally repulsive in this role. Rex Reason is very good in his role and does so by using his good looks, great voice and easy charm to underplay his part. Thus, he makes himself a pleasant contrast to the splenetic Dr. Barton. Leigh Snowden as Dr. Barton's wife Marsha is, well, very good and also underplays her sexuality so well that it becomes intense. For those who look at a "monster movie" and think the plot of the movie is the monster, which in a good monster film would never take place, this film is not for that person. For those who like a little gem of good acting and interesting characters- enjoy this film.
    5Vornoff-3

    Still pleases in spite of budgetary shortcomings

    I remember seeing `The Creature Walks Among Us' on TV as a kid. The local syndicated TV channel had worked out a deal with Burger King where you would buy one of their Happy Meal rip-offs (whatever they were called then) and get a pair of 3D glasses, so you could watch the movie with its `full effect.' Brilliant. I don't recall that the 3D worked very well (it rarely does on a TV screen), but I do remember how excited I was to stay up late and see the Creature from the Black Lagoon arise again in glory.

    Now this was the third film in the `Creature' trilogy, and it's clear that the budget was far smaller than on either of the previous films. I'm guessing that accounts for the recycled underwater footage (there is not one new shot of the Creature swimming – it's all from the first film) and the limited use of the original Creature suit. In all probability, the suit was showing its wear and tear, we only see it from the waist up, in darkness, except for the brief scene in which they set it on fire (!). After the Gillman is captured, they explain his modified (cheaper) makeup by explaining that he is `mutating' to adapt to air-breathing circumstances. Apparently his skin is now so `sensitive' that he is required to wear a potato sack for `protection.' This means that they only had to come up with hands and a head for the actor to wear, rather than a full-bodied suit.

    Still, there is something compelling about this picture, even after 20 years of growing up. Somehow the fact that the Creature is brought into our world and made to wear clothes reminds one of the Fall of Man, and our unexpected shame at our nakedness. This Creature still longs for that innocence, for a return to his primal water environment, even though his gills are damaged and his lungs would drown if submerged. The romantic subplot parallels this theme in its reversal of the original `Creature' pattern. This time, instead of a lustful but rich scientist hitting on the Hero's girl, the girl is married to the rich but jealous scientist while our Hero reminds her what love is meant to be like. This girl is already Fallen, and she begins the movie looking like a slut, but she slowly comes around to innocence, under the charms of Rex Reason.

    Jeff Morrow and Rex Reason have a fascinating chemistry, just as interesting here as in their better known picture, `This Island Earth.' In that movie, again, Morrow plays the scientist who `has it all' – unlimited funding, access to advanced alien technology, and Reason portrays the good guy who won't sell his soul to get ahead. This version of the story has Reason a bit more subdued, and Morrow a bit more paranoid/manic. Comparing the two films makes it possible to appreciate the actors' range, and makes me wish they had worked together more often.

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      Sequel to O Monstro da Lagoa Negra (1954) and A Revanche do Monstro (1955), and the only one of the three not made in 3-D.
    • Erros de gravação
      Dr Borg identifies a trace on his sonar as a school of Rock Lobsters. Lobsters do not swim in schools.
    • Citações

      Dr. Thomas Morgan: ...because we all stand between the jungle and the stars, at a crossroads. I think we better discover what brings out the best in humankind, and what brings out the worst, because it's the stars or the jungle.

    • Conexões
      Featured in Roman Candles (1967)

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    Perguntas frequentes19

    • How long is The Creature Walks Among Us?Fornecido pela Alexa
    • What is 'The Creature Walks Among' us about?
    • Is 'The Creature Walks Among Us' based on a book?
    • Is this movie a sequel to the 'Creature from the Black Lagoon'?

    Detalhes

    Editar
    • Data de lançamento
      • 26 de abril de 1956 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • The Creature Walks Among Us
    • Locações de filme
      • Wakulla Springs, Flórida, EUA(underwater scenes)
    • Empresa de produção
      • Universal International Pictures (UI)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 18 min(78 min)
    • Cor
      • Black and White

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