A Torre dos Monstros

Entertaining mad scientist flick directed by Reginald Le Borg, notable for its cast of horror vets. Basil Rathbone plays the lead character, a surgeon whose beautiful young wife is suffering from a brain tumor. To save her he will need to operate but first he wants to get plenty of practice in on the unsuspecting locals. Rathbone's assistant, played by Herbert Rudley, has some objections. Bela Lugosi (not looking well) plays a mute servant in his last completed film role. A waste of his talents but at least this movie isn't as bad as his Ed Wood dreck. Lon Chaney, Jr. plays a lunatic brute, as he often did late in his career. Just like Bela, he has no lines. Also appearing are John Carradine, Akim Tamiroff, Tor Johnson, and Patricia Blair. No one in this has a good part except for Rathbone and Rudley. Still, it's a good B movie of the kind that was so prominent in the '30s and '40s but had died out by this point. Too bad they couldn't get Boris Karloff, though.

Dr Cadman saves the life of an old student, Ramsay, by giving him a drug nick named the "black sleep" prior to his going to the gallows. The drug simulates death and Ramsay is believed to have died before the hangman could have his way with him. Cadman revives Ramsay and has him help with his operations mapping the centers of the brain. Of course Cadman is mad, his desire to help his wife who is in a coma, has reduced him to using means that are less than savory. Tension mounts as Ramsay's good nature clashes with Cadman and the weird things that are going on in the house.

Somehow this little gem slipped under my radar and it wasn't until recently that I even knew this movie existed. With a cast that would be the delight of any classic horror movie fan (Basil Rathbone, Bela Lugosi,Lon Chaney, John Carradine, Tor Johnson, Akim Tamiroff) this is a one of those movies that they don't make any more. This is an odd mix of what you think of as classic horror and modern graphic visuals with a moody castle passageways and graphic brain operations and disfigured monsters. It walks that fine line of being link between the Universal style horror films of the 30's and 40's and the drive in monster fare of the 50's and 60's (it feels like a black and white version of the Hammer Frankenstein films or something like Blood of the Vampire) . Its a great deal of fun, and more than a tad creepy and tense since you really can't be sure whats going to happen next. In its way its a classic of its kind.

My only real complaint is that the casting of Lugosi, Johnson and Carradine is a bit misleading since Lugosi only has a few scenes as a mute butler, and Carradine and Johnson only show up in the final 15 minutes. They are really no more than cameos and don't deserve the high placement in the credits they receive.

Definitely high on my recommend list to anyone who likes classic style horror. This is a movie to search out and enjoy late on a rainy Saturday night.

There is a good deal of talking in this movie, which probably puts a lot of people off. It's also not as cut and dry as most movies, the "bad" guy makes a good case for his experiments, he's just too passionate about them. There's an uneasy sense of dread here; the smell of death sulks in every black and white frame. Some viewers might be bored, confused, disturbed by the morbidity of it all.

But hang on to your straight jacket kids! The climax of this opus is completely deranged! It comes out of nowhere, it's incredibly disturbing and ends all too soon! Loonies! Religious nuts! Mutants! Dungeons! Exposed brain matter! A refreshingly intelligent premise and a nutso finale. My kind of movie.

Good luck finding it though.

Sir Joel Cadman (Basil Rathbone), a mad scientist, kidnaps his victims and cuts open their brains in an effort to discover a means to cure his wife's brain tumor.

Okay, so you have a 1950s mad scientist story about a guy doing experimental brain surgery that results in some serious mistakes. That alone could probably make a pretty decent horror film -- who is opposed to seeing brain dead lobotomy patients lumbering through a dungeon?

But, really, this film could not have failed if it tried. Besides Rathbone, it features Bela Lugosi, Lon Chaney and John Carradine. They could have stood around and played hackey sack and I would still watch it.

Paul Corupe makes an interesting observation about this film's role in history. He notes that on the surface, Cadman is your typical 1930s mad scientist, saying things like, "In the interests of science, anything is justified." But underneath that, he is a 1950s scientist, a transitional figure who does experiments not just because he can but because he is trying to save a life -- he is one of the very first mad scientists we can feel sorry for, possibly. The only earlier example Corupe offers is from "The Ape" (1940).

The Black Sleep (1956)

This is one of those campy horror movies, two decades after the great originators, that fans will really love and newbies or outsiders will have trouble getting.

I'm mostly a fan, but even as the titles rolled and I couldn't believe the great cast, I was aware that this was 1956, that Bela Lugosi and Lon Chaney Jr. were well past their prime. And the lead, Basil Rathbone, was playing an evil doctor (a shade like Dr. Frankenstein, pushing moral boundaries with his surgery), was more known as Sherlock Holmes. Still, along with John Carradine, what a cast!

And this is really Lugosi's last uncompromised appearance in any movie, even though he plays a mute and we don't get to hear him. ("Plan 9" comes after this, but Lugosi's role there is famously limited.) He's terrific! And Chaney's appearance is also mute, a brief each time, and not such a big deal. (Once there is nice, corny subjective p.o.v. camera as he attacks his prey.)

The plot? The title? Well, it's all a bit obvious what's happening, though the opening twenty minutes is more a straight drama that actually suggests a really good movie is ahead. A man is on death row, and Rathbone visits him and gives him the Black Sleep potion, which puts him into a fake death and he is carted away and revived. That doesn't give too much away. For the rest of the movie the potion is really just used as anesthesia at the crazy doctor's castle and is no big deal.

There is the pretty girl in a coma, a misunderstood nursing assistant who is daughter of the Chaney character, another nurse who is oddly cold and efficient (and not a Nazi--this is all 1872), and then there is the main character, the man from death row, who happens to be a crack surgeon that the evil doctor needs for his research.

For the middle half of the movie you see minor tensions and some brain surgery that is meant to seem cutting edge and unscrupulous. Then, in a huge surprise, almost as if the director woke up, a bunch of old patients appear out of nowhere (maybe they escaped their cells). And it's a bit of absolute mayhem, with Carradine playing an angry Moses type, and it's pretty crazy.

Look, I said too much perhaps but you should know this isn't a great movie. But it's great camp. It's silly, it's filled with icons from the old days, and it's not so badly made at all, edited well and filmed better than you would think for this nadir of Hollywood productions. This is around the time of the new Castle low budget films, and early Corman stuff, but this one is clearly from the old school of 1930s Hollywood. See it on those terms and like it!