De Volta da Eternidade

There were two problems with Back From Eternity which is not the fault of the people who actually made this film. RKO Studios was going out of business as Howard Hughes was busy folding it up. The film was released and then very quickly was on television as the entire RKO film library was. The second is unfortunately the film came out in the wake of The High and the Mighty. Most airplane pictures suffer in comparison to that one.

Not mind you that it could have been given better productions values. Color for the jungle scenes and maybe some location shooting instead of dusting off the same sets used for Five Came Back, for that matter for King Kong.

Remember RKO was owned by one of aviation's biggest boosters in Howard Hughes. Not that he couldn't have afforded some better productions values. But then again he was getting out of the film business at this time. Then again had he put some money into it, we also would have had more Hughes control and the results might have been interesting. Not necessarily good, but interesting.

That being said the cast does a fine job for director John Farrow. Like John Wayne in The High and the Mighty, Robert Ryan is fine as the able veteran airline pilot in charge of getting his passengers and crew back to safety after they've force landed in the South American jungle. Of course with the pulchritudinous Anita Ekberg on board and interested that's enough to give anyone a morale booster.

Rod Steiger plays the criminal on the way to his execution, a part done by Joseph Calleia in the original. Both are fine and are an interesting contrast in acting styles.

John Farrow added a few things here that were not in the original. One of the dumber things added was a chick fight between Phyllis Kirk and Anita Ekberg while they are stranded in the jungle. I mean was that really necessary John? Added nothing to the plot and kind of stupid when you come to think about it.

Still, chick fight and all, Back from Eternity is a good solid piece of entertainment that also asks some important questions about the quality of life collectively and the quality of how one spends his allotted time on earth.

Back from Eternity (1956)

A surprisingly well made movie. The plot is a big contrivance in a way, a calculated drama of conflicting character types in a survival situation. But the acting is excellent, the script tight, and the direction and pacing really strong.

Robert Ryan leads the group, literally as the pilot of the doomed plane, and he's in great, restrained form. Eventually he is matched, as an actor, but the nuanced, quirky Rod Steiger, who plays a criminal of sorts. The two leading women are Anita Ekberg, who is here as an ornament as usual, but ends up being a decent character after all, and Phyllis Kirk, and dependable secondary actress.

It's probably coincidence, but here is a movie about an airplane by the studio (RKO) run by Howard Hughes, and aircraft industrialist. And it was one of RKO's last films, being ruined (along with all the studios) by the collapse of Old Hollywood. While not a big budget movie, the sets are contrived to work within their limitations, being stuck, as it were, in the jungle.

The weirdest thing here might be that the director (and producer), John Farrow, made the same movie in 1939. The first one is supposed to be better, but I haven't seen it, and this one holds its own. Partly it's just the searing acting of Steiger, and of Ryan. If the plot were not quite so improbable, and the inevitable weeding out of the survivors from the victims, the movie might be considered really excellent. It never wavers (except maybe the girl fight in the pool, which is stupidity), and it has lots of nuances and romantic touches.

Director John Farrow re-makes FIVE CAME BACK(1939), which he also directed. The crew and passengers of a crippled plane try to survive in a South American jungle. Pretty bland, but worth watching due to the acting of Rod Steiger. Destined to face a firing squad, Steiger's character is pivotal to the films anxious finale. Other cast members of note are: Robert Ryan, Gene Barry, Phyllis Kirk, Anita Ekberg and a young Jon Provost. If you are like me and enjoy watching the old black & white movies...this really isn't so bad.

Why John Farrow decided there had to be a remake of FIVE CAME BACK (which he directed earlier) remains a mystery to me. The script here is pretty much the same thing--standard plane crash with survivors lost in the jungle--and all on a studio set that looks like no more than a studio set. So much for reality.

But the performances he draws from his cast are almost enough to make the film as engrossing as it strives to be. The passengers are a mixed lot--among them a beauteous Anita Ekberg who poses prettily but makes no real effort to act. On the other hand, Robert Ryan and Keith Andes, as co-pilots, Beulah Bondi and Cameron Prud'Homme as an elderly couple, Phyllis Kirk and Gene Barry as a mismatched young couple, and Jon Provost (before his Lassie fame) do excellent jobs considering the fact that their roles are stereotypes. There are also less fortunate roles played by Adele Mara, Jesse White and Fred Clark. Mara's sudden exit from the plane at the height of the storm at least spares her the difficulty of facing the rest of the film as a stranded stewardess.

Top-lined in the cast is Rod Steiger as a criminal facing execution once he is returned to authorities. In an ironic twist of fate, he's the one who eventually chooses who shall leave the jungle crash scene and who shall not.

Interesting, but no real improvement over the original except for a few of the performances. All in all, good B-picture entertainment.

The most convincing moments are the plane's anxious moments during a wild thunderstorm. This is by and far the most visually compelling part of the film in which Farrow's direction (and some good special effects) shows his capabilities.

I first saw this film as a young boy, when it was first shown here in Australia, and I haven't seen it since, even on television. But it remains vivid in my memory solely because of the performance of Rod Steiger. His "villain with a soul" is a role he played in many subsequent films, and it is what makes him so absorbing and intriguing to watch. Nobody does brooding menace like Rod Steiger. In this film, he outshines every other player, and in fact his character, and what he does at the end, is the core of the plot. Back from Eternity might be classified as a B-Grade film, but for the fact that Rod Steiger is in it.