Férias de Amor

Picnic was the second film that acclaimed stage director Joshua Logan did, adapting work that he had previously directed for Broadway. I absolutely marvel at Logan's sense of the cinema for someone who worked primarily in the theater. Had he concentrated on the screen instead, I'm sure Logan would have been as acclaimed as John Ford or Alfred Hitchcock or even Orson Welles.

William Inge's play Picnic is set in a small Kansas town where drifter William Holden comes to town to look up and old friend from college, Cliff Robertson. As it happens he arrives on Labor Day and the town is having their annual Labor Day picnic. In that 24 hours he changes the lives of all around him, mostly for the better. Especially the women folk.

Holden does a very good job in a role he was really miscast in. The part should have gone to Marlon Brando or James Dean or even Paul Newman. Newmwn was in the original Broadway cast, but in the Cliff Robertson part. The lead was done by Ralph Meeker.

The women of all ages go for Holden unbridled sexuality from Verna Felton, Betty Field, Rosalind Russell, Kim Novak, and Susan Strassberg in descending order of age. They all kind of like him, but Holden goes for Novak who's Robertson's girl. I think you can figure the rest of it out.

Arthur O'Connell as confirmed bachelor/boyfriend of Russell got an Academy Award nomination for Best Supporting Actor, but lost to Jack Lemmon in Mister Roberts which incidentally was directed by Joshua Logan on Broadway and uncredited for the screen when John Ford left the film. But the performance that was absolutely the best was that of Rosalind Russell as the schoolteacher who's approaching what would be called spinster hood and not liking it a bit. She's sending out a booty call to Holden that is unmistakable.

In her memoirs Russell said that when Logan asked her to take Eileen Heckart's part from Broadway, he didn't even get to finish the sentence when she agreed. Picnic was playing on Broadway the same time she was doing Wonderful Town and she admired the play by Inge and the work of Joshua Logan very much.

I like the individual performances in Picnic, but even more I like the way Logan used the whole town of Hutchinson, Kansas where the film was shot on location as a stage setting. One of the best transferals from stage to cinema ever and it sure helped to have someone at the helm who knew the property and knew how to accomplish his goal.

Picnic is a great view of America in the red states in the Eisenhower years and should not be missed.

I think "Picnic" is a movie that's been forgotten in recent years. But I consider it one of the greatest movies ever made! William Holden and Kim Novak are magnificent as small town lovers who face many complications because of his drifter background and her wealthy and important boyfriend. Besides the passionate story, it also features an unforgettable score. "Picnic" is a classic that should not, under any circumstances, be forgotten! See this movie! I give it an enthusiastic 10 out of 10!

I like the surface simplicity of this movie, beneath which lie important questions: Can we be free of our ancestors' demons? Can love between two emotionally crippled people be healthy?

Madge and Hal are -- probably tragically - made for each other. Each is a product of a broken home. Each wants to create a life worth living, despite family history, circumstances, and friends who expect little of them. My heart goes out to both of them. (The sad truth is that Madge's mother's warning will probably come true.)

I love the ambiguity of the movie's ending. I read that William Inge (or was it the screenwriter?) had originally had Madge return to her five and dime deadend job. I much prefer the ending that Mr. Logan chose.

Alcohol ought to be listed in the cast credits. It plays a big role at the picnic, and the effects of parental alcoholism pervade Hal's and Madge's lives.

Roz Russell the town schoolmarm and Howard the shopkeeper provide delightfully lighthearted counterpoints.

No car crashes, no karate. Just a simple story, simple setting, and timeless questions.

William Inge had his finger on the pulse of small town America. He wasn't checking the heartbeats of its inhabitants but his own. I've just said that as if I knew all about it and I don't, but I sense it. I mean, "Splendor In The Grass", "The Dark At The Top Of The Stairs", "Come Back Little Sheeba" That's all the evidence we need to know that he was a male writer with a woman's heart. "Picnic" epitomises that theory. Director Joshua Logan and writer Daniel Taradash trusted Inge's world without questioning it. Everything flows with the irrational sanity of a woman's heart. William Holden was a bit too old for the part but who cares! He is William Holden, capable to provoke passions of Mediterranean intensity at any age. He seems a bit self conscious at times and that helps the character's foibles no end. Kim Novak is breathtaking. Susan Strasberg milks her tomboy with a longing for all its worth. Betty Field, Daisy Buchanan in the original "Great Gatsby", gives a masterful performance without uttering a word that may reveal what she's actually feeling, until the end of course. That scene in which she tries to stop her daughter from going away, is as much Field's as it is Inge's. Rosalind Russell didn't get the Oscar for her superb, time bomb disguised in a school teacher's dress, performance. Her craving for sex and romance and sex and marriage and sex is as bold as anything she had ever done and Rosalind Russell new how to be bold from "His Girl Friday" to "Auntie Mame". The Moonglow sequence has become a classic moment in pictures. Deservedly so. I would suggest, if you haven't done it yet, take a trip through William Inge's territory. Familiar faces, familiar landscapes, familiar feelings, all completely new.

Colourful and bold evocation of 1950s small town American life and mores. True William Holden is a little old for the role here but he brings such charisma to the role that it is only becomes any sort of problem in some of his cavorting with the elfin Susan Strasberg and his more boyish pranks. For the most part he is ideal as the stranger who comes to town and turns it upside down. In the UK the 50s ethos carried on well into the 60s but it is clear from this and other films, like Rebel Without a Cause, that the 50s was well and done with before the end of the decade. Holden is fine then and the supporting cast just about holds up helped by some wonderful staging, particularly during the titular, event. Kim Novak seems in a different class altogether and I don't recall, even in Vertigo, her looking quite so beautiful. The whole scene down by the water with just Holden and Strasberg and the elderly school teacher and her supposed beau and a bottle of booze is very moving but when Novak glides in, there is magic in the air. Perfectly captured the fated couple come together and we see them glide across the screen, colourful lanterns flickering beyond and Moonglow on the soundtrack. Very fine film, which despite slight casting difficulties, and an element of sentimentality, still manages to punch well above its weight in terms of significance.