A Lei do Bravo

The film is a respectful telling of the 1877 campaign in Wyoming to contain the Indians by persuading them to leave the plains, sign the treaty of peace, and move to a new land in the south…

Wagner who affirms to colonel John Lund in charge of Fort Laramie that he has no feeling about Indians, makes Indians friends, particularly with two young warriors Little Dog and American Horse...

Complications arise when Chief Broken Hand's daughter Appearing Day (Debra Paget) engaged to American Horse falls in love with Tanner (Wagner) and he with her… Tanner's friendship with Little Dog grows slowly but surely… It is one of the most enduring traits of the film, having just the right amount of momentum, frustration and humor...

Jeffrey Hunter steals the show with a great performance of the proud warrior Little Dog whose pen does not fit Cheyenne warriors' hand as well as the arrow… Little Dog's blood ran hot at the council, gets angry and chooses—with his pal American Horse— to meet the troops in battle…

Eduard Franz is superb as the venerable Indian chief, Broken Hand, who called the council to tell them that on this day, they have agreed to take the offer of the white man and leave this country… Hugh O'Brian is well chosen as Hunter's best friend, American Horse… Noah Beery does one of his better work as the obedient cavalry lieutenant…

Debra Paget reprises her role as the radiant Indian girl Appearing Day who would be happy in a white man's world… We all remember her role as the delicate Indian healer girl Sonseeahray in Delmer Daves' memorable Western "Broken Arrow."

Robert D. Webb captures splendid panoramic shots that site expansive stretches of green fields and blue skies… Webb does provide a handful of transcendent moments, the most spellbinding of which is Tanner's participation in honoring his brave friend

Good Western , considered one of the first Hollywood films to side with the Indians . 1887 Wyoming , this is the story of a complex peace carried out by the Natives : Sioux , Arapahoes , BlackFoot and the US government . But a tribe resists the complete pacification : The Cheyenne . As a twisted and troublesome relationship takes place between the American cavalry commanded by Col. Lindsay from Fort Laramie : John Lund and the Cheyenne Indians led by Broken Hand ; while crooks settlers and mean traders thwart peace . A civilian surveyor : Robert Wagner attempts to make up , as he sets out to find true peace among feuding White men and Indians . Later on , he befriends a Cheyenne chief , Broken Hand: Eduard Franz , and his son Little Dog : Jeffrey Hunter and subsequently falls for his daughter Appearing Day : Debra Paget. But things go wrong when appears the jealous suitor : Hugh O'Brian, causing a merciless vengeance.The fate of the West lay in their hands , beyond any Indian adventure ever filmed , for this was the hour of decision and the last and deadly period of the Indian wars .

The picture is acclaimed along with "Broken Arrow" like the first to deal the Indian people with justice and understanding .The movie set during the 1870s is plenty of emotion , drama , romance , go riding , fights , and spectacular outdoors . The film contains enjoyable depiction about Indian habits as it was actually .A young Robert Wagner gives an acceptable acting as a surveyor whose mission is threatened when falls for the chief's daughter. She is played by the gorgeous Debra Paget interpretating a similar role to Broken Arrow. Both of whom are supported by Jeffrey Hunter who played along with Robert Wagner in "The true story of Jesse James" and "A Kiss before Dying .Furthermore , an agreeable support cast , such as : Eduard Franz as Indian chief , Hugh O'Brian as the angry fiance whose ire causes a relentless revenge , Noah Beery Jr as Lt. Ferguson , Emile Meyer , Milburn Stone and Iron Eyes Cody who played a number of Indian roles ; however , being Italian origin . Evocative and imaginative musical score by Hugo Friedhofer who also composed Broken arrow. It displays a colorful and evocative cinematography by Lucien Ballard , Peckinpah's ordinary cameraman, being shot on location in Fort Laramie , Wyoming , actual Fort at centre of events and activities portrayed and in Durango , Mexico .

The motion picture was well directed by by Robert D Webb. He was a fine craftsman and expert professional who produced and directed all kinds of genres as Cinema as TV episodes. He began working as an assistant director and second unit director in titles as Ramona, Lloyd of London , Seventh heaven , Maryland or Just around the corner. Being his his film debut :The Caribbean mystery ; from now on , he made several cinematic genres . As he realized Westerns such as : The proud ones , The Jackals ; Adventures: Pirates of Tortuga , Seven cites of gold , The way to the gold ; Film Noir : The Cape town affair , The Spiders , The Caribbean mystery ; Warlike : The glory brigade , 7 Women from hell ; and Sci-Fi : On the three hold of space . Although he also made some documentary , shorts, and Telefilms and TV episodes , such as: Temple Houston , Daniel Boone . Rating : 7 .Enjoyable Indian fare that will appeal to Western fans .

White Feather is out of Panoramic Productions, it's directed by Robert D. Webb and stars Robert Wagner, Debra Paget, John Lund, Eduard Franz & Jeffrey Hunter. It's adapted from a John Prebble story by Delmer Daves & Leo Townsend. It was filmed in Durango, Mexico, with Lucien Ballard on cinematography duties (CinemaScope/Technicolor) and Hugo Friedhofer provides the score. Plot centres around the peace mission from the US cavalry to the Cheyenne Indians in Wyoming during the 1870s, but problems arose because a few of the Cheyenne refused to leave their hunting grounds.

One of the few 1950s Westerns to show sympathy towards the Indian plight, White Feather is a well intentioned and well executed movie. It suffers a little from familiarity with Broken Arrow (1950), where Delmer Daves had directed James Stewart and Debra Paget thru a similar script to the one that's now in front of Wagner and Paget; and lets face it-Wagner is no Jimmy Stewart- and Robert Webb is no Delmer Daves-but there's more than enough good here to lift it above many other liberal Westerns.

Away from the endearing and emotive story (and it is as the Cheyenne are forced out of Wyoming by the Federals), the film also boasts high points for the Western fan to gorge upon. It's gorgeously shot in CinemaScope by Ballard, a first class lens-man in the genre, and Friedhofer's score is pulsating, evocative and in tune with the tone of the tale. Also of note is that these Native Americans aren't caricatures or pantomime Indians. They may be being played by white actors (Hunter & Franz do especially good work), but they feel real and come out as the human beings they were. In fact the whole movie looks convincing.

There's some missteps along the way; such as Wagner over acting and having a voice that's sounds out of place in the Wild West, while the romantic angle (Paget is so beautiful here who could not fall in love with her?) does at times threaten to clog up the narrative. But these things don't hurt the film. On the flip side there's the smooth pacing of the piece, it's only when the tense and exciting climax has arrived that you realise how well the slow burn first half was handled. And Webb may well be a second unit director in all but name here, but his construction of the scenes with hundreds of extras is top notch work.

A fine and under seen Western that is based on actual events and doesn't over egg its pudding. 7/10

White Feather is a combination of the plots of both Broken Arrow and Cheyenne Autumn. It's the story of a romance between Robert Wagner and Indian princess Debra Paget set against the background of the surrender of the Cheyenne nation to the white man.

Wagner is part of delegation sent to the Cheyenne chief Eduard Franz to negotiate a treaty with the Cheyenne. Although Franz's son Jeffrey Hunter is for no surrender at any price, he and Wagner become friends. Wagner becomes more than friends with Hunter's sister Paget, something that arouses the old jealous green eye in Hugh O'Brian, an Cheyenne warrior who figures Paget's his.

Paget's not going to find it easy in the white world in any case. The post sutler Emile Meyer's not liking Indians in any case and even though his daughter Virginia Leith becomes friends with Paget, she's got a thing for Wagner herself.

White Feather is a sympathetic portrayal of the Cheyenne in the last days of a proud warrior nation. Best in the cast is Jeffrey Hunter, the man who won't give in and most of all won't surrender his pride.

John Lund as the post commander and Milburn Stone the civilian treaty negotiator are in the cast as well. White Feather is a fine western that does not get near enough acclaim.

The production company sure got its money's worth by filming in Durango, Mexico. Those scenes of mass Indian migration, along with the massed warriors and cavalry troop of the climax are impressive as heck. I expect a lot of Mexican folks picked up a payday as a result. In fact, where this western really succeeds is in providing spectacle. The fort scenes plus the Indian encampments are both big and convincing.

The storyline may not be exactly fresh—some Indians wanting to make peace while others don't, plus the standard romantic interest—nonetheless, the individual stories are woven well into the larger conflict. Note too, how the screenplay (based on a true story) takes a generally sympathetic view of the Indians' plight— that is, being forced to move by treaty from their traditional lands. This was during a period when Hollywood was beginning to recognize Indians as human beings instead of convenient targets for repeating rifles.

Of course, an A-production requires a guaranteed box-office, and who better to bring in young folks than a leading heartthrob of the day, Robert Wagner. His rail thin frame may not look like John Wayne, but he still manages to convey the needed authority despite his pretty boy appearance. Also, Hunter remains physically impressive as the conflicted Little Dog.

I guess my only gripe is that everyone, Indians included, looks like they just stepped out of a fashion magazine. I mean the costumes are so squeaky clean and perfectly fit that you'd never guess this is supposed to be the dusty frontier. Anyway, this TCF release remains an underrated cowboy-Indian flick, especially for all its impressive crowd scenes.

(In passing—good touch allowing ambient noises such as barking dogs, squawking birds, and crying kids, to color the treaty signing scene. Usually, Hollywood would remove these as distractions, but here they lend a noisy realistic touch.)