O Ocaso de uma Alma

CORNY BUT ENJOYABLE story of a strait-laced, stern disciplinarian schoolteacher who has her entire small town cowed, and how she got that way. "Terrible" Miss Dove's vocabulary and diction are so high-flown and stilted, I fear it would sound like a foreign language to today's audiences. "Allow me to convey my felicitations!" She always wears a hankie pinned to her jacket, and makes the students wear one too. Elementary school was rugged in those days. We never find out Miss Dove's first name, and she never calls anybody by a nickname, saying "Will-i-am" instead of "Bill," for instance. -

Jennifer Jones gets to do some acting in her scenes with Miss D as a 19-year-old. Stereotypes practically monopolize the supporting roles, Chuck Connors is an Irish cop, black servant, blonde floozy, they're all there. Miss D has little sympathy for a woman pregnant out of wedlock. Robert Stack is his usual confident self. There's even a Dead End Kid type who escapes from prison to see his beloved teacher--twice! The lone Jewish kid becomes a big-time Broadway playwright. It goes on and on. -

In my home town, there was a high school teacher much like this, Miss Stafford, who had the whole town in an iron grip of fear. When she retired, they had a big party for her, in the football stadium! And gave her a new car! So the story isn't so far from reality. -

The photography, in Cinemascope, is gorgeous. The story is told mainly in flashbacks, so don't go to sleep or you'll wake up confused. It's worth a look for fans of popular culture of the mid-twentieth century, and for those who are always whining about how there aren't any "likable characters" in a movie. No surprises here, all these characters are just what you expect, not scary at all.

This wonderful film contains a warm, nostalgic look back at the life of an ailing school teacher. As time and her illness progresses, Miss Dove, best known to the small town as a rigid and stiff disciplinarian, realizes the positive effects she has had on the people around her, and their love for her. Never married, childless Miss Dove finds purpose and contentment in her duty -- to repay her father's debt and thereby avoid a scandal, by working as a teacher, instead of marrying the man she loved.

The film has especially fine direction, performances, and an intelligent, multi-layered script. While Miss Dove appears a one-dimensional, humorless snob at the beginning of the film, the many layers of her story and personality are revealed throughout the course of the film. By the end, you realize why everyone is so fond of her.

Thinking back over this film, I was struck by the image in my mind of an America that seems to no longer exist. Healthy, proud, and affluent small towns, the belief in following one's duty in life instead of whims, and the sense of personal responsibility among these characters are so unusual to see in a modern film -- or modern life. There was a scene in which Miss Dove helped a bank avoid closing, a selfless, altruistic act that seemed so different than anything that could have occurred in the recent banking crisis.

Growing up in the 1980s, I think I was seeing the last of this generation fade away. Perhaps I still am. I remember writing a fan letter to Jennifer Jones years ago. I loved her then as I still do. I never considered it odd that she did not reply. She was a symbol of the grace and dignity of a long gone era. Noticing that she just passed away, I can't help but feel she passed away with the unfortunate changing of our culture, to the violent, seedy, and irresponsible. But what an enduring, magical film legacy she left behind.

Excellent entertainment guaranteed to get the weepy eyes out and the warm and fuzzies too. This movie reminds me of Goodbye Mr. Chips which was good but I thought they could have done more in that movie to stress the point of all the good Mr. Chips the teacher did. Here, they do just that via flashbacks which are highly entertaining and give good background to the story-telling. In a Twilight Zone episode titled "The Changing of the Guard", they also capture the theme of this movie quite well so if you like either example I gave you will love this movie as it takes its place among them. A couple of those flashbacks had me in tears as you realize that those people are you or someone you know who cannot only use a helping hand but also allow us all to contribute to a better world one person at a time. Who hasn't gotten to where they are today without help of some kind? Imagine if you turned that principal up a few notches. That's what is going on here only someone donates their life (literally) to the theme. Good investment by my tally. Good supporting cast too with familiar faces that became famous in their own time. The virtues acted out and displayed in this move are numerous. Humility, sacrifice, service, hope, charity, unconditional love, honesty and commitment all come on the screen throughout this movie and make their points. We are also reminded not to base everything we do solely on money outcomes but instead to invest in the bigger picture of life that build character and joins the everlasting properties into eternity. I am also reminded of the many who we don't hear about, who stay in the shadows doing their share of good happy to do so and going unnoticed for it but perfectly content and satisfied. Why? The simplest answer is found in a well known scripture that keeps teaching us this principal: When you did it to the least of them, you did it to me. I know you. Come forward faithful steward. That's all that counts in the end is that you are recognized by the one who sent you here just for that purpose. Good movie to snack with plus a tasty drink, Kleenex on standby and bring an open heart so your soul can be cleansed too. Enjoy! I did!

"Good morning, Miss Dove" was a major and pleasant surprise to me. I expected an over- sentimental, although well-made, movie. On the contrary, I discovered that there is a subtext of sense of humor, and the many psychological subtleties and finesses are even more relevant than sentimentalism. Of course, I do not deny that I was deeply touched by this extraordinary, wonderful woman, Miss Dove.

Miss Dove is the essence of the movie, and even the sense of humor is based on her. Her pride, her aloofness, her deep conviction to be always right, her refined, elegant and slightly ironic way of talking that never weavers, not even in dire straits, make Miss Dove a comic character, in some sense. And we see that she looks at her own over-the-top strictness with a dose of self-irony.

Miss Dove's mission as a teacher is based on a steel principle: all her pupils are equal. Any partiality is just inconceivable. Actually, she cannot help to have a particular love for some of them, especially for Bill. When, after his service in the Marine Corps, the grown-up Bill says to Miss Dove that he wants to use his saved money to complete his studies, she plainly hides her inner joy. Why? Clear: to show joy, even much time after the school-years, would mean to be partial toward her "William" (a delightful, even poetic subtlety is that Miss Dove never calls the kids by nick-name). However, at the hospital she finally affords herself to show a preference. She asks all her flowers to be distributed to the other patients, and she just takes in her room the flowers sent by her beloved, favorite "son" Bill.

Miss Dove is a genius of psychology. The equal-for-all discipline is the canvas where she paints with masterly touches. She never preaches, her own behavior shows the right way. When she sees that the little Jewish Maurice is ill-used by the other kids, she doesn't utter a (probably useless) sermon on xenophobia. She just asks Maurice to accompany her, helping to bring her books, thus showing to everybody how much she cares for the little stranger. Then it's up to the kids to understand the lesson. This episode is related to a beautiful finesse of the movie. We see Mr. Levine, Maurice's father, terribly upset and worried at Miss Dove's illness. Thus we get that, less fortunate than his son, Mr. Levine has long experimented the horrors of anti-Semitism in Europe. So he is fully aware of and grateful for Miss Dove's precious job, even more than his son.

Another great psychological job is the way Miss Dove, talking with Bill, praises Billie Jean's skills and humanity as a nurse. That's enough for Bill to learn the lesson, that is to overcome his prejudices (which coincide with her own prejudices; so, after all, even Miss Dove has something to learn). Particularly poignant is the shy, humble admiration and love paid by Billie Jean to her former teacher. That is mirrored by the nurse's naive attempts to imitate Miss Dove's elegant talk and perfect poise, which give rise both to fun and to emotion.

Some characters are conventional, others are not fully convincing, like that of the gangster Makepeace. However, this guy is instrumental in showing that Miss Dove never condemns the human being. The film is permeated with positive messages: patriotism, dignity, respect, honor, love for learning, sense of community, gratitude. I will be the very last to be displeased by that. Sometimes the sentimentalism is far-fetched. I consider it a minor fault of the movie.

Jennifer Jones as Miss Dove is just sensational. The remainder of the cast works very well, especially Peggy Knudsen as Billie Jean, in my opinion.

Let me conclude remarking a great poetic image. The little girl, from the top of the tree she has climbed (a wonderful symbol of innocence and freedom), stares with a stunned look at Miss Dove carried away by the priest and the doctor. What's up? The indestructible teacher has something wrong? Impossible...

Like the people of Liberty Hill, we all love Miss Dove, this wonderful woman, this mother of one thousand children. To enjoy this extraordinary character, I strongly recommend "Good morning, Miss Dove".

Frances Gray Patton wrote this beloved novel of a small-town spinster. She is a determined woman, one who turned a wrecked life and an enormous family debt into a reason to teach generations of New England young people the virtues of going-through-the-pain to get the gain. The theme of this film is the positive effect of her rough-hewn self-assertiveness training on her students. Jennifer Jones plays the schoolteacher, from youth to old-age, and very winningly. The film was directed by veteran Henry Koster. Others in the very large and amiably charming cast include Robert Stack, fine actor Robert Douglas, Kipp Hamilton, charismatic Peggy Knudsen, Chuck Connors, Jerry Paris, Mary Wickes, Leslie Bradley, Marshall Thompson, Biff Elliott, Richard Deacon and many more. What happens in the story is that Miss Dove falls ill one day during class and has to be carried from her students and taken to the hospital. The town's generations, all taught by this remarkable woman, react; some come from far away or start stopping by the hospital for news; and this leads to a flashback of how her life's course was changed by her father's money problems and the desertion of her by her erstwhile suitor; how she then vowed to pay back every cent of her father's debt, though she was not personally responsible; and how she began teaching school and has gone on doing so. This intelligent, heart-warming and thought-provoking story has a climax in her medical crisis and a happy ending; it is not perhaps a great film, but Miss Dove is very probably a great character, and one many can learn from long after the film has ended. Every element here is well-crafted and contributes to a surprisingly entertaining and most-believable presentation. Music is by Leigh Harline, cinematography by Leon Shamroy with contributions by Lyle Wheeler and many others. Cool and beautiful, and as fascinating as is the lady herself