A Torre dos Monstros

"The Black Sleep" is a glorious, elegant all-star "monster romp" in black and white from Hollywood's "ghoulden era." The film has it all: rich performances (both mimed and spoken), evocative sets, lighting and cinematography, an involving story and detailed script, mad science, swirling mists, dark London streets, gaslight, an old abbey (complete with an oaken door with a medieval viewing-window), rumblings of thunder, burning candles, horse-drawn carriages, elegant costumes and period (1872 England) detail, gigantic fireplaces with sliding panels, shadowy corridors replete with ghostly "knight's armory" lurking in dark corners, sinister music, hidden torchlit chambers, suggestive sound-effects, subtly chilling props and special effects (including clanking chains, coffins, syringes, a musty skull, and a pulsating brain!), a moody matte-painting of a castle atop a hill overlooking a valley of gnarled, wind-blown branches, gruesome monster make-up, and a stunning ensemble cast of mystery and terror specialists that features Basil Rathbone, Akim Tamiroff, Lon Chaney, Jr., John Carradine, Bela Lugosi and Tor Johnson! To promote the film, make-up artist George Bau was commissioned to create life-sized wax replicas of many of the cast members, which were later displayed in New York City to coincide with the picture's June, 1956 release. For good measure, Boris Karloff, who was in town at the time, is said to have posed with these wax sculptures in publicity photos to help give the film an extra push; in the following year, Boris would work with "The Black Sleep"'s director, Reginald LeBorg, its production company, Bel-Air, and many of the same technical crew to make "Voodoo Island," an eerie zombie tale set on a tropical isle. Herbert Rudley (who would later appear in "The Mothers-In-Law" TV series), Patricia Blake (aka Patricia Blair), Phyllis Stanley, Sally Yarnell, George Sawaya, Peter Gordon, Claire Carleton, John Sheffield, Clive Morgan, Louanna Gardner, and the unbilled players (who always add so much to the creating of a world in which a film is set--one of whom is Howard W. Koch, who helped produce the film!) all join together with the aforementioned players in bringing a magical level of conviction to this tale of a scientist and the strange drug he tampers with (which produces a death-like trance to all who come under its influence). Dr. Max Andler is the Beverly Hills neuro surgeon who served as technical advisor during the "brain surgery" sequences. A well-produced tale of terror, directed by Reginald LeBorg (who helmed such other favorite shockers as "The Mummy's Ghost," "Diary of a Madman" and the above-mentioned "Voodoo Island.") Curl up on a rainy night and enjoy "The Black Sleep"!

While Plan 9 from Outer Space is often considered to be Bela Lugosi's last film, considering that movie consisted of test scenes meant for a different movie, the actual final picture of which Lugosi actively participated in should actually be this one. He plays a mute butler who doesn't really do much but still has somewhat of a presence and is nothing to be ashamed about. He is joined here by fellow horror stalwarts John Carradine (gloriously hammy here), Lon Chaney, Jr., and fellow Ed Wood-directed series castmate Tor Johnson. The star is Basil Rathbone as a mad doctor who performs brain surgeries because of a secret I don't want to reveal here. Herbert Rudley is his reluctant assistant and Patricia Blair (or Blake as she's credited here) is the daughter of Chaney who plays another mute who was once a functioning human being. There's also an amusing performance by Akim Tamiroff as another associate of Rathbone's. Other cast members worth noting: Phyllis Stanley as Rathbone's nurse, Sally Yarnell as another of the underground "patients", Claire Carleton as a "customer" of Tamiroff's, and John Sheffield as a Scotland Yard detective investigating the whole thing. I thought this was a very effective chiller that was underrated considering the cast. So on that note, I'm recommending The Black Sleep.

There is a good deal of talking in this movie, which probably puts a lot of people off. It's also not as cut and dry as most movies, the "bad" guy makes a good case for his experiments, he's just too passionate about them. There's an uneasy sense of dread here; the smell of death sulks in every black and white frame. Some viewers might be bored, confused, disturbed by the morbidity of it all.

But hang on to your straight jacket kids! The climax of this opus is completely deranged! It comes out of nowhere, it's incredibly disturbing and ends all too soon! Loonies! Religious nuts! Mutants! Dungeons! Exposed brain matter! A refreshingly intelligent premise and a nutso finale. My kind of movie.

Good luck finding it though.

Oddly enough The Black Sleep was some years ahead of its time medically speaking. The title refers to a drug from India that scientists Basil Rathbone uses to do that. Today it's a technique to enable recovery from certain illnesses or injuries. But being that this is Basil Rathbone mad scientist you know the drug will be used for all kinds of nefarious purposes.

Rathbone gets Dr. Herbert Rudley out of prison to assist him by use of his coma inducing Black Sleep. Rudley is in prison for a murder he didn't commit. When he 'dies' before the death sentence is carried out that's the end of it. But Rathbone has a lot of work for Rudley to do, operations on some willing and not so willing patients. What it's all about you have to see The Black Sleep for.

If you do see it you're in for a treat because with a cast of scene stealing actors such as Bela Lugosi, Lon Chaney, Jr., and John Carradine, this is not to be missed. All three of their characters are products of Rathbone's failed experiments. Carradine in particular is joy. He plays a deranged man who thinks he's a Crusader King and he's overacting outrageously and I'm loving every minute of it. Also in the film is Akim Tamiroff as a gypsy grave robber who also aids Rathbone.

All these people have legions of fans still. So if you want to see a film that's a combination of Frankenstein and the Island of Dr. Moreau with a great cast you can't miss with The Black Sleep.

If I went for snark more often in my reviews, I might say that "The Black Sleep" will put *you* into a black sleep. But, in truth, it's not *that* bad. It's just somewhat disappointing, given the gathering of some of the shining lights of the horror genre. This is really more of a period drama (with precious little period recreation - this is mostly shot in interiors) with touches of horror. Its first three quarters are somewhat dull, and talky, and most unfortunate of all, NOT very atmospheric.

The story mostly centers around the activities of a deranged doctor, Sir Joel Cadman (Basil Rathbone) who saves a former student, Gordon Ramsey (!) (Herbert Rudley) from the hangman. This he does with the assistance of a drug, the "Black Sleep" of the title, that can make people appear to be dead. Sir Joel intends to have Ramsey assist him in his radical research into the human brain. Ramsey meets such characters as Daphne (Phyllis Stanley), Sir Joels' loyal nurse, two mutes (Lon Chaney Jr. and Bela Lugosi), and the very fetching young Laurie Monroe (Patricia Blair), while an annoying, talkative gypsy named Odo (Akim Tamiroff) provides Sir Joel with unwilling test subjects.

"The Black Sleep" is saved, to a degree, by its final quarter, which is good fun, as more characters come crawling out of the woodwork. Among them is a hirsute John Carradine. Don't be fooled; despite his prominent billing, his is little more than a cameo role. The same goes for the hulking Swedish wrestler Tor Johnson, who doesn't show up for a long time. The reasonably likable Rudley does a decent job of carrying the story. He's a good man who claims to be innocent of a murder charge, and there's no reason to doubt him. He's also the moral centre, scoffing at the insanity perpetrated by Sir Joel. Mr. Rathbone is marvelous; his performance does ultimately transcend the material. But performers like Carradine, Lugosi, and Chaney end up rather under utilized.

Directed without much style by Reginald Le Borg ("Weird Woman", "Diary of a Madman"), but the score by the talented Les Baxter is definitely worth a listen.

Six out of 10.