Adicionar um enredo no seu idiomaNapoléon Bonaparte's life, loves and exceptional destiny from 1769 to 1821, as seen through the eyes of Talleyrand, the cynical and ironic politician who once was the Emperor of France's Min... Ler tudoNapoléon Bonaparte's life, loves and exceptional destiny from 1769 to 1821, as seen through the eyes of Talleyrand, the cynical and ironic politician who once was the Emperor of France's Minister of Foreign Affairs.Napoléon Bonaparte's life, loves and exceptional destiny from 1769 to 1821, as seen through the eyes of Talleyrand, the cynical and ironic politician who once was the Emperor of France's Minister of Foreign Affairs.
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This poorly made inexcusable film tries to be too sympathetic to Napoleon and is loaded with innumerable historical inaccuracies. Talleyrand doing the narration is absurd to begin with since he continually back stabbed Napoleon at every turn. Whether one loves the Emperor or loathes him, this movie will only bore you to tears. The acting is wooden and monotonous with the characters all indistinguishable from each other. The famous Battle of Waterloo is given all of one minute without even mentioning Napoleon's opposition and the retreat from Moscow isn't even shown at all. Anything worthwhile that Napoleon did in his lifetime is also completely left out. Lastly, Orson Welles as Sir Hudson Lowe (Napoleon's jailer on St. Helena) is the most incredible case of miscasting I've ever seen in any movie. It just shows how far Welles' stock had fallen in Hollywood to be involved in this farce just for a paycheck. Abel Gance's "Napoleon" from 1927 is still the film to see if one is interested in the life of the Emporer. Napoleon was at least an entertaining and animated conqueror/dictator. In this 1955 version starring Daniel Gelin, he is merely a glaring monosyllabic moron.
For the ultimate "Napoleon" experience we have to go to 1927 and Abel Gance's masterpiece. Guitry's version is solid - but it crams almost thirty years into one movie. Gance had a longer movie - but it ended in 1797; Waterloo was in 1815, and Guitry's account even went beyond Napoleon's death: it concluded with the glorious return of Napoleon's remains to Paris much later. Nonetheless, even though it moved from scene to scene too quickly and needed more character development, this is a solid historical account worth seeing. BEST OF ALL, both the Gance and Guitry versions give us an alternative interpretation of Napoleon instead of the usual Anglophile hate-filled anti-French propaganda, as seen in "Horation Hornblower" and others.
The poorly dubbed English version is appropriately available on a poor, slightly-out-of-focus and somewhat-drained-of-color Hollywood Classics DVD. Produced on a lavish budget with a galaxy of famous players as long as your arm, this is an egocentric production in which most of the famous stars – buried under loads of make-up – are totally unrecognizable. Robbing them of their voices doesn't help either. Daniel Gélin plays the young Napoleon, but the role is soon taken over by Raymond Pellegrin – who looks nothing like Gélin but bears a remarkable similarity to Charles Boyer's Nappy in Clarence Brown's 1937 Conquest. The movie is directed by Sacha Guitry as an almost endless series of boring tableaux which may have been reasonably effective in the original French production, but look old-fashioned and stagey in the carelessly dubbed DVD (which gives no indication of its length but is most obviously NOT 3 hours and 10 minutes, and I seriously doubt that it is even 105 minutes).
"You can pretend to be serious; you can't pretend to be witty." Sacha Guitry
Guitry would have been very amused by some the comments posted here. It never was his intent to do an historically accurate movie. Anyone slightly familiar with his filmography knows the subtle derision he infused in all his storytelling. I found that movie very entertaining but I know, as some of my fellow commentators should too, that for factual accuracy one must look elsewhere. I too recommend his rendition of the highs and lows of the French monarchy in " Si Versailles m'était conté ".
Guitry would have been very amused by some the comments posted here. It never was his intent to do an historically accurate movie. Anyone slightly familiar with his filmography knows the subtle derision he infused in all his storytelling. I found that movie very entertaining but I know, as some of my fellow commentators should too, that for factual accuracy one must look elsewhere. I too recommend his rendition of the highs and lows of the French monarchy in " Si Versailles m'était conté ".
It would be unfair to rate the butchered 2 hour version of Sacha Guitry's 3 hour saga - and impossible to believe that the complete work could be anywhere near as awful. A whistle-stop tour (told mostly by a narrator) of Napoleon's life that glosses over almost every aspect of it, and provides us with little depth or context. Avoid this version at all costs.
Você sabia?
- CuriosidadesSeveral battalions of Senegalese and Annamite soldiers were mobilized for the battle scenes.
- Erros de gravaçãoThe narration by the character of Talleyrand is purportedly spoken in 1821-1822, shortly after Napoléon Bonaparte's death. However, in the last scene Talleyrand describes Napoleon's reburial which happened in 1840, even though Talleyrand himself died in 1838.
- ConexõesReferenced in Cinéastes de notre temps: Sacha Guitry (1965)
- Trilhas sonorasPlaisir d'Amour
Music by Jean-Paul-Égide Martini
Lyrics by Jean-Pierre Claris de Florian
Sung by Luis Mariano
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- How long is Napoleon?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 3 h 2 min(182 min)
- Mixagem de som
- Proporção
- 1.37 : 1
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