Nas Garras da Ambição

...that's enough for me.That's what Jane Russel sings ,and this ditty comes back as a leitmotiv ,along with another one,a rather saucy song about her peaches ,and the tree the man who wants them has to climb up to.Russell has a big dream,and Gable a small one,there's the rub;wealthy Ryan can provide Russell with the luxury and easy life she longs for :in a long conversation with Gable,Russel tells him about her childhood,and her mother who died in the harness ,and however "daddy used to love her as much as it could be".The movie is nothing but an initiatory journey for Russel,who plays the only character whose psychology will mutate along the way.

This is a classic western,which recalls "red river" , a bit overlong because an action-packed story this is definitely not.The cinematography is splendid ,and enhances marvelous landscapes with a good use of scope ,but the movie lacks madness of earlier Walsh works such as "Colorado territory" or "pursued" or even later extravaganzas such as "band of angels".

The Tall Men is directed by Raoul Walsh and stars Clark Gable, Jane Russell, Cameron Mitchell and Robert Ryan. Produced out of 20th Century Fox by William A. Bacher and William B. Hawks, it's adapted for the screen by Frank S. Nugent & Sydney Boehm from a novel written by Heck Allen (as Clay Fisher). Filmed out of Durango, the cinematography is by Leo Tover in a CinemaScope/DeLuxe production and Victor Young provides the score.

Montana Territory 1866

"They came from the South, headed for the gold-fields….Ben & Clint Allison, lonely, desperate men. Riding away from a heartbreak memory of Gettysburg. Looking for a new life. A story of tall men-and long shadows."

The Tall Men has professionalism written all over it, from the tight direction by Walsh to the on the money writing, it's a Western that has no pretencions. The panoramic vistas are beautifully realised by the makers and in spite of Russell's flat style of acting, the cast put credibility into the cattle drive and romantic aspects of the story. Tho action sequences are few and far between, the film succeeds because of the well written characters and the landscapes that frame them. There's even much comedy to enjoy as well, a department where Russell does earn her corn in the movie (there's also a bath moment to get us boys hot under the collar too). Most notably the comedy works for her when playing off of Gable who seems to be enjoying himself as the rough, tough and cheeky Ben Allison. Very talky to be sure, there are for instance many extended scenes of our lead protagonists swapping dialogue, but it all serves a purpose and in the capable hands of Walsh the sequences serve to drive the narrative forward.

Solid enjoyable stuff if ultimately a touch too long. 6.5/10

One thing the auteur theorists seemed to overlook when analysing the classic and archetypal Westerns, is the fact that all those post-war greats directed by John Ford, from Fort Apache (1948) to Two Rode Together (1961), were written by the same person – Frank Nugent. However with The Tall Men, we have a Frank Nugent Western directed by Raoul Walsh, and lo and behold it features many of those themes often mistakenly described as Fordian, such as respect accorded to an aging gunfighter, and a hostile yet dignified portrayal of Indians. Still, not everyone directs alike, so this doesn't mean it will turn out exactly like one of the Ford horse operas.

Of all Hollywood directors, probably no-one had quite the same affection for the West as Walsh did. Walsh always emphasised the openness and freedom of the plains in his achingly beautiful landscape shots. He contrasts these with a very confined and stripped-down look for his indoor or town-based scenes. He even creates a kind of artificial indoors, for example when Clark Gable and co. settle down after the first day of the cattle drive, with elements as simple as a sloping bank, a tree and a wagon, so as to give all that more impact when we return to the trail. Appropriately for the title of this one, he has his heroes stand tall against the landscape. Although Ford does many similar things (such as contrasting wide-open outdoors with cramped interiors) Ford's landscape scenes often have a slightly desperate, dangerous look to them, with the characters small and vulnerable against the vastness of the scenery, while his homesteads have a safe cosy feel. Walsh on the other hand makes the outdoors look inviting despite its dangers, whereas civilization is dull and restrictive. It's differences like this that bring the diverging characters to the two men's work.

But why, you might ask, if Walsh is so good and he's got a Nugent script, is The Tall Man not a timeless classic like so many of the Ford post-war Westerns were? Well you have to remember Ford was a respected, award-winning director, whereas Walsh was these days a potboiler-man. Ford had access to better casts, better crews, bigger budgets, more flexible shooting-schedules, not to mention being more likely to get Nugent's finer scripts, and to be honest the Tall Men is far from Nugent's best. There's also the fact that Walsh is not on top form because he was not well-suited to the Cinemascope aspect ratio (something Ford managed to avoid for all his late Westerns). Walsh liked to compose in depth – landscape shots that emphasise distance, action moving towards the camera, dollying in for emphasis – and the extra width is fairly useless to him. He tends to frame the action towards the middle of the screen as if still using academy ratio, and as such his actors look a little overwhelmed, detracting from the impact they have on screen and sapping the romantic scenes of any intensity.

Still, there is much to like about The Tall Men. Clark Gable may have been getting on a bit in years, but he has lost none of his rugged screen presence. Jane Russell is no great actress but she's a tough girl who looks like she belongs out on the trail by Gable's side. Walsh's depiction of the cattle drive sweeping across the plains is among the most breathtaking ever committed to celluloid, and the Victor Young score underpins the imagery with an appropriately sentimental theme. There are some superbly rousing actions scenes too, with a real emphasis on making the audience feel in the thick of it. And despite its not being the most thought-provoking thing Frank Nugent ever wrote, like all his Westerns it paints a convincing picture of larger-than-life heroes, and is imbued with all the roughness and nostalgia that has come to define the genre.

Salty, surly star-driven western about a cattle drive from Texas to Montana. Would-be rancher Clark Gable vies for the hand of wisecrackin' Jane Russell with banker Robert Ryan, but Jane's lookin' for a tall man and plenty of rainbows! Good-looking if rather unexceptional time-passer from director Raoul Walsh. Screenwriters Frank Nugent and Sidney Boehm, working from the novel by Heck Allen (using the pen-name Clay Fisher), smoothly intermingle Indian clashes and Mexican stand-offs with jovial exchanges between the characters (also Russell singin' in the washtub). Enjoyable of its type, with attractive cinematography by Leo Tover and another solid performance from Gable. **1/2 from ****

Two brothers , old members of the guerrilla or irregular military forces called Bushwhakers from Quantrell, Anderson leaders and being recently discharged from Confederate Army lead a cattle drive from Texas to Montana . The brave brothers -played by Clark Gable and Cameron Mitchell- along with the boss Robert Ryan heading for Texas and they save the besieged Nella: Jane Russell from the Indians and she , then, decides ro ride with them . Across the rough territory they confront Jayhawkers , Indians Sioux commanded by Chief Red Cloud , savage stampede , angry rustlers , wild rivers , bad weather with snowy storms , assaults with the aim of attrition and many other things .The Tall Men stood tall...fought tall...loved tall...and one man towered above them all!. They don't come any bigger!

Nice western with plenty of action , attacks , stampedes , rich dialogue , a triangular romance and with a real feel for the wide open spaces of the west . An enjoyable picture as big and impressive and exciting as the Mighty West . It has spectacular scenes , breathtaking outdoors scenarios , and moving set pieces as the stampeding a herd of cattle . It stars three great stars giving meaty roles : Clark Gable , Robert Ryan and Jane Russell . This trio furnished decent interpretation . However , the three veteran stars were all considered too old for their peculiar roles ; furthermore , the great John Wayne withdrew and Charlton Heston was deemed for the main role but he turned it down . Features two frontier hands : Gable and Cameron Mitchell , along with a tough boss , Robert Ryan , on rough cattle drive . Along the way confronting Indian Sioux , cutthroats , and the wilderness while vying with each other for the love Russell . And fine support cast with notorious secondaries as Emile Meyer, Harry Shannon, Robert Adler , Juan Garcia and others uncredited as Mae Marsh , Chuck Roberson and Russell Simpson .

It displays a brilliant and rousing cinematography in Cinemascope, color De Luxe by cameraman Leo Tover . And an emotive and thrilling musical score by maestro composer Dimitri Tiomkin , including a sensitive leitmotif .The motion picture was well directed by Raoul Walsh who delivers an extreme feeling for the wide open spaces of the Far West for which this veteran filmmaker must take most of the credit .Walsh directed masterfully all kinds of genres and he made good westerns such as : ¨They died with their boots on¨, ¨Distant drums¨ , ¨Pursued¨ , ¨Gun fury¨, ¨Lawless breed¨, ¨Band of Angels¨ and ¨The king and four queens¨ also with Clark Gable . Rating : 6.5/10 . Charming and decently made Western . Better than average . Worthwhile watching . Essential and indispendable seeing for Clark Gable and Jane Russell fans .