A Torre dos Monstros

While Plan 9 from Outer Space is often considered to be Bela Lugosi's last film, considering that movie consisted of test scenes meant for a different movie, the actual final picture of which Lugosi actively participated in should actually be this one. He plays a mute butler who doesn't really do much but still has somewhat of a presence and is nothing to be ashamed about. He is joined here by fellow horror stalwarts John Carradine (gloriously hammy here), Lon Chaney, Jr., and fellow Ed Wood-directed series castmate Tor Johnson. The star is Basil Rathbone as a mad doctor who performs brain surgeries because of a secret I don't want to reveal here. Herbert Rudley is his reluctant assistant and Patricia Blair (or Blake as she's credited here) is the daughter of Chaney who plays another mute who was once a functioning human being. There's also an amusing performance by Akim Tamiroff as another associate of Rathbone's. Other cast members worth noting: Phyllis Stanley as Rathbone's nurse, Sally Yarnell as another of the underground "patients", Claire Carleton as a "customer" of Tamiroff's, and John Sheffield as a Scotland Yard detective investigating the whole thing. I thought this was a very effective chiller that was underrated considering the cast. So on that note, I'm recommending The Black Sleep.

There is a good deal of talking in this movie, which probably puts a lot of people off. It's also not as cut and dry as most movies, the "bad" guy makes a good case for his experiments, he's just too passionate about them. There's an uneasy sense of dread here; the smell of death sulks in every black and white frame. Some viewers might be bored, confused, disturbed by the morbidity of it all.

But hang on to your straight jacket kids! The climax of this opus is completely deranged! It comes out of nowhere, it's incredibly disturbing and ends all too soon! Loonies! Religious nuts! Mutants! Dungeons! Exposed brain matter! A refreshingly intelligent premise and a nutso finale. My kind of movie.

Good luck finding it though.

Entertaining mad scientist flick directed by Reginald Le Borg, notable for its cast of horror vets. Basil Rathbone plays the lead character, a surgeon whose beautiful young wife is suffering from a brain tumor. To save her he will need to operate but first he wants to get plenty of practice in on the unsuspecting locals. Rathbone's assistant, played by Herbert Rudley, has some objections. Bela Lugosi (not looking well) plays a mute servant in his last completed film role. A waste of his talents but at least this movie isn't as bad as his Ed Wood dreck. Lon Chaney, Jr. plays a lunatic brute, as he often did late in his career. Just like Bela, he has no lines. Also appearing are John Carradine, Akim Tamiroff, Tor Johnson, and Patricia Blair. No one in this has a good part except for Rathbone and Rudley. Still, it's a good B movie of the kind that was so prominent in the '30s and '40s but had died out by this point. Too bad they couldn't get Boris Karloff, though.

If I went for snark more often in my reviews, I might say that "The Black Sleep" will put *you* into a black sleep. But, in truth, it's not *that* bad. It's just somewhat disappointing, given the gathering of some of the shining lights of the horror genre. This is really more of a period drama (with precious little period recreation - this is mostly shot in interiors) with touches of horror. Its first three quarters are somewhat dull, and talky, and most unfortunate of all, NOT very atmospheric.

The story mostly centers around the activities of a deranged doctor, Sir Joel Cadman (Basil Rathbone) who saves a former student, Gordon Ramsey (!) (Herbert Rudley) from the hangman. This he does with the assistance of a drug, the "Black Sleep" of the title, that can make people appear to be dead. Sir Joel intends to have Ramsey assist him in his radical research into the human brain. Ramsey meets such characters as Daphne (Phyllis Stanley), Sir Joels' loyal nurse, two mutes (Lon Chaney Jr. and Bela Lugosi), and the very fetching young Laurie Monroe (Patricia Blair), while an annoying, talkative gypsy named Odo (Akim Tamiroff) provides Sir Joel with unwilling test subjects.

"The Black Sleep" is saved, to a degree, by its final quarter, which is good fun, as more characters come crawling out of the woodwork. Among them is a hirsute John Carradine. Don't be fooled; despite his prominent billing, his is little more than a cameo role. The same goes for the hulking Swedish wrestler Tor Johnson, who doesn't show up for a long time. The reasonably likable Rudley does a decent job of carrying the story. He's a good man who claims to be innocent of a murder charge, and there's no reason to doubt him. He's also the moral centre, scoffing at the insanity perpetrated by Sir Joel. Mr. Rathbone is marvelous; his performance does ultimately transcend the material. But performers like Carradine, Lugosi, and Chaney end up rather under utilized.

Directed without much style by Reginald Le Borg ("Weird Woman", "Diary of a Madman"), but the score by the talented Les Baxter is definitely worth a listen.

Six out of 10.

Dr Cadman saves the life of an old student, Ramsay, by giving him a drug nick named the "black sleep" prior to his going to the gallows. The drug simulates death and Ramsay is believed to have died before the hangman could have his way with him. Cadman revives Ramsay and has him help with his operations mapping the centers of the brain. Of course Cadman is mad, his desire to help his wife who is in a coma, has reduced him to using means that are less than savory. Tension mounts as Ramsay's good nature clashes with Cadman and the weird things that are going on in the house.

Somehow this little gem slipped under my radar and it wasn't until recently that I even knew this movie existed. With a cast that would be the delight of any classic horror movie fan (Basil Rathbone, Bela Lugosi,Lon Chaney, John Carradine, Tor Johnson, Akim Tamiroff) this is a one of those movies that they don't make any more. This is an odd mix of what you think of as classic horror and modern graphic visuals with a moody castle passageways and graphic brain operations and disfigured monsters. It walks that fine line of being link between the Universal style horror films of the 30's and 40's and the drive in monster fare of the 50's and 60's (it feels like a black and white version of the Hammer Frankenstein films or something like Blood of the Vampire) . Its a great deal of fun, and more than a tad creepy and tense since you really can't be sure whats going to happen next. In its way its a classic of its kind.

My only real complaint is that the casting of Lugosi, Johnson and Carradine is a bit misleading since Lugosi only has a few scenes as a mute butler, and Carradine and Johnson only show up in the final 15 minutes. They are really no more than cameos and don't deserve the high placement in the credits they receive.

Definitely high on my recommend list to anyone who likes classic style horror. This is a movie to search out and enjoy late on a rainy Saturday night.