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Noite e Neblina

Título original: Nuit et brouillard
  • 1956
  • 18
  • 32 min
AVALIAÇÃO DA IMDb
8,6/10
23 mil
SUA AVALIAÇÃO
Noite e Neblina (1956)
CurtoDocumentárioGuerraHistória

Alternando entre passado e presente, este curta documental apresenta os campos de concentração abandonados de Auschwitz e Majdanek, dez anos após seu fechamento, enquanto descreve os horrore... Ler tudoAlternando entre passado e presente, este curta documental apresenta os campos de concentração abandonados de Auschwitz e Majdanek, dez anos após seu fechamento, enquanto descreve os horrores que vitimaram seus prisioneiros.Alternando entre passado e presente, este curta documental apresenta os campos de concentração abandonados de Auschwitz e Majdanek, dez anos após seu fechamento, enquanto descreve os horrores que vitimaram seus prisioneiros.

  • Direção
    • Alain Resnais
  • Roteirista
    • Jean Cayrol
  • Artistas
    • Michel Bouquet
    • Reinhard Heydrich
    • Heinrich Himmler
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,6/10
    23 mil
    SUA AVALIAÇÃO
    • Direção
      • Alain Resnais
    • Roteirista
      • Jean Cayrol
    • Artistas
      • Michel Bouquet
      • Reinhard Heydrich
      • Heinrich Himmler
    • 108Avaliações de usuários
    • 77Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 2 vitórias e 1 indicação no total

    Fotos21

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    Elenco principal5

    Editar
    Michel Bouquet
    Michel Bouquet
    • Narrator
    • (narração)
    • (não creditado)
    Reinhard Heydrich
    Reinhard Heydrich
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Heinrich Himmler
    Heinrich Himmler
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Julius Streicher
    Julius Streicher
    • Self
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Alain Resnais
    • Roteirista
      • Jean Cayrol
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários108

    8,622.8K
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    Avaliações em destaque

    howard.schumann

    Devastating in its impact

    Called the "greatest film of all time" by director Francois Truffaut, the documentary Night and Fog by Alain Resnais shows the holocaust tragedy in all its horror. Though the film is only thirty minutes in length, it is devastating in its impact so approach with caution. Night and Fog refers to the arrival of prisoners in Auschwitz under the cover of darkness and also the ultimate failure of the Nazis at Nuremberg to take responsibility for it. Written by Jean Cayrol, a holocaust survivor, and poetically narrated by Michel Bouquet, its gruesome images seem like a surreal nightmare. The purpose of the 30-minute documentary is to document for future generations what actually took place in the camps since this was a time when officialdom was reluctant to talk about what happened and the full extent of the horror was not generally known.

    Another purpose is to show the ultimate failure of the Nazis at Nuremburg to take responsibility for it. It would have been welcome to also depict the complicity of others: big business, the other victims of the Nazi's, similar atrocities such as the My Lai massacre, ethnic cleansing, genocide, state violence and so forth but this was not possible given the length of the film and its purpose. Today, when there is so much holocaust denial, people need to be reminded not that the Nazis were demons but of the consequences of unchecked state power without an ethical base.

    The film opens in 1955 with an image of a barren field of grass with lush romantic music in the background. The scene then abruptly shifts to wartime. We are in Auschwitz and the prisoners are arriving. We are shown scenes shot after liberation that are so shocking that they have never been made public outside of this film. Resnais does not spare us: the hair shaved off the heads of women piled high on the floor, bodies -- men -women - children -- are tossed in a garbage pit like so much rubbish, their fat used to make soap. The film only lasts a short time, but the images remain indelible. Unwillingness to acknowledge responsibility is depicted in brief scenes of the Nuremberg Trials. As we witness the conscious distortion of the past still going on today, we are left numb.
    10Quinoa1984

    To the point- absolutely affecting documentary

    Alain Resnais' overwhelming short piece on the horrors of the holocaust pretty much had me shaking by the end of the film. All of the footage- even the color footage viewing into the emptiness of the camps- brings the audience to feel a mass of emotions. More than anything, however, the narration is what hits the nail on the head. While it's only half an hour long, rather brief compared to it's dramatized contemporaries like Schindler's List and The Pianist, or the massive documentaries like Sorrow and the Pity or Shoa, I'd think that it should be required viewing for any mature minded person (not for children, it's too disturbing from my perspective) interested in truly comprehending what was really going on in those god-awful years in Europe. A+
    10stuartpiles

    The Most Powerful Film Ever Made

    If you want to describe or give your audience a feeling for the holocaust, or "Man's Inhumanity To Man", then this is the vehicle to use..Show it..be warned, it is so powerful, that you will never forget what you see, neither will any of your viewers..It is impossible to describe, intermixing l955 footage of Auchwitz Concentration Camp, with captured Nazi footage which the allies found at the end of the war, and the scenes of American and British troops liberating the camps...In French, with English subtitles.. and scenes that are unforgettable and horrific. Even the sad music of death from this film plays in my ears, and I have not seen it in 15 years. Once you hear it, you will know.

    This is the one to show if you want people to understand the truth of what happened and the reason for its reaction in today's current events....It is shocking in a special way. I showed it to my classes. Students were warned, and told what was coming, they said it would be "nothing" By the end some were crying and moaning in horror...
    10polverinointernacional

    An Argentine teacher that projected this film during the military dictatorship.

    This extraordinary film was, of course prohibited during the years that Argentina was ruled by the military dictatorship. Only one man, dared to show it in the middle of mass genocide. This teacher, Manlio Pereira, was the director of the only private film school during the late ´70s. Obviously the school received strange invasions of military spies, but Pereira not only continued to show this masterpiece, but also made a great ceremony out of it, speaking loudly and profoundly of what nazism meant, what were it terribly effects, and why Argentina has falled again in the taste for this awfull criminal behaviour. It is a shame that not always such outstanding names like these are remembered for this little great things.
    10Jordan_Haelend

    More difficult to view than any other film I've ever watched.

    I consider myself to have a fairly strong stomach- I've seen the results of traffic accidents and violent crimes, and like anyone else I have seen (via the TV) the horrors of war. But I was just totally unprepared for this. It was thirty harrowing minutes of a sight-seeing tour of hell.

    It was so difficult for me to sit through that I was tempted to shut the DVD player off three times, but I told myself, "No, this is important. It has to be seen, if only as a reminder of what can happen when an inhuman world-view is fused to state-of-the-art technology." The Holocaust was far more (and worse) than simple mass-killing, awful as that is. It was a business decision, coolly and scientifically calculated, to destroy millions of innocents while reaping a profit from them- in death as well as in life.

    The sight of the starved, broken bodies, the ghastly scenes taken in the medical labs in the death camps, the sight of little children being led by the hand to their last train ride. It is all so monstrous as to be indescribable.

    I am glad I watched it. But I do not think that I'll be watching it ever again, and I give it a 10. It affected me that deeply.

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    História

    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      In the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production.
    • Erros de gravação
      In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.
    • Citações

      Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.

    • Versões alternativas
      Before its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."
    • Conexões
      Edited from Nazi Concentration Camps (1945)

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    Detalhes

    Editar
    • Data de lançamento
      • janeiro de 1956 (França)
    • País de origem
      • França
    • Idioma
      • Francês
    • Também conhecido como
      • Night and Fog
    • Locações de filme
      • Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, Polônia
    • Empresa de produção
      • Argos Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 32 min
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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