O Balão Vermelho

Le Ballon Rouge is a masterpiece in Short Film making. It tells the story of the day of a life of a parisian boy who finds a red balloon on his way to school. Or rather it finds him. Everybody, it seems is rather keen to see the boy get rid of the balloon. He arrives at school and is not allowed to bring the balloon in with him. He lets it go and it flies off, only to be waiting for him at the end of the day, hovering outside in the school yard. Further adventures ensue throughout the day culminating in a spectacular ending for the boy. It is wonderfully directed by Albert Lamorisse. This fantasy is elegant in direction and editing on the screen. The acting is understated and quite delightful. It has always been my favourite of all Short Films. I wonder if it exists as a theatrical print. I've only ever seen it on TV. I'd love to see it projected.

Splendid short movie dealing with the fantasy world of children . A red balloon with a life of its own follows a little boy (Pascal Lamorisse , son of director Albert Lamorisse) around the streets of Paris . Balloon and young boy play together in the streets and slums of Paris and attempt to elude a band of boys that wants to explode the balloon .

This timeless movie displays haunting and powerful scenes , it's plenty of frames which stay forever in the mind and there is almost no dialog spoken . The story is narrated with sensitivity and intelligence and is treated a simple adventure developed in great sense of ductility and fairness . In spite of runtime is short , this is a medium-length film, as the run is 35 minutes , it is entertaining , amusing and funny . The gentle humor developed in the film is clever and agreeable and dealing with fantastic as well as surrealist deeds . The plot is plain and simple though is only set in Parisian streets , it isn't dreary , neither boring but fun . Director tirelessly maintains the humorous ingenuity and including fantasy as when the balloon following the little boy around like a pet . Spectacular as well colorful finale when other balloons of various sizes and colors descend on the boy from all parts of Paris, and together they lift him into the sky and take him away over the horizon . Lively musical score is enjoyable and cheerful . The motion picture received awesome reviews and deserves the complete knowledge , acquiring an international reputation for its poetic quality ; receiving a grand prize at the Cannes Film Festival, and also winning an American Academy award. In fact , with its Oscar win for Best Original Screenplay, the film is the only short film to win an Academy award outside of the short film categories . The picture is nowadays considered to be an European cult film and it had one of the largest non-theatrical runs in the history of American cinema , as thousands of 16-millimeter prints were distributed to schools across the country.

The motion picture was stunningly directed by Albert Mamorisse , he was born in Paris and was killed, at 58 , in a helicopter crash while shooting a documentary near Teheran . He was former photographer, he turned to directing short subjects in the late 40s, and 50s involving the childhood and fantastic events . His most successful movies were ¨Crin Blanc¨ (1953) also starred by his son Pascal Lamorisse and ¨The Red balloon¨ (1956) , the latter winning an Academy Award , as it won the Oscar for Best Original Screenplay, even though it has little dialogue . In the early 60s he turned to feature length films such as ¨Bim¨ and "Stowaway in the Sky" equally starred by his son Pascal , but with considerably less success, then retreated to documentary shorts . His last picture was ¨Le Vent Des Amoureux¨ (1978), a visually stunning helicopter tour of Iran, was later edited from his notes and was nominated for an Oscar as best feature documentary for the Academy award ceremonies of 1979.

THE RED BALLOON rescued by a small Parisian lad will transform his life in unbelievable ways.

This is a marvelous film, full of love & hope, searing sorrow & overwhelming joy. It is also a classic example of what can be done in a very limited time frame, with a compelling story and genius behind the camera.

The special effects are still entrancing, with wonderful editing & camerawork which turns the byways & alleys of old Paris into the canvas on which this fantasy is painted.

Director Albert Lamorisse's young son, Pascal, is the very fortunate star of this urban fairy tale.

If the tribulations & persecutions of the Red Balloon appear to be a type of Epiphany, that is probably no coincidence.

Wow, I thought of this film recently and remember it fondly. So, I looked it up on IMDb, hoping that this hadn't been a dream, and that it really existed. I wish I could see this film again today.

A little boy is chosen by a red balloon, which colours his otherwise dreary, grey days. I was shown this film in class in kindergarten (late '70s) and again in grade school, I believe. When I first saw it, it was with a rather existential, perhaps detached, view of it. Not much reaction, really. I didn't quite know what to make of it. Fortunately, I didn't rely on a little gang of pals to tell me what to think about it. I had never seen anything like it. It struck me that it was foreign. I liked that about it. The foreignness intrigued me, also the fact that it was old. It always impressed me how kids wore little grown-up shoes in '50s Europe. The quietness of the little boy, Pascal, also had a profound impact on me. I never understood the need for us kids in the U.S. to constantly yak about endless bull**** in order to feel secure. We never enjoy the silence. This carries on into adulthood. There's meaningless small talk, endless jibber jabber, all in an effort to hide, behind voluminous verbiage, our true sensitive selves from the big bad world. There's an existentialist problem for you. If there are any xenophobic misgivings against "the French," it's because they've long faced the human condition in a way that we as "Americans" are far too infantile as a culture to do; and, at this point, far too stunted with cultural arrested development to ever hope to do so.

I suppose the cruel little boys in the film symbolised the barbaric/insensitive "American" sensibility which I had grown used to. And the story the film conveys through such brilliant, yet simple, symbolism illumines such a range of themes—from xenophobia, alienation, solitude and introspection to friendship, loyalty and sacrifice. Simply brilliant. This film probably taught me more than a handful of my first years of schooling combined. By the time I saw this film the second time my eyes were filled with wonder and, toward the end of the film, welled over with tears.

This is one of the first films I remember seeing. My grandfather was kind enough to record it off of television for me when I was only one or two years old. I remember enjoying it alot as a very young child and I enjoy this film just as much, if not even more, today. I can appreciate the story more, now that I'm older. It is one of the truly best short films ever made, right up there with the best of Chaplin and other great short-film makers.