The Silver Star

If you have seen Joseph Pevney's THE PLUNDERERS, starring a terrific Jeff Chandler, you'll find many similarities with this one, where a sheriff is alone against a bunch of hoodlums. In the Pevney's film, Chandler was a war vet and one armed guy; here the sheriff is an actor whom I have never heard of nor seen anywhere before, and that's very surprising. He has to face and fight against outlaws, show his courage. This is a pretty cute western, full of charm, as the other films from Richard Bartlett as a director. Some kind of personal touch that I appreciate. Try it please, you'll won't regret it.

There is a lot going on in this little low budget western drama, and there is absolutely NO WASTE OF TALENT! Lyon plays the sheriff, who's father and grandfather were both gunned down while wearing a badge. It seems that he has just taken over from Buchanan, who has let a lot slide during the 15 years he was wearing the badge.

I think that many viewers, especially immature ones, will have a tough time with this tale...it deals with the fear of cowardice. All men and women experience it at some time, however it is not considered macho to talk about it, hence we have more movies with Cooper and Wayne portraying the fearless, card board cut-out protagonist, rather than real life characters.

The scene where Windsor and Buchanan berate and grind Lyon into action is unforgettable.

The movie could have benefited from a more rugged realistic conclusion, however after all these years, this one remains a minor classic.

November 1954 saw the swift completion of "The Silver Star," the last of Lon Chaney's three releases from Lippert Pictures, this one from a short-lived outfit formed by producer Earle Lyon and director Richard H. Bartlett. A pedestrian ripoff of the superior "High Noon," partially conceived by actor/co-producer Ian MacDonald (main villain Frank Miller from "High Noon"), producer Lyon taking the lead as newly elected sheriff Gregg Leech, while director Bartlett opposed him as top henchman King Daniel, riding into town with two comrades, challenging Leech to face them at 8PM or get out fast (obviously, HIGH 8PM doesn't have the same ring!). Where its inspiration featured a plethora of interesting characters in support, such as Katy Jurado and Lloyd Bridges, this ultra low budgeter falls flat with non descript characters, only top billed Edgar Buchanan, in the retired sheriff role essayed by Chaney before, getting much of a chance to sink his teeth in (there's even a similar theme song, done by Jimmy Wakely rather than Tex Ritter). The cowardly Leech was recommended to replace Buchanan because both his father and grandfather were lawmen, but he simply wanders from one end of town to the other, unable to make up his mind until a certain amount of running time is used up, while the three hired gunmen take over the saloon, a steady supply of whiskey evidently ruining their shootin' eyes for the predictable outcome. Lon Chaney plays crooked attorney John W. Harmon, on the losing end in the election for sheriff, whose smiling demeanor fools absolutely no one, all convinced that he is the one responsible for those hired guns, entering at the 25 minute mark, almost 5 1/2 minutes screen time but a weak villain that hardly taxes his abilities. In cahoots with Chaney is fellow veteran Barton MacLane, again joining together the following decade for the A.C. Lyles Paramount Westerns. Producer Earle Lyon and director Richard H. Bartlett probably did the leads as a budget saving device, but their nonacting isn't helped by the sketchy characters they portray, robbing this modest effort of any possible tension. Lyon continued after their partnership dissolved, while Bartlett moved into television, after directing Chaney once more in a Universal oater starring Jock Mahoney, 1958's "Money, Women and Guns."

This film essentially begins with a young man by the name of "Gregg Leach" (Earle Lyon) accepting the position of town sheriff which a colleague named "Will 'Bill' Dowdy" (Edgar Buchanan) had strongly urged him to accept. Likewise, his fiancé "Karen Childress" (Marie Windsor) also talked him into accepting that position even though she knew his heart wasn't really into it. Unfortunately, not long after accepting the position, three cowboys ride into town and upon entering the saloon, tell everyone that they are there to kill him. Naturally, realizing that the odds are not with him, Sheriff Leach is alarmed to learn that everybody there--to include his fiancé--fully expects him to simply go to the saloon and disarm all three by himself. Even worse, they consider his concern about the odds being against him as cowardice. Meanwhile, the longer he hesitates the worse those 3 cowboys behave. Now, rather than reveal any more, I will just say that this film reminded me of the dilemma that Gary Cooper (as "Marshal Will Kane") faced in the movie "High Noon." The main difference being that the local people were urging Marshal Kane to leave town, while in this film they were expecting Sheriff Leach to directly confront the troublemakers--in spite of the fact that the odds were clearly stacked against him. Begging the question of why Sheriff Leach would even want someone like Karen Childress as his wife considering her complete lack of concern about his safety. Be that as it may, although this particular movie wasn't nearly as good as "High Noon", I suppose it still passed the time fairly well and I have rated it accordingly. Average.

Although this nifty little western drama is seldom available for viewing, it remains as one of the better western character studies of the 50s. Perhaps the lack of action, and the stark reality of the picture account for the poor reviews it received upon it's release, however, in hindsight, it remains one of the better "High Noon" inspired quickies, and is perhaps in some respects even better than it's insparation. Lyon shows signs of real acting brilliance as the cowardly Sheriff, only willing to fight when he is shamed into it. The great title song by Wakely is unforgettable.