Cidade do Vício

Thought-provoking story of corruption in 1950s Alabama. Realistic characters and an air of menace make this a compulsory watch. The longer version - with the 12 min introduction - is the one to see.

Good performances and some harrowing scenes make this the best film of 1955. 7/10

Born in 1946 I was about eight years old when first viewing this movie and it left a deep impression.Not only scary ,for lack of a better word this movie haunted me for more than 50 years.The mob goon played by John Larch was terrifying.The only scene that stuck out in my mind during those 50 years was the killing of the little girl and the uncaring policeman referring to her as a "little n----- kid".Those words were replaced when the movie was shown recently on TV,maybe there are two versions of the movie or someone felt compelled to alter a little bit this heart breaking scene.Accurate or not the film went a long way in formulating my opinion of the South and still till today the closest I've come to visiting a southern city is El Paso.That stand may seem extreme but there is a little bit more to the story.When the movie was shown recently it became clearer why it haunted me for years.With the newsreel like beginning this movie gives the impression that what is being shown is fact.The film is made supposedly only one or two years after the depicted incidents adding to its realistic credibility.The terror in the movie isn't provided by creatures or space aliens but by persons living in our society at the time.Re killing of little girl:The recent viewing helped make clearer the impact it had on my 8 year old mind.When this movie came out the only school I had ever gone to was attended by mostly African-Americans.The victim looked like a girl in my class,it was like seeing an actual killing.It made a horrible scene that much worse.Maybe no one will find this review helpful but it helped me.

Phenix City, Alabama is a corrupt city of sin bringing lowlifes and soldiers from the neighboring base. Journalist Clete Roberts presents the murder of Albert Patterson presumably by mobster Rhett Tanner who has control of the corrupted government and police. Patterson is the Democrat nominee for Alabama Attorney General tasked with cleaning up the city. The heart of the movie is the amiable respected lawyer Albert Patterson being recruited to run for the post as violence mounts against the good people of the city.

This is a ripped-from-the-headlines story. It starts with a documentary style prologue like a real news report. Although it has documentary style and real life story, many parts of this is fictional. Nevertheless, there is real tension. It starts a little muddled but the tension does rise as the unrelenting violence mount. It has brutality that is beyond cinematic. Even women and children are beaten. The callousness of the corrupt police is just as brutal. It probably needs to give the father son relationship more screen time. It needs to develop the story better. Overall, there are some memorable scenes and it is an unique film.

Whether your a fan of Noir or not, The Phenix City Story remains superior filmaking on all levels regardless of it's budget and lack of special effects. While some may laugh at substituting a doll briefly for a dead child; it's follow up scene continues to have as much shocking impact today as it did upon it's release. To say this is textbook noir filmaking is too small as by all standards The Phenix City Story is the barometer by which crime, realism, fistfights and expose cinema is measured up to.

Sometimes rush jobs really work out, like Phenix City Story. Consider that the movie was scripted, shot, and processed in less than a year after the triggering event of Patterson's murder. Credit the producers or someone for coming up with a first-rate cast, a marvelous director, and a big enough budget for location filming in the actual Phenix City. The result is the best of the "city expose" movies so popular at the time.

There's a rawness to the violence here that's more convincing than usual, in part because of director Karlson's "feel" for the material and also because it appears to grow organically out of the seedy surroundings of honky-tonks and carousing soldiers on leave from Fort Benning. Credit too the fine, underrated Edward Andrews for blending oily charm with ruthless violence, just the qualities needed to run an operation of that sort. Kiley too delivers in spades, his rage unusually intense and realistic. The only questionable note is Katherine Grant's Ellie, seemingly too sweet and naïve for a dealer in a crooked set-up.

Getting Karlson was a real coup. He was just hitting his stride as a top crime drama director during this period. His staging of the little girl's murder is a real grabber, along with the parking lot beating. In fact, the movie has an unusually pervasive atmosphere of unrestrained evil. Credit should also go to screenwriter Dan Mainwaring for a good tight script and some timely notes on the downside of vigilantism. Apparently, the lengthy prologue was added to ease censorship concerns, and, aside from historical value, can easily be skipped.

Anyway, the film's a must-see for B-movie fans, a happy coming together of a number of underrated Hollywood talents.