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Very tough Western with great acting and masterfully made , it stars Glenn Ford as Jubal. Jube Troop emerges from the dust to stop awhile as a hired hand for jolly rancher, Ernest Borgnine, as he is a cowhand who drifts into trouble with his boss and the boss's seductress wife, the tempter and dissastified Valerie French. As the rancher seeks advice from a foreman about pleasing his spouse, but another cowhand, Rod Steiger, implies him that Jubal is extremely advising his wife. Along the way Jubal falls for a drippy Mennonite, Felicia Farr.

This movie has a formidable combination of fine performances, intense drama and spectacular outdoors. Director Delmer Daves aims for psychological realism with a contemporay treatment of adultery and about an innocent man being hounded and harassed. A blending of talent actors with great leading players of whom Steiger, perhaps, holds the plum character as a two-fisted cowhand, though he delivers an overacting, playing an "Yago" alike figure from play ¨Othello¨ by William Shakespeare, that threatens to overbalance everything. The hothouse plot drives mercilessly forward with twists and turns . The tale is strong one and the yarn is wonderfully located against a background of Montana mountains . Very good main cast , as Glenn Ford , Ernest Borgnine , Valerie French , Felicia Farr , including Rod Steiger who gives a hyper-neurotic interpretation as a cowhand with a lemon-sour nature and a sadistic streak . Support cast is frankly well such as Charles Bronson , Basil Ruysdael , Noah Beery Jr. , John Dierkes and Jack Elam . The literate storyline sustains interest thanks to the twisted relationships and enhanced by cinemascope cinematography by cameraman Charles Lawton Jr. Containing gorgeous outdoors exteriors from Grand Teton National Park . Being well accompanied by a sensitive and moving musical score by David Raskin.

The picture was compellingly directed by Delmer Daves. He was a fine filmmaker who mingled moral or ethic analysis , documentary , lyrism , and large open spaces . Daves made some Western masterpieces , he was one of the greatest directors . As he was a western expert, including titles as ¨Broken arrow¨, the first pro-Indian western with James Stewart , ¨Drum beat¨ with Charles Bronson, ¨The last wagon¨ with Richard Widmark , ¨The badlanders¨ with Alan Ladd and Borgnine, ¨3:10 to Yuma¨ with Glenn Ford, ¨Cowboy¨ with Jack Lemmon, ¨The return of the Texan¨ with Dale Robertson , and ¨The hanging tree¨ with Gary Cooper , among others . Rating 7/10. Better than average

Have not seen this film in years and enjoyed this story in which Glenn Ford, (Jubal Troop) is injured and falls onto a dirt road and is discovered by Ernest Borgnine,(Shep Hogan) and he takes him back to his ranch and in time offers him a job and then a full time position as his top ranch hand. This quick decision causes problems among the other ranch hands who have worked for Shep Hogan a very long time. Rod Steiger,( Pinky Pinkum) instantly resents Jubal Troop and suspects him of being a sheep herder and constantly tells him he smells like sheep poop. Valerie French (Mae Hogan) is a woman who likes to fool around with other men and has tried out most of the ranch hands and she instantly gets hot over Jubal Troop which starts another side to the story.

If for no other reason watch this movie for its locations. The Grand Tetons are the show stealer here. It makes me want to travel to Wyoming even more than I had wanted to before. The movie is excellent as well, especially if you are a Glenn Ford fan.

In the mid-1950's writer-director Delmer Daves made a series of superior westerns for Columbia studios. Too bad these films have not gotten their critical due from movie historians or critics. Perhaps it's because they lack the thematic continuity of a Buddy Boetticher or a John Ford to tie them together. Still each entry presents its own distinct virtues and all are greatly entertaining. If the compact, and tautly told "3:10 to Yuma" is the best of the lot, the scenic and sprawling "Jubal" runs a close second. This mid-series film features Glenn Ford's easy-going charm, a rowdy Earnest Borgnine, a luscious Valerie French, and the panoramic backdrop of Jackson Hole Wyoming. And in an odd piece of casting, which Daves seems fond of, method actor extrordinaire Rod Steiger appears as a treacherous ranch hand named of all things, Pinky! Following the dueling styles of Ford vs. Steiger is at least as interesting as the otherwise well-staged outbursts of gunplay.

Judging from other entries, such as 1958's "Cowboy", Daves seems genuinely intrigued by the real life of cowhands. Thus the cowhands in Jubal are more vividly drawn and distinctively presented than their usual role as faceless stage props. The story itself features a fairly explicit (for its time) woman in heat (French), whose scheming shenanigans set off a plot- driving chain of events, while shifting alliances among ranch hands and settlers round out a sprawling and sometimes over-generous plot. And, oh yes, making a sudden appearance half way through, a lonesome Charles Bronson in a tacked on role that perhaps provided a needed payday, (Daves and Bronson had been together in the earlier, oddball essay "Drumbeat".) If none of this sounds good, then just sit back and take in the beautifully photographed alpine landscape that has salvaged many a western much less worthy than "Jubal".

is a perfect way to express how I feel about JUBAL. Director Delmar Daves takes an outstanding Western cast & takes a Shakespearean tragedy, then mixes the two elements. The result is not only one of the best westerns of the 1950s, but one of the best films of the decade, & one of the best westerns ever. From the performance of the entire cast, to Raskin's score, it's outstanding all around.

Don't miss this one. Just see it again & again.