De Volta da Eternidade

This tale was previously filmed in 1939 ,by the same director ,John Farrow and in that version it was a lean,mean and exciting B-movie.Here it lasts 20 minutes or so longer and this additional running time consists mainly of padding ,which serves to dilute the impact of the movie.It means that the minor classic of an earlier era has become a solid and enjoyable movie from the era in which it was made . The story revolves around a plane crash in the remote jungles of South America. The pilot declares he is able to repair the plane and it will fly some of them back to safety ,the problem being there is only room for 5 people on board the repaired vessel ,which means some will have to stay behind and take their chances with the inhospitable terrain and the hostile natives who are unhappy about this incursion into their domain . The survivors are a disparate group-there is the hard drinking pilot (Robert Ryan) ,a Vegas performer (Anita Ekberg),a criminal en route to execution (Rod Steiger) and the sadistic cop accompanying him (Fred Clark),a socialite and her milquetoast fiancé (Phyllis Kirk and Gene Barry),the co-pilot (Keith Andes),a distinguished elderly academic and his wife of many years (Cameron Proudhomme and Beulah Bondi).The party is rounded out by a 4 year old boy(Jon Provost) The movie sees the party disintegrate under the strain as tensions erupt and violence breaks out before the final decision is a made

The movie is well acted -,especially by Steiger ,Barry and Ryan ,has a crisp Franz Waxman score and delivers solid entertainment all round .It would ,in my view have benefited from being a tad leaner and more economical but there is still a good time to be had from watching it

The long list of great movies attributed to Robert Ryan span from here to eternity and beyond. This film which is among his best is entitled " Back From Eternity. " It tells the story of a group of nine passengers traveling aboard a plane destined for remote locations. Unfortunately, the plane is forced to crash in the uncivilized, headhunter jungles of South America and the audience becomes more acquainted with the passenger list as they are exposed to indigenous danger. Robert Ryan is Bill Lonagan, the tired, world weary veteran pilot, who dreams of a place in the sun. Rod Steiger plays Vasquel, a condemned man facing the gallows. Keith Andes is Joe Brooks, the ever stalwart Co-Pilot. Gene Barry, Fred Clark, Jesse White and Jon Provost add definite color to the cast as does Anita Ekberg, Phyllis Kirk, Louise Melhorn, Beulah Bondi, Martha Spangler as the Stewardess. Each have reasons to live and a couple the courage to die. In between we learn just how deep convictions are and what we believe is not what we expect from appearances. Rod Steiger gives a sterling performance which should have earned him an Academy Award. The film has a certain panache worthy of a Classic and we who view it should be fortunate to have seen it. Recommended to any looking for a great movie.****

I first saw this film as a young boy, when it was first shown here in Australia, and I haven't seen it since, even on television. But it remains vivid in my memory solely because of the performance of Rod Steiger. His "villain with a soul" is a role he played in many subsequent films, and it is what makes him so absorbing and intriguing to watch. Nobody does brooding menace like Rod Steiger. In this film, he outshines every other player, and in fact his character, and what he does at the end, is the core of the plot. Back from Eternity might be classified as a B-Grade film, but for the fact that Rod Steiger is in it.

Back from Eternity (1956)

A surprisingly well made movie. The plot is a big contrivance in a way, a calculated drama of conflicting character types in a survival situation. But the acting is excellent, the script tight, and the direction and pacing really strong.

Robert Ryan leads the group, literally as the pilot of the doomed plane, and he's in great, restrained form. Eventually he is matched, as an actor, but the nuanced, quirky Rod Steiger, who plays a criminal of sorts. The two leading women are Anita Ekberg, who is here as an ornament as usual, but ends up being a decent character after all, and Phyllis Kirk, and dependable secondary actress.

It's probably coincidence, but here is a movie about an airplane by the studio (RKO) run by Howard Hughes, and aircraft industrialist. And it was one of RKO's last films, being ruined (along with all the studios) by the collapse of Old Hollywood. While not a big budget movie, the sets are contrived to work within their limitations, being stuck, as it were, in the jungle.

The weirdest thing here might be that the director (and producer), John Farrow, made the same movie in 1939. The first one is supposed to be better, but I haven't seen it, and this one holds its own. Partly it's just the searing acting of Steiger, and of Ryan. If the plot were not quite so improbable, and the inevitable weeding out of the survivors from the victims, the movie might be considered really excellent. It never wavers (except maybe the girl fight in the pool, which is stupidity), and it has lots of nuances and romantic touches.

This might be considered a B movie, but it is in a word very entertaining. The cast of different characters and portrayals of those roles are very well done. The movie sets you up for what is about to happen and then plunges you full throttle into the story. It is every bit as entertaining and full of drama as the later Airport movies of the 1970's. In fact, in many ways this is much better. It is very fun to see Jesse White in a role other than the Maytag repair man. The same can be said for actors Fred Clark, Jon Provost, Gene Barry and the rest who were more famous for other roles. You have to love Rod Steiger's character. He is definitely the most interesting in the movie. It is a nice little movie in character studies and how they deal with a forced landing in a jungle clearing with a cannibal tribe nearby. This movie stacks up to the airport and other flight disaster movies quite well. I first saw this as a teenager and I never forgot it, especially when the decision had to be made to see who stayed behind and especially who made the decision. For this being a B movie it is still very first rate and gets an A in viewing pleasure.