AVALIAÇÃO DA IMDb
7,4/10
17 mil
SUA AVALIAÇÃO
Uma dona de casa suspeita que sua filha aparentemente perfeita de oito anos é uma assassina sem coração.Uma dona de casa suspeita que sua filha aparentemente perfeita de oito anos é uma assassina sem coração.Uma dona de casa suspeita que sua filha aparentemente perfeita de oito anos é uma assassina sem coração.
- Direção
- Roteiristas
- Artistas
- Indicado a 4 Oscars
- 1 vitória e 6 indicações no total
Joan Croydon
- Miss Fern
- (as Joan Croyden)
Frances Bavier
- Woman in Dinner Party
- (não creditado)
Violet N. Cane
- Teacher
- (não creditado)
Vivian Clermont
- Mary Beth Musgrove
- (não creditado)
Shelley Fabares
- Margie
- (não creditado)
Kathy Garver
- Rhoda's Classmate
- (não creditado)
Don C. Harvey
- Guard in Hospital Corridor
- (não creditado)
Edna Holland
- Saleslady
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
With some familiar elements of classic thrillers plus some creative turns, this is an unusual and effective thriller. Patty McCormack is memorable as young Rhoda, and the rest of the cast succeed in making their characters react believably to some nearly unbelievable situations. The story moves slowly enough to build suspense carefully, while still holding your interest the whole time.
For this kind of story to work, it has to keep the tension and uncertainty without becoming obviously implausible or annoyingly overplayed. In "The Bad Seed", we see the tension and fear that build in the characters as the story develops, but events also unfold within an atmosphere that otherwise would be peaceful and normal, making for an interesting contrast that helps to maintain a good balance.
Unlike the many banal movies made in recent years about serial killers and the like, "The Bad Seed" also contains some substance. The characters, especially the mother (played by Nancy Kelly), not only have to make difficult decisions, but also must fearfully attempt to understand the reasons for everything. It's a good example of how well a thriller can work when carefully made without a lot of extraneous elements, and it's a demonstration that a movie can have a tense, dark story without being shallow or superficial at the same time.
For this kind of story to work, it has to keep the tension and uncertainty without becoming obviously implausible or annoyingly overplayed. In "The Bad Seed", we see the tension and fear that build in the characters as the story develops, but events also unfold within an atmosphere that otherwise would be peaceful and normal, making for an interesting contrast that helps to maintain a good balance.
Unlike the many banal movies made in recent years about serial killers and the like, "The Bad Seed" also contains some substance. The characters, especially the mother (played by Nancy Kelly), not only have to make difficult decisions, but also must fearfully attempt to understand the reasons for everything. It's a good example of how well a thriller can work when carefully made without a lot of extraneous elements, and it's a demonstration that a movie can have a tense, dark story without being shallow or superficial at the same time.
as the mother of the drowned boy.... a performance that must rank with the best of the 1950s. Heckart repeated her stage role in the 1956 film with Nancy Kelly and Patty McCormack as the mother and daughter. Henry Jones (also in the stage production and excellent), Evelyn Varden, Gage Clarke, Paul Fix, Joan Croyden and Jesse White are good in support. Jones and Varden are especially good. William Hopper is and always was BLAH. But Eileen Heckart is superb as the drunken, crushed woman who knows there is something more to her son's death than she is being told. Her two scenes are riveting as she lurches across the room, begging for information, yet totally in control of the situation. Kelly, McCormack, Jones, and Varden are also good (if stagy) in their roles. Kelly seems hopelessly hammy but grows on you even though she seems to be imitating Gloria Swanson in Sunset Boulevard most of the time. Great film, literate, interesting, riveting..... a must!
Rhoda Penmark seems like your average, sweet eight-year-old girl. When her rival at school dies in mysterious circumstances at the school picnic her mother starts to suspect that Rhoda was responsible. However, if she is correct what should she do about it?
An intriguing thriller directed by Mervyn LeRoy (Waterloo Bridge, Little Women, The Wizard of Oz, Mr Roberts, I am a Fugitive from a Chain Gang). Initially not that compelling: things seem to progress in fits and starts. The plot will meander for a while, then something significant happens and makes you think that the film has kicked up a gear only for it to revert to meandering. There's enough interesting stuff happening to keep you watching but there's long stretches where it is quite easy to zone out (and not miss much). These stretches are quite dialogue-filled and dry, making me think I was watching a play rather than a movie.
However, from about the halfway mark the pace does quicken and the last quarter or so is very tense, making for riveting viewing. The ending is great and contains a wonderful, poetic twist.
While the script and direction can be a bit frustrating at times, I can't fault the performances. Ten-year-old Patty McCormack is excellent as Rhoda and Nancy Kelly is great as her mother. However, Eileen Heckart almost steals the show as Mrs Daigle, the dead boy's mother. All three received Oscar nominations.
An intriguing thriller directed by Mervyn LeRoy (Waterloo Bridge, Little Women, The Wizard of Oz, Mr Roberts, I am a Fugitive from a Chain Gang). Initially not that compelling: things seem to progress in fits and starts. The plot will meander for a while, then something significant happens and makes you think that the film has kicked up a gear only for it to revert to meandering. There's enough interesting stuff happening to keep you watching but there's long stretches where it is quite easy to zone out (and not miss much). These stretches are quite dialogue-filled and dry, making me think I was watching a play rather than a movie.
However, from about the halfway mark the pace does quicken and the last quarter or so is very tense, making for riveting viewing. The ending is great and contains a wonderful, poetic twist.
While the script and direction can be a bit frustrating at times, I can't fault the performances. Ten-year-old Patty McCormack is excellent as Rhoda and Nancy Kelly is great as her mother. However, Eileen Heckart almost steals the show as Mrs Daigle, the dead boy's mother. All three received Oscar nominations.
I consider this to be more of a psychological drama than a horror movie. Eight-year-old Rhoda has no remorse or feeling for the crimes she has committed, saying that it was "their faults". McCormack is a wonderful actress who could past her age in any movie. Overall, this is my favorite movie of all time and I recommend it to anyone who likes suspense with psychology.
I was blown away! I was at the edge of my seat the whole time. Those people gave me the creeps. I was just flipping through the channels when I came across it. Normally I'll change the channel after a minute or two to see what else is on, but not when I saw this movie! I was so terrified, I sat through the whole movie, uninterrupted. I'm shivering just thinking about it right now!
Você sabia?
- CuriosidadesThe original Broadway production of "The Bad Seed" by Maxwell Anderson opened on December 8, 1954 and ran for 334 performances. Nancy Kelly won the 1955 Tony Award for Actress in a Drama and recreated her part in the movie. Patty McCormack, Eileen Heckart, Evelyn Varden, Henry Jones and Joan Croydon also recreated their stage roles in the movie version.
- Erros de gravaçãoWhen Christine scolds Rhoda for asking for a garnet as well as a turquoise, the reflection of someone, probably Mervyn LeRoy, sitting in a chair with his legs crossed is visible in the coffee pot. Addition: Just to the left of the reflection that is assumed to be LeRoy you can see other crew members moving in the shadow of the door frame reflected in the coffee pot.
- Cenas durante ou pós-créditosAfter the finale, a narrator tells the audience "One moment please. And now our wonderful cast." Then, the principal cast members are introduced one by one, like they would be at the end of a play. After that's done with, there's a brief scene in which Nancy Kelly spanks Patty McCormack.
- ConexõesFeatured in A Maldição de Samantha (1986)
- Trilhas sonorasAu clair de la lune
(uncredited)
Attributed to Jean-Baptiste Lully
Played on the piano by Patty McCormack and whistled by Henry Jones
Played often in the score
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- A Semente Maldita
- Locações de filme
- Midwest Street, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Califórnia, EUA(as Tidewater Arms Apartments exteriors)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Tempo de duração
- 2 h 9 min(129 min)
- Cor
- Proporção
- 1.85 : 1
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