AVALIAÇÃO DA IMDb
5,8/10
986
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter Trace Jordan's brother is murdered by members of the land-grabbing Sutton family, he vows to report this injustice to the nearest Army fort.After Trace Jordan's brother is murdered by members of the land-grabbing Sutton family, he vows to report this injustice to the nearest Army fort.After Trace Jordan's brother is murdered by members of the land-grabbing Sutton family, he vows to report this injustice to the nearest Army fort.
- Direção
- Roteiristas
- Artistas
Wayne Burson
- Sutton Rider
- (não creditado)
Amapola Del Vando
- Townswoman
- (não creditado)
John Doucette
- Bartender
- (não creditado)
Ron Hargrave
- Sutton Rider
- (não creditado)
Bob Herron
- Faber
- (não creditado)
David McMahon
- Doctor
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Two young lovers flee a murderous rancher's posse.
In 1956, Warner Bros. paired up two of their most promising young contract players in this movie and one other, The Girl He Left Behind. Unfortunately for the studio, neither film caught fire. Hunter certainly had the All-American good looks but in the acting department was no James Dean, while Wood's struggle here with a Mexican accent amounts to little more than an honest effort.
Wisely, the studio stacked the dialog with a veteran supporting cast—Akins, Franzen, and Teal —who carry most of the lines. At the same time, was there ever a better nasty young punk than the great Skip Homeier, who could hold his own with any heavyweight actor. Also, it's too bad the young Earl Holliman didn't have matinée good looks because he could have injected real feeling into Trace's pivotal part.
The cast itself gets to ride around greater LA in a generally non-scenic Technicolor Western. However, the showpiece brawl over the big rocks and into the roaring river is a real doozy. Hunter certainly earned his salary with that one. Then too, Franzen's Indian tracker is nicely conceived and adds a good ironical touch to the fairly predictable outcome.
All in all, the movie amounts to little more than a minor vehicle for two of the studio's attractive young stars. The talented Wood, at least, would go on to bigger and better things.
In 1956, Warner Bros. paired up two of their most promising young contract players in this movie and one other, The Girl He Left Behind. Unfortunately for the studio, neither film caught fire. Hunter certainly had the All-American good looks but in the acting department was no James Dean, while Wood's struggle here with a Mexican accent amounts to little more than an honest effort.
Wisely, the studio stacked the dialog with a veteran supporting cast—Akins, Franzen, and Teal —who carry most of the lines. At the same time, was there ever a better nasty young punk than the great Skip Homeier, who could hold his own with any heavyweight actor. Also, it's too bad the young Earl Holliman didn't have matinée good looks because he could have injected real feeling into Trace's pivotal part.
The cast itself gets to ride around greater LA in a generally non-scenic Technicolor Western. However, the showpiece brawl over the big rocks and into the roaring river is a real doozy. Hunter certainly earned his salary with that one. Then too, Franzen's Indian tracker is nicely conceived and adds a good ironical touch to the fairly predictable outcome.
All in all, the movie amounts to little more than a minor vehicle for two of the studio's attractive young stars. The talented Wood, at least, would go on to bigger and better things.
Louis L'Amour wrote well-structured western stories that were very entertaining. Usually, there's a hero who never goes out of his way to hurt anyone. And the force(s) of villainy are clearly defined. But Hollywood wanted to pair Natalie Wood and Tab Hunter, so the love story in this film includes some amorous un-L'Amourous scenes to cater to young viewers.
The first couple of scenes establish who our hero is (Tab Hunter as Trace Jordan) and how bad the villains are. Natalie plays Maria, a strong-willed young woman who is also victimized by the gang of gunslingers who enforce the evil dictates of one Joe Sutton (Ray Teal). After Trace attempts to bring the bad guys to justice, they chase him over the countryside. Maria tries to help him.
Members of the gang include Claude Akins, who also appeared in "The Sea Chase" with Tab Hunter in 1955. One of the orneriest gang members is played by Earl Holliman. After this film, he would appear consecutively in "Giant", "The Rainmaker" and "Gunfight at the O.K. Corral". Talk about being in the right places at the right time.
Unfortunately, certain scenes are marred by some very corny lines. The result is a great L'Amour story burdened by Hollywood "enhancements". You can judge for yourself if Natalie Wood's accent is horrible or not. She surely took a lot of criticism for Maria's accent in "West Side Story", which would follow in five years.
The first couple of scenes establish who our hero is (Tab Hunter as Trace Jordan) and how bad the villains are. Natalie plays Maria, a strong-willed young woman who is also victimized by the gang of gunslingers who enforce the evil dictates of one Joe Sutton (Ray Teal). After Trace attempts to bring the bad guys to justice, they chase him over the countryside. Maria tries to help him.
Members of the gang include Claude Akins, who also appeared in "The Sea Chase" with Tab Hunter in 1955. One of the orneriest gang members is played by Earl Holliman. After this film, he would appear consecutively in "Giant", "The Rainmaker" and "Gunfight at the O.K. Corral". Talk about being in the right places at the right time.
Unfortunately, certain scenes are marred by some very corny lines. The result is a great L'Amour story burdened by Hollywood "enhancements". You can judge for yourself if Natalie Wood's accent is horrible or not. She surely took a lot of criticism for Maria's accent in "West Side Story", which would follow in five years.
Tab Hunter has here one of his rare lead characters role; he usually co starred with big names, and this movie is not a B picture either. Stuart Heisler was not Lesley Selander, Alfred Werker, Ray Nazzaro or Jack Arnold. This vengeance plot, scheme, is as old as the western genre, so don't expect any surprises here. You'll find here a very good time waster and a Nathalie Wood's performance which is worth the viewing. Nothing special concerning this western, that was rather in the Twentieth Century Fox manner, using supporting actors for Cinemascope - or the studio equivalent - frames. Good western.
Bubblegum western marketed at the time as if it were "Rebel Without a Cause" on the range (one of the tag lines read: "People would say, 'But they're only kids!'"). Half-breed girl (Natalie Wood, heavily pancaked and miscast, but still not bad) shelters a cowboy (Tab Hunter) embroiled in a vengeful feud with a scurrilous gang. Good, trashy fun; supporting cast including Earl Holliman and Claude Akins is solid, direction by Stuart Heisler fast-paced. The screenplay adaptation (by Irving Wallace, of all people) slants Louis L'Amour's story in favor of showcasing the teen heartthrobs of the day, but it has good action scenes and a satisfying wrap-up. **1/2 from ****
Você sabia?
- CuriosidadesAccording to Tab Hunter's autobiography, studio executives were so displeased by Natalie Wood's "Mexican" accent that they even considered dubbing in another actress's voice.
- Erros de gravaçãoDuring the Sutton gang's battle with the Native Americans, one of the gang is hit in the back with a thrown tomahawk and falls off his horse, toward the camera. He falls off too late and rolls right into the camera's shadow and seemingly knocks right into the camera itself.
- Citações
Maria Christina Colton: They think they can treat me like those girls in the dance hall.
Trace Jordon: I'm sorry. I know how you must feel.
Maria Christina Colton: You can't. You are a man.
- ConexõesFeatured in Tab Hunter Confidential (2015)
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.500.000
- Tempo de duração
- 1 h 34 min(94 min)
- Proporção
- 2.35 : 1
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