A Festa de Casamento

I had seen this movie mentioned here and there for years, but neither the title nor the cast list suggested to me that I would enjoy it. (Ive never been that big a fan of either Ernest Borgnine or Bette Davis, although I knew they were fine actors; and putting sweet young Debbie Reynolds in the same scenes with them did not seem promising.) Finally someone whose taste I respected recommended it, so I gave it a try. What a delight! A subtle, intelligent script, with a cast that absolutely did it justice. None of the characters are perfect; none are terrible; and above all, none are simple. What is remarkable to me is the complexity and depth of the characters that is revealed without any one of them ever explaining him- or herself any more articulately than real people do. It took fine writing (Chayevsky may have done this better than anyone else), fine directing, and fine acting all around to accomplish this. Somehow it escapes being distinctly melodramatic, "gritty," bleak, or even particularly sentimental - while at the same time avoiding being too light, or too witty. It is just eminently watchable.

Bette Davis plays loyal wife to hard-working NYC cabby Ernest Borgnine. Borgnine is very close to realizing his dream to actually own his own taxi cab, complete with special licence, at last being his own boss.

All would be well, if not their young daughter Debbie Reynolds had announced her sudden plans to marry blue-blood Rod Taylor. Davis, unphased by the limited financial means, is determined to "give" their daughter a big wedding. The figures to foot the bill reach astronomical proportions, making everyone but Davis nervous.

The not entirely predictable outcome is one of the most satisfying Hollywood movie endings ever. -- This film was Bette Davis' personal favorite; she called her performance "my proudest effort". As a fan of all 4 stars, I agree that "A Catered Affair" is one of the very best films Bette Davis has ever starred in. "Cinema Candy" all the way through!

An unjustly neglected "kitchen sink" movie from the fifties, with fine performances by all and intriguing New York locations.

Bette Davis and Ernest Borgnine portray the very much working-class parents of a young woman who is about to get married, and just wants a quick ceremony with no reception. But the mother, guilty about "not giving her daughter anything" over the years, pushes for an expensive "catered affair" that her husband cannot afford, and would use money he planned to devote to buying a taxicab license.

Davis' brassy performance has received the most attention, but Borgnine's subtle, nuanced portrayal of the father is what really sustains this movie. Barry Fitzgerald provides comic relief as a "oirish" uncle. Altogether a charming and touching film that is very much a slice of life of NYC in the fifties. Like the other Chayefsky scripts of this era, it explores themes that would have been unpalatable or mawkish for any other writer.

"The Catered Affair" is a great little movie filled with real life heartache and genuine emotion. Bette gives a strong performance as the matriarch of the family determined to give her only daughter a proper wedding even though the family can't afford to do so. Ernest B. is perfectly cast as the slovenly, hard working taxi cab driver. In fact everyone is up to par in this film, but it's the real life situations that tug at your heart strings. Agnes' brother who sleeps on the couch in the living room, preparing a dinner to impress the future in-laws, Agnes' realization that one day it will be only her and Tom living in the apartment. An especially touching scene takes place in the bedroom as Agnes brushes her hair as Tom gives her many reasons why they can't afford the cost of the wedding, both financially and emotionally.

The plot of "The Catered Affair" is extremely simple, and the action develops all around the plans for the wedding. It's the actors that make this little movie truly remarkable. Bette Davis is just great as Agnes, the mother who wants her daughter to have a grand wedding even if, doing this, compromises the family's finances and her husband's dream of buying his own cab. She is just amazing in portraying a simple and strong woman who ran the family through tough times and got used to a marriage of sacrifices and hard work. Her dreams, hopes and aspirations are all coming back in the occasion of her daughter's wedding. No matter what the rest of the family really want. Ernest Borgnine is as good in the role of Tom, Agnes' husband and father of the bride, especially in the scenes in which faces his wife. A simple, intense drama with excellent actors.