O Rio dos Homens Maus

"Canyon River" is a remake of "The Longhorn", a film I have not yet seen...so I cannot compare the two. However, if it's close to being as good as "Canyon River", it's well worth your time.

Steve (George Montgomery) is a cattleman with vision. Instead of the usual longhorn cattle, he wants to bring in some new breed to improve the quality and value of the meat. However, this means driving the cattle from Oregon to Wyoming...a HUGE distance. But there are two problems he doesn't foresee. First, his foreman and best friend, Bob (Peter Graves), is a jerk down deep and has arranged to betray Steve to a crooked rancher, Maddox. The plan is to steal the cows and divide them between Bob and Maddoc...and Steve has no idea he's going to be betrayed. To make things worse, once they arrive in Oregon, Steven can't find hands willing to make the long drive. In desperation, he hires a tough group of ex-outlaws and troublemakers. So, you assume, one way or another...Steve is screwed. See the film...see what happens.

This film has several things going for it. First, Montgomery is excellent in the lead...more believable and less bulletproof than the usual cowboy hero. His character is also written very well. Second, the supporing characters are really good...with Marcia Henderson and Alan Hale, Jr. Providing great support. The same can be said for Graves...though seeing him in a western sure feels odd! Overall, a surprisingly good and effective film...one I really liked.

Canyon River, a western from Allied Artists and starring George Montgomery tries to pack a little too much plot in the 80 minute film. And one performer was completely miscast in the role of villain.

Peter Graves as Montgomery's foreman on his cattle ranch is fixing to betray Montgomery in his scheme to bring furrier Hertford cattle to Wyoming from Oregon. Texas longhorns haven't enough hair to survive Wyoming winters. But Graves who says he wants to be his own boss is planning a double cross with villains Walter Sande and Robert Wilkie.

Try as I might I could not wrap myself around Peter Graves as a rat. When he did play one in Stalag 17 the idea was during over half the film you don't know he's the barracks informer with his all-American demeanor. Here we know right away and I couldn't buy it.

Later on in the film Graves is shot and Montgomery brings him to the tender care of widow Marcia Henderson and her son Richard Eyer. Graves falls for her, but she's got eyes for George. Now that would have been good plot motivation from the beginning.

I also could not buy the fact that Montgomery went to a saloon in Oregon where the town low lifes imbibe, beat Alan Hale in a fight, and then win the whole crew of miscreants over with promise of employment. That was really too much.

Canyon River which boasted some nice scenic western cinematography on the plus side was not one of George Montgomery's better roles.

Harmon Jones was not a great director by an efficient one, providing solid material. This one is certainly not his best, because without any major surprises and too many things already seen one billion times before. It is fast paced, taut, shot in beautiful settings. Peter Graves and George Montgomery characters don't bring much but that remains entertaining for an excellent B western.

I've seen two or three movies about cross-breeding Hereford white-face cattle with Texas Long-horns to get a cow that can live in the high country; THE RARE BREED, starring Jimmy Stewart and Maureen O'Hara sticks in my mind because of the leads. CANYON RIVER is a more typical high-class B from Allied Artist, starring George Montgomery, who goes to buy the Herefords, his pal, Peter Graves, who rides along, ready to double-cross him for a stake in his own spread, and Marcia Henderson, who comes along on the cattle drive, because there has to be a love interest in this sort of movie.

It's a pretty good movie with some nice scenery thanks to cinematographer Ellsworth Fredericks and some good acting, particularly by Alan Hale, as leader of the disreputable cowhands whom Montgomery hires because no one else will. Montgomery, as always, is solid, one of those actors who never quite got out of the comfortable and profitable groove of B Western stardom before the genre went away. The result is a pleasant, if unmemorable example of the B western in its sunset phase.

George Montgomery is Steve Patrick, a cattle rancher with a plan to create a new, improved crossbreed that will be hardy enough to withstand the unforgiving Wyoming winters. But first he must drive his herd of cattle to his Wyoming ranch. The problem is that no respectable cattle hand is interested in travelling into the bad weather out of season, so he's forced to hire a band of ne'er-do-wells. What he doesn't realise is that his best friend Bob (Peter Graves) is planning to double-cross him by engineering an ambush at the eponymous Canyon River with the local bad guy when the drive is nearly over. Added into the mix is the comely widow (Marcia Henderson) with a young son whom both Steve and Bob fall for, thus stirring Bob's resentment of his friend even further.

Canyon River is one of those modest Western programmers that have no pretensions of artistic merit but which simply strive to tell a straightforward story in as efficient and economical a way possible. The story is fairly unusual for this kind of film. There's not that much gunplay, as the plot focuses more on the simmering tensions that exist between Steve, Bob and Janet and the band of rogues led by cuddly Alan Hale Jr. Chances are you've probably never come across such a lacklustre band of outlaws as this bunch; Montgomery's character only has to give Hale a few smacks across the chops to win his undying loyalty, and the rest of the crew only pay attention to the fetching young widow when she's dishing up chow on the trail. It's this lack of any prominent bad guys – Bob is essentially a good guy gone temporarily astray – that robs what is otherwise a decent little movie of the level of suspense it needs.