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After a fallow period during the early fifties Mickey Rooney established himself as a fine straight actor, a position consolidated in this otherwise very ordinary war film set in Italy in 1944 to which Rooney not only contributed the title song but collected an Academy Award for Best Supporting Actor.

The best performance is as usual provided by Wendall Corey with his regular quiet authority. Don Taylor - soon to give up acting in favour of directing - is strictly speaking the star as a Holy Joe who's heart is broken by a brunette Nichole Maurey pretending to be an Italian as a local girl with whom he shares a glass of buttermilk before it all ends in tears.

I remember seeing this at a drive-in back when it first came out with my cousin's family in Rochester. This is one of those films that really sticks with you. At the time however some of the more adult themes of the film went completely over my head.

The Bold And The Brave focuses on three soldiers in the Italian campaign. Wendell Corey plays an amiable drifter type who in civilian life was a lawyer, but never practiced much law as he was married to a rich woman. He's not sure if he has the right stuff.

Corey's best pal is Mickey Rooney who got an Oscar nomination for Best Supporting Actor. He's a cheerful extrovert who lives for his off duty moments. He's got a marvelous scene cleaning out the company in a crap game. In the end though, that truly does him in.

Both are commanded by Don Taylor who is their uptight model GI Joe sergeant. In war he's great, but has some issues in his personal life. They call him preacher and it's suggested ever so gently that he's been celibate. Corey tries to fix him up with Nicole Maurey who also gives a great performance as a girl who does what she can to survive the war.

The Bold And The Brave has for some reason been lost for years. Hopefully it will be broadcast and a new generation can appreciate a fine underrated classic.

The main problem with The Bold and the Brave is that the main character isn't likable. Don Taylor, whom you probably know as Buckley in Father of the Bride, stars as a righteous, pious soldier stationed in Italy. The other featured soldiers are Wendell Corey and Mickey Rooney, but when they get together to play a prank on their pal, it gets out of hand. They pay an Italian prostitute, Nicole Maurey, to act innocent and seduce Don.

There are some steamy scenes between the two, but since there are other 1950s movies that also have steamy scenes, you don't have to rent this one. It's not that great of a war movie, and the characters aren't compelling. Mickey is obsessed with gambling, chasing women, and talking big to impress Wendell, whom he thinks is a top dog. Wendell isn't really a top dog, and inconsistently disrespects then defends Nicole. Don is the worst of all. He's rude, stubborn, and righteous, and when he finds out he's been betrayed, he's unforgivably unforgiving. I'm not sure if he's supposed to be a sympathetic character or not, but since he's the lead, it's not very much fun to watch him when he never redeems himself.

This low-budget, old-fashioned film, set in Italy during World War II, is probably best remembered for Mickey Rooney's Oscar-nominated performance in a supporting role. And he does steal the show as Dooley, the fast-talking soldier with a dream. But the primary plot revolves around Wendell Corey and Don Taylor's roles as soldiers with very different approaches to war, and life. Corey and Taylor also do fine work, if less flamboyant than Mickey's. The film is extremely well-plotted, in a way that's very rare in today's movies, and the screenplay also was Oscar-nominated. It's a thoughtful piece with something to say about human character. The film has basically disappeared from view. It never appears on TV, and is very hard to find anywhere. But if you come across it, it's well worth viewing.

Set in a unit of the U.S. infantry during the Italian campaign of 1944, this focuses on three soldiers. Fairchild (Wendell Corey) whom in civilian life had got by doing very little after marrying a rich woman, further doubts himself after failing to kill an enemy sniper. He is saved by his sergeant, known as Preacher (Don Taylor) a puritanical bigot whose upbringing has left him with all sorts of hang-ups with the notable exception of "Thou shalt not kill". Extrovert Willie Dooley (Mickey Rooney) is a compulsive and successful gambler, obsessed with winning as much as he can to set himself and his family up in the restaurant business after the war.

This is a mostly gripping film which succeeds in portraying the heroism, courage and spirit of self-sacrifice demanded of soldiers in battle without glorifying war. The leading actors are all good with Rooney's fast-talking ebullient character particularly memorable; his marathon crap game provides the film's funniest moments. Nicole Maurey gives a sensitive performance as a beautiful Italian girl with whom Preacher falls in love, prior to callously dumping her on learning she's previously been with other men for money to survive. Perhaps best of all is Wendell Corey, one of those actors who could create believable characters with hidden depths, while apparently doing very little, who brings a quiet integrity to the part of Fairchild. It's all introduced with a rousing march, to which Mickey Rooney supplied the lyrics.