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What an interesting pedigree Three For The Show had, dating all the way back to 1920 when W. Somerset Maugham's play Too Many Husbands debuted on Broadway with a long forgotten cast. It had a military background instead of a show business one, though the military does figure prominently in the plot.

Collaborators Jack Lemmon and Gower Champion have a hit show on Broadway for producer Myron McCormick that stars Betty Grable. Lemmon goes into the Air Force during the Korean War and goes MIA. He's reported killed and Grable who was married to Lemmon, now marries Champion. Then of course Lemmon returns and they've a situation the reverse of My Favorite Wife.

In the meantime poor Marge Champion is champing at the bit because she's got a thing for Gower. I think you can figure out where this one is going.

The numbers come from a variety of sources, some original, some Broadway, some classical. Betty Grable in what proved to be her next to last film did more serious type dancing here than in any other. But next to the Champions, she really did not look that good. It was unfair to cast her with them.

Grable also did not like working for Harry Cohn, she was used to another imperious studio mogul over at 20th Century Fox who had kind of eased her out of her number one spot for the fast rising Marilyn Monroe. But she thought he was a pussycat next to Cohn. Two For The Show was Betty's first outside film after 14 year at Fox.

Jack Lemmon proved to have a couple of good singing notes as he does accompany the rest on a number or two. He liked working with Grable because he felt she was unpretentious with a good sense of humor as apparently a lot of her colleagues did.

As a film though, Three For The Show will never rank first rate in the work of either Lemmon or Grable.

Betty grable was 39 when she made Three For The Show, She looked fabulous, sung wonderful songs and outdanced the reigning blonde Marilyn Monroe who Grable handed the Fox Blonde crown to in 1953, this movie made in 1955 shows what a glamorous movie queen Grable could have continued to be. this movie was made at Columbia and Grable should have put down roots there, she was offered Pal Joey but turned it down, silly Grable . anyway as movie historys most successful moneymaker Grable reigns supreme. she outperformed Marge Champion and her then husband Gower, who 10 years later ignored Grable when she headlined in Broadways Hello Dolly his show, he sent his assistant to oversee Grables rendition of Dolly Levi. shame Gower! Grable the No.1 Star! No Columbia did not cheaply hire Grable, they paid her $200,000 for this movie, marilyn was still getting her $125,000 per film at fox.Other comments about being old and fat are vicious, Betty was stunning in this movie check youtube and see the clips from "Three for the Show".

Much has been said to deride this film, it's stars, it's musical format and general premise but I enjoy it from start to finish. Another musical (from Britain) also released in the mid-fifties ; "Let's Be Happy" was equally dismissed by critics and public and both films are remembered by devotees only. It's a pity that both of these musicals brought to a cruel halt the film careers of Betty Grable and Vera-Ellen respectively ; two of filmdom's brightest and loveliest ladies still in their prime.

The above mentioned musicals are two of my favourites and how overjoyed I am that they have both been preserved on DVD in wide-screen and glorious colour. I'm one very satisfied customer.

This is a remake of TOO MANY HUSBANDS, which had starred Jean Arthur, Fred MacMurray, and Melvyn Douglas. Here, we get a tepid musical with Betty Grable and Jack Lemmon and Gower Champion as the male leads. The plot has been dismissed in favor of some musical numbers oddly built around decades-old Gershwin songs. Marge Champion and Myron McCormick co-star.

Lemmon has been proclaimed dead in the war (which war?) so Grable marries Champion. Lemmon returns, and the guys battle over the hefty star while Marge look on is distress. In the original film, the ending is ambiguous with both guys still in Arthur's life. Here, she pairs off with Lemmon. Bleh.

Gower Champion might have been a good dancer and director but he's a zero as a romantic lead. So is Lemmon. Marge Champion (a terrific beard) looks like Bea Benaderet in corsets. The MGM darlings (the Champions) were a total bust in films. Grable was long past her prime and even though she's only 39 here, looks OLD and FAT.

Musicals are dying, you're Harry Cohn, you have all those expensive sound stages and wide-screen cameras lying around... what do you do? He remade one of Columbia's not-first-rate-to-begin-with screwball comedies, "Too Many Husbands," outfitted as a very splashy and very insubstantial musical with an oddball cast. Good it's certainly not, but for students of the evolution of the '50s musical, it's interesting. Betty Grable, legs as spectacular as ever, has married Gower Champion when first husband Jack Lemmon, thought dead in the war, returns. It's a standard plot, silly and overstaged, with Lemmon and Gower throwing a lot of fake punches at each other. But the filmmakers do try to retrofit it in musical ways. The score, mostly Gershwin standards, isn't well sung, and Grable and Lemmon are a terrible match -- she just seems too much woman for him, and she was nearly a decade his senior. But he does warble passably and even dances and tickles the ivories a little. Most striking are a couple of extended, wordless sequences, not exactly dancing and not exactly not, but choreographed, to classical chestnuts: They show the makers' desperation at trying to do something, anything, new, to keep musicals alive. Marge Champion, not a singer, surprisingly has to sing a lot. She and Gower have the best sequence, a falling-in-love pas de deux filmed practically in one take, like the good old Fred and Ginger duets. But the movie feels underpopulated -- these four and Myron McCormick, as an unappealingly avaricious agent, are practically the whole cast -- and Gower, though lean and graceful, looks impatient to jump out of the Cinemascope frame and go direct.