AVALIAÇÃO DA IMDb
6,3/10
1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaModerate Jim Bowie leads rebellious Texicans--and Davy Crockett--in a last-ditch stand against his old friend, Santa Ana.Moderate Jim Bowie leads rebellious Texicans--and Davy Crockett--in a last-ditch stand against his old friend, Santa Ana.Moderate Jim Bowie leads rebellious Texicans--and Davy Crockett--in a last-ditch stand against his old friend, Santa Ana.
- Direção
- Roteiristas
- Artistas
Abdullah Abbas
- Townsman
- (não creditado)
Rico Alaniz
- Tomas
- (não creditado)
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- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Made in spite by Yates, well shot and mounted, replete with an excellent cast, 'The Last Command' still remains good value even if it rather pales besides Wayne's grandiose epic of just a few years later. The much underrated Hayden is superb as "big Jim Bowie" and Hunnicutt equally as good as Davy Crockett. Hayden has the ability to appear gentle, naive, rugged and brusque all at once - something few other actors, with perhaps the exception of Spencer Tracy, managed. Unfortunately Crockett and his 29 men don't appear until some way in. With only Hayden's latent dynamism really keeping things afloat, the first half an hour of the film is rather talkative in exposition, and it drags somewhat. Consuela de Quesada (Anna Marie Alberghetti) is a limp romantic foil to Bowie - I for one would be happy to have seen her written out and the structure tightened through her absence. Ernest Borgnine plays his small role with gusto - his confrontation with Bowie a standout scene in a film full of fighting, although his later genial acceptance of Bowie's superiority as a man is perhaps emphasised by the script too much for comfort.
Steiner's music (and especially the superb title song) goes a long way in making events move smoothly towards the climax. For it's the Alamo Battle the bums on seats will have come to see, and here it is done well (although again not *as* well as Wayne would manage with considerable more time and resources later (although any comparison isn't too much to the present film's detriment).
In short this is well worth seeing, and it provides a contemporarily staged contrast to the better-known epic which was to follow. I'd still like to see an historically accurate account of the events at the mission, though...
Steiner's music (and especially the superb title song) goes a long way in making events move smoothly towards the climax. For it's the Alamo Battle the bums on seats will have come to see, and here it is done well (although again not *as* well as Wayne would manage with considerable more time and resources later (although any comparison isn't too much to the present film's detriment).
In short this is well worth seeing, and it provides a contemporarily staged contrast to the better-known epic which was to follow. I'd still like to see an historically accurate account of the events at the mission, though...
While not totally historically accurate, this film is at least as accurate, if not more so, than most of the other Alamo epics. There are points in all the films that are arguable, if not totally wrong. However, I have researched most of the Alamo films and find this one more accurate from the viewpoint of the depiction of the Mexicans in the Alamo and some of the more personal facts about Bowie. For example, the death of his wife sometime before the start of the battle. No Alamo film is totally accurate, including the newly made Alamo with Billy Bob Thornton and Dennis Quaid. The important thing is that this is the story of brave men fighting a battle they cannot win against a far larger army. The spirit of the story is the important thing in this case.
This is a version of the Alamo story often overlooked mainly because it focuses on Jim Bowie as opposed to Davy Crockett as the central character. Sterling Hayden in one of the many roles he truly hated before escaping to the seas is a stalwart and heroic Bowie.
As I said though in another review of a film with Bowie as the central character, Jim Bowie was anything but heroic. He was a land swindler, slave dealer, no good con man who very few people had anything nice to say about. He was a tough guy though, no question about that and the famous Bowie knife was made to his specifications.
Bowie was married into the Mexican aristocracy and did suffer the horrible tragedy of having his wife and children taken in an epidemic of the plague. We never see them here or in the John Wayne film or in the new Disney epic.
Possibly the best acting honors do go to Arthur Hunnicutt who was more the backwoods character that Davy Crockett was then John Wayne. Billy Bob Thornton in the 2004 Alamo was probably the best Davy Crockett ever put on film and the most accurate.
Probably too much is now known for the general public to appreciate a film like The Last Command. The principals at the Alamo were three dimensional characters and not the cardboard cutouts they are here.
As I said though in another review of a film with Bowie as the central character, Jim Bowie was anything but heroic. He was a land swindler, slave dealer, no good con man who very few people had anything nice to say about. He was a tough guy though, no question about that and the famous Bowie knife was made to his specifications.
Bowie was married into the Mexican aristocracy and did suffer the horrible tragedy of having his wife and children taken in an epidemic of the plague. We never see them here or in the John Wayne film or in the new Disney epic.
Possibly the best acting honors do go to Arthur Hunnicutt who was more the backwoods character that Davy Crockett was then John Wayne. Billy Bob Thornton in the 2004 Alamo was probably the best Davy Crockett ever put on film and the most accurate.
Probably too much is now known for the general public to appreciate a film like The Last Command. The principals at the Alamo were three dimensional characters and not the cardboard cutouts they are here.
Frank Lloyd's career stretched back to the silent era--he was a major director and made films for the top studios in Hollywood. Winding up at a B studio like Republic would seem to be a step down the career ladder, but this film is actually one of Lloyd's best and one of the best to ever come out of Republic.
The studio didn't often get the services of directors of the calibre of Frank Lloyd--although John Ford and Fritz Lang had occasionally made films there--and it spared no expense on this one. The subject matter demanded a big budget, and Republic didn't stint. Thousands of extras, big sets, spectacular action scenes, robust performances--all combined to make a first-rate action picture. Sterling Hayden makes a good Jim Bowie, the always underrated Arthur Hunnicutt personifies Davy Crockett, and the cast is filled with familiar character actors--Roy Roberts, Slim Pickens, John Russell, Jim Davis--who contribute much to the overall atmosphere of the film. The setpiece of the movie, though, is the final siege of the Alamo itself, and it is spectacular. It compares well to the John Wayne version made five years later, and ranks right up there with the final battle scene in 1964's "Zulu"--expertly edited with top-notch stunt-work and special effects. Very highly recommended.
The studio didn't often get the services of directors of the calibre of Frank Lloyd--although John Ford and Fritz Lang had occasionally made films there--and it spared no expense on this one. The subject matter demanded a big budget, and Republic didn't stint. Thousands of extras, big sets, spectacular action scenes, robust performances--all combined to make a first-rate action picture. Sterling Hayden makes a good Jim Bowie, the always underrated Arthur Hunnicutt personifies Davy Crockett, and the cast is filled with familiar character actors--Roy Roberts, Slim Pickens, John Russell, Jim Davis--who contribute much to the overall atmosphere of the film. The setpiece of the movie, though, is the final siege of the Alamo itself, and it is spectacular. It compares well to the John Wayne version made five years later, and ranks right up there with the final battle scene in 1964's "Zulu"--expertly edited with top-notch stunt-work and special effects. Very highly recommended.
Studio politics prevented John Wayne from getting the role he coveted.Wayne would have to wait nearly a decade before he would put his own vision of the Alamo on the silver screen. The film is magnificent and told remarkable for its era (a) with a recognition that Mr Bowie having married into the Mexican elite had become an assimilato, a naturalized Mexicano, (b) with sympathy for the Mexican viewpoint and (c) with respect for General Santa Ana.
The Travis of this version is not nearly the superbly arrogant martinet of the Wayne film nor the dummy who matures in combat of the more recent edition.
Regrettably unlike the Wayne film, this version omits the heroine of the story who knitted the Alamo flag-- the Mexican tricolor with the legend 1824 for the liberal constitution for which the Texans fought. Cut off by the Mexicans, the Alamo defenders would never have known of the declaration of independence or the adoption of the Lone Star flag.
Yet as the story of heroism against the odds, Last Command is first rate.
The Travis of this version is not nearly the superbly arrogant martinet of the Wayne film nor the dummy who matures in combat of the more recent edition.
Regrettably unlike the Wayne film, this version omits the heroine of the story who knitted the Alamo flag-- the Mexican tricolor with the legend 1824 for the liberal constitution for which the Texans fought. Cut off by the Mexicans, the Alamo defenders would never have known of the declaration of independence or the adoption of the Lone Star flag.
Yet as the story of heroism against the odds, Last Command is first rate.
Você sabia?
- CuriosidadesThe melody to "The Ballad of Rock Ridge" from the western spoof Banzé no Oeste (1974) is taken almost note for note from this film's "Jim Bowie", sung by Gordon MacRae. Coincidentally, Slim Pickens appears in both films.
- Erros de gravaçãoWhen Gen. Santa Ana's cavalry charges toward the Alamo, the tire tracks of the camera truck are visible in front of the horses.
- ConexõesFeatured in That's Action (1977)
- Trilhas sonorasJim Bowie
by Sidney Clare and Max Steiner
Sung by Gordon MacRae
A Capitol Recording Artist
Arranged by Van Alexander (uncredited)
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- How long is The Last Command?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 2.193.939 (estimativa)
- Tempo de duração
- 1 h 45 min(105 min)
- Proporção
- 1.66 : 1
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