O Justiceiro Mascarado

The last time I saw a movie with a Caucasian and a Red Indian partner, was the French movie Brotherhood of the Wolf. Perhaps it's had its origins of such a pairing from The Lone Ranger, or so I'd like to believe. After having spent some time with old martial arts classics, I thought I'd set my sights on the western genre, and what more appropriate than the adventures of the legendary Lone Ranger astride his steed Silver, and his Red Indian sidekick Tonto.

For those not in the loop of this character, he's like the daytime vigilante of the Wild Wild West, in his mask concealing his true identity, and loads his guns with silver bullets. The silver bullet also functions as a calling card of sorts, and come to think of it, it's like a friendlier version of Batman, only in a different setting. And with that theme music - William Tell Overture - blaring in the background as they ride into the sunset, it's pure nostalgia. Not hard to imagine that I actually grew up on such stuff.

The movie begins by diving right into the story, with our heroes up against some mean and corrupt and greedy cattle ranchers who are after more land, and some bad hats amongst them trying to stir up war with the Native Americans. So it's up to our heroes to expose the truth, and to prevent bloodshed. That pretty much sums up the gist of the plot.

Although this is not an origin movie, the beginnings of how the Lone Ranger came about was mentioned in passing - His brother and himself, both Rangers, were ambushed by outlaws and left for dead. But Fate has Tonto rescuing the Ranger, and he decided to use the clothes of his dead brother to make a mask, to stay mysterious, to be feared by the villains he hunted down. The origins of Silver, his mighty loyal steed, is also mentioned, but more to the effect that it was nursed back to health by the Ranger himself.

Given that this was made in the 50s, you'd come to expect some very stilted and stiff dialogues, as heroes in those days, are expected to be squeaky clean. You probably can't find a speck of dirt on the Ranger's character, as he embodies everything that is good, with that All American feeling. Called the "trusty scout' (Kemo Sabe) by his Red Indian ally Tonto, the movie also takes a look at the prejudices faced by the Native Americans amongst groups of white men, and the strong partnership between our leads, is testament to the fact that ignorance and the lack of understanding, isn't the way to go.

The visual transfer isn't all that great, and it looks like it's VHS based, with little remastering done to remove the cacks and pops. The colours were inconsistent at times, and although it comes in both full screened and wide screened versions on the same disc, it isn't anamorphic.

The DVD extras are on a second disc, and has two sections. The first section contains interviews, while the rest goes into "Special Features".

There are two interviews included, and the first is with Michael Ansara, who plays Angry Horse. Interviewed by Michael Druxman (writer/director of The Doorway 1999), this interview fell short in quality as Ansana wasn't too chatty, and Druxman was chatting most of the time like a fanboy. Nothing much comes out of this interview, although a trivia was shared that the Lone Ranger actually never kills anybody on screen. Running at 17mins and 15 secs, I would recommend going straight for the second interview instead.

The second interview has more substantial material discussed, and it's natural given that it's conducted by Leonard Maltin of Entertainment Tonight, with the guest Dawn Moore, daughter of the Lone Ranger himself Clayton Moore. Conducted and recorded on 9 Feb 2001 and clocking in at 39 minutes, it is a heartfelt session with recollection of memories of Clayton Moore, about her childhood and growing up with the legend, many behind the scenes discussion at the production, anecdotes shared that only a child will know, and even talk about Silver the horse. Given her account, you'll be amazed at how hard Clayton Moore actually worked for the character, in character, in publicity that the company wanted him to do. This is a gem that all fans should give a listen to.

The Special Features section contains the following, though nothing in particular stands out: a. Text biographies of main cast and director Stuart Heisler b. A photo gallery with colour and black and white movie stills c. Trailers for The Lone Ranger, The Lone Ranger and the Lost City of Gold, and trailers for two non Lone Ranger, but Western, films - Ride in the Whirlwind and The Shooting (both starring Jack Nicholson) d. A text writeup on The Lone Ranger Creed, which is also available on the insert.

One of the things that amazes me about this film is its surprisingly modern attitude towards Native Americans (no, seriously!) The Indians in this movie are portrayed with dignity and respect, similar to the way "Dances With Wolves" would portray the Lakota years later. Naturally, the Lone Ranger and Tonto are good friends and partners (Clayton Moore always said he loved Jay Silverheels like a brother), but the way the Ranger in which treats the Indian chief, Red Hawk, is touching. No wonder this man is a hero.

In an era when Hollywood more often than not used Indians as stereotypical savages and moving targets, "The Lone Ranger" makes a surprising plea for mutual respect and tolerance.

"The Lone Ranger" was the first of two feature films made in the 50s starring Clayton Moore as The Lone Ranger and Jay Silverheels as Tonto. It was of course, based on the long running TV series that began in 1949 and ended in 1957. It was produced by Jack Wrather who also produced the TV series.

Essentially a "B+" western it is nonetheless a well mounted production. It was made by Warner Brothers and is as good as any of the Randolph Scott westerns made by the studio at that time. Being a major studio production, it was filmed in color and Wrather was able to hire an above average supporting cast.

The story briefly, involves big time rancher Reese Kilgore (Lyle Bettger) trying to incite a war with the local Indian tribe on whose reservation a mountain of silver is located. The Masked Man and his faithful Indian companion ride in to try and prevent the conflict.

Moore and Silverheels, who had been around the "B" movie scene since the late 30s, play their parts pretty much the way they did on TV but with a little more edge. Moore has a knock down drag out fight with the Indian warrior Angry Horse (Michael Ansara) who is trying to take control of the tribe from sickly Chief Red Hawk (Frank DeKova). Tonto meanwhile, is beaten up by Kilgore's thugs (Robert J. Wilke, Mickey Simpson, Zon Murray). And the boys even get to gun down a couple of the bad guys. And, The Lone Ranger even gets wounded only to make a remarkable recovery. And oh yes, Moore also gets don the disguise of the old prospector again as he did several times in the TV series.

In addition to those mentioned, the supporting cast also includes Bonita Granville (wife of Producer Wrather) as Bettger's wife, Beverly Washburn as their daughter, John Pickard as the Sheriff, Perry Lopez as Pete Ramerez and Kermit Maynard and William Schallert in smaller parts.

The movie is not as corny as the TV series and turns out to be an entertaining western.

The Lone Ranger is directed by Stuart Heisler and written by Herb Meadow and George W. Trendle. It stars Clayton Moore, Jay Silverheels, Lyle Bettger, Bonita Granville, Perry Lopez, Robert J. Wilke and John Pickard. Music is by David Buttolph and cinematography by Edwin B. DuPar.

Wealthy rancher Reese Kilgore (Bettger) aims to grab silver-rich Indian land by skilfully pitting Indians against settlers, but the suspicious territorial governor sends The Lone Ranger (Moore) to investigate.

I think most of us Western fans of a certain age remember fondly The Lone Ranger TV series, and with that we obviously remember it as being child friendly. So it's reasonable to expect this filmic version as being more of the same? Yet although it is of course safe for the kiddies to enjoy, it's very mature in narrative terms.

It's not an origin movie, though the screenplay allows space for us to get the birth of the masked man as it were. Naturally we are in the realm of the good versus the bad, but as we deal with bile strewn racial prejudices, we also get the flip side in the form of the strong friendship between Lone Ranger and Tonto (Silverheels).

Pic is crammed full of lush locations, fast paced action, plenty of fights - both with fists and weaponry - stock genre characters, and two of the coolest horses in genre lore. All that and the signature William Tell Overture music that brings simultaneously a smile to the face and a tingle to the youthful spine in all of us. Hooray! 7/10

Although its script is strictly utilitarian and a bit dull at times, this movie is a worthy companion to the beloved TV series, with Clayton Moore and Jay Silverheels in their most familiar roles. This time the virtuous duo is out to stop a war from starting between ranchers and Indians. There are a couple good action sequences and some admirable horsemanship to help out the rather formulaic script.

If that really is Moore playing the Ranger in disguise as an old prospector, then it's a treat to see him in something other than his one-note performance as the masked man. Also, it sure looked to me like, contrary to legend, the Lone Ranger shot and killed a man! Rest assured, it was necessary to keep from being killed himself. And if you're a fan of Bill Cosby's classic comedy routines, you'll love it when Tonto goes into town to get information and is set upon by the bad guys.