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Noite e Neblina

Título original: Nuit et brouillard
  • 1956
  • 18
  • 32 min
AVALIAÇÃO DA IMDb
8,6/10
23 mil
SUA AVALIAÇÃO
Noite e Neblina (1956)
CurtoDocumentárioGuerraHistória

Alternando entre passado e presente, este curta documental apresenta os campos de concentração abandonados de Auschwitz e Majdanek, dez anos após seu fechamento, enquanto descreve os horrore... Ler tudoAlternando entre passado e presente, este curta documental apresenta os campos de concentração abandonados de Auschwitz e Majdanek, dez anos após seu fechamento, enquanto descreve os horrores que vitimaram seus prisioneiros.Alternando entre passado e presente, este curta documental apresenta os campos de concentração abandonados de Auschwitz e Majdanek, dez anos após seu fechamento, enquanto descreve os horrores que vitimaram seus prisioneiros.

  • Direção
    • Alain Resnais
  • Roteirista
    • Jean Cayrol
  • Artistas
    • Michel Bouquet
    • Reinhard Heydrich
    • Heinrich Himmler
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,6/10
    23 mil
    SUA AVALIAÇÃO
    • Direção
      • Alain Resnais
    • Roteirista
      • Jean Cayrol
    • Artistas
      • Michel Bouquet
      • Reinhard Heydrich
      • Heinrich Himmler
    • 108Avaliações de usuários
    • 77Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Indicado para 1 prêmio BAFTA
      • 2 vitórias e 1 indicação no total

    Fotos21

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    Elenco principal5

    Editar
    Michel Bouquet
    Michel Bouquet
    • Narrator
    • (narração)
    • (não creditado)
    Reinhard Heydrich
    Reinhard Heydrich
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Heinrich Himmler
    Heinrich Himmler
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Adolf Hitler
    Adolf Hitler
    • Self
    • (cenas de arquivo)
    • (não creditado)
    Julius Streicher
    Julius Streicher
    • Self
    • (cenas de arquivo)
    • (não creditado)
    • Direção
      • Alain Resnais
    • Roteirista
      • Jean Cayrol
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários108

    8,622.8K
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    Avaliações em destaque

    10polverinointernacional

    An Argentine teacher that projected this film during the military dictatorship.

    This extraordinary film was, of course prohibited during the years that Argentina was ruled by the military dictatorship. Only one man, dared to show it in the middle of mass genocide. This teacher, Manlio Pereira, was the director of the only private film school during the late ´70s. Obviously the school received strange invasions of military spies, but Pereira not only continued to show this masterpiece, but also made a great ceremony out of it, speaking loudly and profoundly of what nazism meant, what were it terribly effects, and why Argentina has falled again in the taste for this awfull criminal behaviour. It is a shame that not always such outstanding names like these are remembered for this little great things.
    10Quinoa1984

    To the point- absolutely affecting documentary

    Alain Resnais' overwhelming short piece on the horrors of the holocaust pretty much had me shaking by the end of the film. All of the footage- even the color footage viewing into the emptiness of the camps- brings the audience to feel a mass of emotions. More than anything, however, the narration is what hits the nail on the head. While it's only half an hour long, rather brief compared to it's dramatized contemporaries like Schindler's List and The Pianist, or the massive documentaries like Sorrow and the Pity or Shoa, I'd think that it should be required viewing for any mature minded person (not for children, it's too disturbing from my perspective) interested in truly comprehending what was really going on in those god-awful years in Europe. A+
    10AndrewWalker747

    oh my god

    I originally had no intention to see this movie and had no idea that it even existed until I saw it. I actually saw it in High School Economics class (of all places)because my teacher had just finished showing it to his world history class and instead of wanting to hear him drone on about the GDP and recessions, we smooth talked him into showing us what was in his VCR. We had no idea what we were about to see.

    This movie is probably the best holocaust documentary ever made. The images of piles of human hair, emaciated skeletons being pushed around by bulldozers, lampshades of human skin, men looking like corpses walking around, has never left me. The opera and classical music in the background helps to further add to the shock value of this film.

    After about 10 minutes, kids in my class told my teacher we didn't want to watch this movie anymore. We stopped it and there was still 30 minutes left in class. We didn't learn anything about economics that day, we talked about the holocaust instead.
    grendelkhan

    Words cannot express the power of this film.

    I had heard the phrase "Night and Fog", but had missed the true meaning of it until I saw this movie sitting on a shelf in a local video store. I rented it and watched.

    I don't possess a vocabulary to convey the impact the images had upon me. I sat unmmoving, sick to my stomach. Those images would not leave my head.

    As a student of history, I had seen still images and brief clips of the victims of the Holocaust. None of it compared to seeing these images moving across my screen.

    To any doubters of the Holocaust, I say, "Watch this film!" It did happen. This is the result of hatred and complacency. We like to think it couldn't happen here, until we remember the treatment of the Native Americans and the slaves brought to this country. We think it could never happen again, until Cambodia, East Timor, Bosnia, Rwanda, etc., showed it still does.
    9Agent10

    A masterpiece as only the French could make

    This movie is the greatest Holocaust film ever, and few will ever deny this fact. Beautiful and intense, its makes the stomach turn when one sees the footage and pictures obtained in this film. I've never seen footage this brutal in my entire life, not even in a movie. The voice-overs seem odd at place, but it is really the voice of history, speaking of unspeakable horrors which are captured almost perfectly in this film. A dark tribute to those who lost their lives in the concentration camps. This should be used as a teaching tool for tolerance and the atrocities of World War II.

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    História

    Enredo

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    Editar
    • Curiosidades
      In the DVD re-release, there is a subtle but controversial difference in one of the still photographs of a Nazi concentration camp in southern France. In this version the distinctive profile of a French gendarme can be seen at one of the camps, implying that the French Vichy government of the time was aware of and perhaps involved in the management of the camps. This same photograph appears in the original version but the gendarme's profile was obscured at the insistence of the French government (who commissioned the film) when the film was in post-production.
    • Erros de gravação
      In the film a popular myth about the Third Reich is presented as fact: The claim that the body fat of prisoners in extermination camps was used to produce soap. Though evidence does exist of small-scale soap production, possibly experimental, in the camp at Stutthof concentration camp near Danzig/Gdansk, mainstream scholars of the Holocaust consider the idea that the Nazis manufactured soap on an industrial scale to be part of World War II folklore.
    • Citações

      Récitant/Narrator: With our sincere gaze we survey these ruins, as if the old monster lay crushed forever beneath the rubble. We pretend to take up hope again as the image recedes into the past, as if we were cured once and for all of the scourge of the camps. We pretend it happened all at once, at a given time and place. We turn a blind eye to what surrounds us and a deaf ear to humanity's never-ending cry.

    • Versões alternativas
      Before its original release, there was a still of a French gendarme (policeman) watching a roundup at Pithiviers. He is easily recognizable by the characteristic French "kepi." Wanting to deny complicity, French censors insisted this shot not be allowed, so for its original release, the image was altered so that a wooden beam covered the gendarme and his kepi. In 1997 or 98, the original version of the film was re-released in France, finally revealing the gendarme. The original American release of the film did not translate all the dialogue for the subtitles, in particular leaving out one of the two references to Jews: "Annette, from Bordeaux." Subsequent releases restored the original text: "Annette, a Jew from Bordeaux."
    • Conexões
      Edited from Nazi Concentration Camps (1945)

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    Detalhes

    Editar
    • Data de lançamento
      • janeiro de 1956 (França)
    • País de origem
      • França
    • Idioma
      • Francês
    • Também conhecido como
      • Night and Fog
    • Locações de filme
      • Auschwitz-Birkenau Concentration Camp, Oswiecim, Malopolskie, Polônia
    • Empresa de produção
      • Argos Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 32 min
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • Mono
    • Proporção
      • 1.37 : 1

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