Mabrouka

"The Black Tent" begins with a man in Britain being told that his brother, the heir to the family fortune, MIGHT still be alive in North Africa--over a decade after he was assumed to have died fighting in WWII. However, when he tracks down the Bedoins who sheltered and healed him during the war, they deny having any other knowledge of him. After he leaves, however, he finds his brother's diary--someone had stuck it in his belongings in order to let him know the truth. Most of what follows is a flashback--flashbacks where you learn that the brother was like a son to the Chief and that he even eventually married the man's daughter! But the story goes beyond that--he even organized the locals into a small guerrilla army which attacked Axis troops! What happened next? See the film.

By far the best thing about this movie is the location shooting. The amazing ruins at Sabratha, Libya serve as a backdrop as is the nearby desert. However beautiful this is, however, the story itself isn't that captivating. Now it isn't because the idea is bad--it's not. But he execution seemed very plodding and flat. The writing could have been better and the actors a bit more charismatic. Still, a watchable adventure tale that is reasonably watchable.

One of the final films from Donald Sinden's days as a dashing young officer partnered him with a blonde Anthony Steel as siblings in this adaptation of Robin Maugham's story filmed in the Libyan desert in VistaVision and Technicolor.

Brian Desmond Hurst directs with his usual bloodless competence; while it provides a rare opportunity to see Andre Morell and Michael Craig as Libyan chieftains, Donald Pleasance in a fez, and Anton Diffring and Frederick Jäeger speaking their original language as a pair of sightseeing Germans.

Everything in this film feels like a garage sale. The only actor of any note is a Brit playing an Arab, Donald Pleasance. Bob Steele was more noted for playing cowboys in B movies. The casting was more than a bit curious. They had several Brits playing Arabs, and they were not close to believable.

The Germans looked ok though. But the final battle scene is fairly atrocious. I will not mention why. The female lead was never seen or heard from again in any major film; but she was decent.

The movie seemed to have a lot of potential, but very little of that potential was realized. It falls short in production values and a few other areas. Worth viewing only as a curiousity.

Intriguing adventure/WWII yarn dealing with a wealthy heir (Donald Sinden) is worried when his eldest brother (Anthony Steel) fails to return home from North African campaign , as Rommel's Africa Korps have vanquished the British army in Tobruk . As brother Donald Sinden is packed off to discover that he's fallen for a Sheik's (Andre Morell) daughter (Anna Maria Sandri) and thrown in an adventurous life with a Bedouin tribe in the Libyan African desert.

Drama , mystery , intrigue , romance story in which the alleged heir of a fortune is worried about the eldest sibling who occupies the ancestral seat has disappeared during the African campaign and then he sets out in his quest . Well written by actor/director Bryan Forbes and Robin Maughan , based on his novel . Pleasantly filmed romantic drama , all very stiff-upper-lip , here outstanding a pretty good main and support cast . As stiff Anthony Steel gives a passable acting as the British soldier who joins the Bedouin and romances the native chief's daughter , subsequently marrying her and then he helps the tribe fight off a Nazi attack . Along with the beautiful Italian actress who had a brief career, Anna Maria Sandri , giving a below-average acting . Other actors appearing as Donald Sinden and Andre Morell provide better performances . Furthermore , prestigious British secondaries as Donald Pleasence , Ralph Truman , Anthony Bushell , Michael Craig , Anton Diffring in his usual Nazi role, Bryan Forbes himseld as a dying Soldier and Nanette Newman uncredited as Mabrouka's voice.

It packs a colorful and sunny cinematography by Desmond Dickinson , shot on location in Roman ruins, Sabratha, Libya and Pinewood Studios, Iver Heath, Buckinghamshire, Compton Wynyates, Warwickshire, England, UK . It conatins an atmospheric and evocative musical score by William Alwyn ,adding Arabian sounds . The motion picture nicely produced by Earl St. John , being professionally directed by Brian Desmond Hurst , though I has some failures . Brian arranges to flatten the interest out of potentially thrilling material . Hurst was a craftsman , probably best known to modern audiences as the director of exotic adventures , WWII , Christmas and controversial films . He made what is generally considered to be Ireland's first sound film, Irish Hearts (1934). Two years later he made a film that caused the authorities in his native Northern Ireland to forbid it from being shown there : Ourselves Alone (1936), a story of the 1921 Irish rebellion against British rule , being the English language equivalent of the name for the Irish political party "Sinn Féin", it was banned in his native Northern Ireland at the time of its release in 1936, although it has since achieved critical and is shown in museums and other public access points in Northern Ireland . And he , subsequently , went back his Irish roots in other films as Hungry Hill (1947) . Hurst ran into censorship troubles again with his adaptation of Edgar Allan Poe's The Tell-Tale Heart (1934), which was prohibited in many areas of Great Britain for being "too horrible" for public exhibition. These incidents didn't deter Hurst from making controversial films, however. He turned out the dark On the night of the fire (1939) in 1939, regarded as one of the first British "noir" films . During the war Hurst made such films as Dangerous Moonlight (1941), a well-regarded story of an American newswoman in England who falls in love with an exiled Polish pianist who wants to return to his country to fight the Nazis , this film also popularized the musical number "Warsaw Concerto". After the war he made what he regarded as his favorite film, Theirs Is the Glory (1946), about the disastrous British-American wartime operation at Arnhem in Holland, which became Britain's biggest-grossing film for almost a decade . The film he is most famous for results to be Scrooge (1951) with Alastair Sim, considered by critics and audiences alike to be the best and definitive film version of Charles Dickens' classic novel "A Christmas Carol" . He is also noted for his World War II film The lion has wings (1939) . Among his other successes was Malta story (1953), about the defiant resistance of the military and civilian populations on the island of Malta against relentless Nazi bombing during the war, and Simba (1955), about the Mau-Mau rebellion against British colonial rule in Kenya . And other movies as ¨Trottie true¨, ¨The Mark of Cain¨ , ¨Behind the mask¨, and ¨Dangerous Exile¨ about the French Revolution . He retired in 1963 after "John Millington Synge's Playboy of the Western World" which was his final picture , and died in London in 1986.

There really isn't much positive to say about the film other than that it uses a lot of location shots and is colourful.

The main actors, most of whom had their moments of stardom at different times had difficulty making much of their parts, even Andre Morrell. Anton Differing and Frederick Jaeger were believable as both were German speakers and seemed to have a whale of a time without the constraints of acting in their second language, English.

The film is worth a watch but not one that I'd make an effort to see again.