Sissi

I know these films are considered by some purported high-brows to be of low popular-art form and saccharine emotions. They have historical inaccuracies and pander to the idea of what should-have-been, rather than perhaps quite what was. But-man oh man-they are extremely well-made and extremely enjoyable. There is nothing wrong with these films on a visceral or visual level.

The production values in the sets and costumes and the magnificent outdoor locales makes these films really spectacular. But the very rich and cohesive performances by the cast are what keep these films alive. Above all Romy Schneider and Vilma Degischer as Sissi and Sofia playing the tension between the young empress and her formidable mother-in-law, are great to watch. Each has their own humanity and, actually, rich human qualities shine through in all of the other characters quite beautifully.

Karl-Heinz Boehm is excellent as the young emperor torn between his love for the fresh and lively Sissi and duty to his by-the-book mother. And Magda Schneider and Gustav Knuth are warm and sympathetic as Sissi's parents.

The restoration, recently performed on these films, has left them looking incredibly beautiful (on par with "Gone With the Wind"). And people are now able to enjoy these films in the U.S., as they have recently been sub-titled in English and given deluxe DVD transfers with bonus features. Apparently there was an assembled version made of all 3 films and dubbed-horribly-into English included in the set. But above all it is great to see them released here with a good translation and anexcellent DVD presentation.

Maybe because this isn't an american film, there were so few comments and votes, and there isn't a photograph. But this is one of the greatest bavarian classics for all time, and maybe is the sweetest and famous films for all the family of the golden period (forget little women or Gigi. If this movie was made in America maybe today will be even more famous than the wizard of Oz). Even that this movie today is too cursi and all fashion, Romy Schneider beauty and precoz talent still shine (she was 16 when she made SISSI). She had chemistry with her the emperor.the movie has three sequels, Magda Schenider shines in the third part (with an excellent chemistry with her daughter in film and real life), but in this are the "battle scenes" between Sissi and her mother in Law that are grate to see again Too sweet but a classic

There was a time, about thirty years ago, when Marischka's SISSI trilogy was considered kitschy by many critics. Fortunately, these times are gone and again we all can see these beautiful films without being influenced by the critics and their politics.

I must admit that Sissi has always been one of my favorite movies. Romy Schneider, her acting, gestures and her face are almost identical with real Sissi. Marischka could not make a better choice. However, I heard that this role had such an impact on Romy's life that she was associated with Sissi throughout her career. As a result, some people consider SISSI films the deepest insight into Romy's life. Hasn't she got through the terrible sorrows similarly as empress Elizabeth did?...

Other cast are also very, very good. Magda Schneider, Romy's mother, gives a fine performance as Ludovika, Karlheinz Bohm (Franz Josef) does an excellent job. Vilma Degischer is particularly memorable as a cruel Sophie. Only Gustav Knuth's portrayal of Duke Max is a historical travesty. He was not so much attached to family life...

Another reason why I like these films is the fact that despite its historical inaccuracies (their love did not look like that), these movies are very gentle, show the value of love between a man and a woman and as a result, they can be watched even by small children without harm done to their psyche.

Some say that Sissi is for sentimental girls and old women. This viewpoint is absolutely wrong. I am a 25 year old man and come back to these films with great pleasure and so do a lot of my friends. See it and you will not regret. Make your personal judgments, not being influenced by the unexplained criticism.

In one of those fictional Mitteleuropean kingdoms that Victorian writers were so fond of -- Graustark, Ruritania, Scythia-Pannonia-Transbalkania, but here called Austria-Hungary -- the Emperor's mother arranges for her son to marry her sister's eldest daughter. When he meets her second daughter wandering in the woods, however, they fall in love.

The charming anti-Cinderella tale of Sissi is based on history, sort of, but it is brought to the screen in its fairy-tale glory with shots of Schonbrunn Castle, Bad Ischl, lavish sets and costumes and 15-year-old Romy Schneider. Its nostalgia for the dead glories of a lavish court life, stuffed-shirt bureaucrats -- Josef Meinrad has a very funny turn as the incompetent major in charge of security -- is certainly fun to look at, so long as we remember that it's just as unreal as any Disney feature cartoon, even if there are no singing mice. If only the characters in this one didn't look so real.....

A very young and innocent girl marries the powerful ruler of the most powerful empire on earth. Why? Because she loves him dearly. If that is not sweet. And it is also not far from the truth. Of course it helps that she was a little princess - only of Bavaria but of royal blood (I think). Of course everybody loved her - well, she got killed by someone eventually, but that is not in the film and it does not prove anything anyway. If you know Romy Schneider only from her later (mostly French) films do not even try to imagine how beautiful and charming, well sweet she was. She made two sequels. All three films will be valued as the highest art in the million years to come by anyone who can enjoy a fairy tale.