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Stewart is a Wyoming cattleman who dreams to make enough money to buy a small ranch in Utah ranch… His only real companion is his sidekick Ben Tatum, the great Walter Brennan… To accomplish that, they drive the cattle clear to Alaska and on to Dawson, in Canadian territory, where they sell them...

Along the way they meet the man who runs the gold-crazy town behind a dishonest lawman John McIntire... He attempts to steal them the herd... Later, in Dawson, McIntire and his gang reappear, this time interfering with Stewart's gold claim...

Captured by Mann's camera in the wonderful scenery of the Canadian Rockies, Stewart is a thoughtful loner forced into violence by his need to get rid of the treacherous actions of a corrupt entrepreneur robbing local miners of their claims…

In this entertaining, beautiful Western, Stewart has two leading ladies to struggle with: Ruth Roman, a bit too valuable to describe as a sexy woman resisting the worst vicissitudes of the territory and the more docile, the French Canadian girl Corinne Calvet who does create a nice portrait of a likable girl with the ability to form a judgment... In spontaneous manner, Stewart is lost between the ostentatious saloon owner and the wife-candidate...

Cunning Western from a director who had few peers in the genre. Much like other Anthony Mann pictures, The Far Country blends a potent pot boiling story with an adroit knowing of impacting scenery. Both of which play out amongst some of Mann's peccadilloes like honour, integrity, betrayal and of course, death!

The story sees fortune hunting partners Jeff Webster (James Stewart) and Ben Tatum (Walter Brennan) travel to Oregon Territory with a herd of cattle. Aware of the blossoming gold-boom, they plan to make a tidy profit selling the cattle in a Klondike town. Arriving in Skagway they find self-appointed judge Mr. Gannon (John McIntire) ready to meet out justice to Webster on account of Webster having fractured the law, all be it with honest cause, along the way. In punishment Gannon takes the partners herd from them, but they steal them back and head across the Canadian border to Dawson - with Gannon and his men in hot pursuit. Here beautiful women and a meek and lawless town will fill out the destinies of all involved.

Interesting from start to finish, The Far Country benefits greatly from James Stewart's bubbling (anti) hero in waiting portrayal and Mann's slick direction of the tight Borden Chase script. The cinematography from William H. Daniels is superlative, though not done any favours by current DVD prints, and the film has a few surprises and a "will he wont he?" core that's reeling the viewers in.

Paying dividends on re-watches for hardened genre fans, it still remains something of an essential viewing for first timers venturing into the wonderful, yet dark, Western world of Anthony Mann and James Stewart. 8/10

In this very watchable and highly entertaining western {shot in Canadian Northwest} it plays with all the veracity and dishonesty that marked the 'OL WEST and Klondike rush of period.With breathtaking photography and backdrop of big unconquered Alaska,we are taken on tour with Jimmy Stewart and crew to witness the fervor and passion that marked the hunt for GOLD. Chock full of twists and turns and double crosses it both seeks to give dramatic portrayal and morality play lesson on life and times of grub-stake dwellers and their thirst for riches.Very notable,given it's place in history and importance during that era.Men were of all types,per usual,however their motivations for a pot of gold and better life was never better displayed with a western accent and horses Vs.Dogs as vehicle of transport. With a cast of significant players,John McIntire {Top Hat wearing local magistrate} and Walter Brennan {side kick and partner to Stewart} and lovely but too strong-willed independent lassie Ruth Roman on hand to make believably interesting ,the movie never fails to be fun and gripping.I couldn't find any weak spots,where either action or interest lulls.Very good sign of filmmaking,to let the movie play out with nary a weak or insignificant scene.One of the main reasons for my big approval of.The scenes all play and build upon one another,with such ease as to seem effortless.Another good sign. The actual filming of backdrop and landscape is as good as it gets for any picture.Whether it was shot in early Cinemascope or Technicolor ,it should have bragging rights for production value and credibility.The color was never truer or richer and as clear as that bell 'OL Walter kept talkin about,that he gave his fiercely self-reliant and sometimes cold of heart buddy-Stewart.Speaking of which,he goes thru kind of transformation during scenes and starts caring more about his fellow frontier blazing man,which can be both hazardous and rewarding for his character.Since Stewart personified the ordinary man,and his pursuit of happiness or just life,he doesn't fail to deliever the gods here,except to the extent upon which he is brazen about many men in general,since crooks,liers and killer's were in abundance.Who better than cinema's Jimmy to sing praises of or cast dispersions upon one's character. The action is very real and true to storyline,giving added impact to all characters where needed.I particularly liked McIntire as a scalawag who talks big and with authority and seems almost honest to a fault until his ulterior motives {as big as the landscape} become realized. He stands out as one of the best bad guys in this genre of film,ever. Ruth Roman tries to usurp her presence with a combination of riches and wily ways,and mostly to the chagrin of Stewart,who is caught up in the middle.But to ease his entanglements along the way and steer clear of ever present danger,is old timer Brennan to the rescue.He innocent enough and only wants the best for the two,being too easily pleased with condition of their fate,wanting only early place to retire and pot after pot of coffee.He adds element of moral support and buddy vehicle to film.Good touch.Other cast are authentic and visual,if not vocal upon command and lend to texture of storyline. I highly recommend this visual and gripping action yarn,with story and plot working in conjunction for an unique movie experience.I was never bored or lacked enthusiasm throuhgout.Which is not easy to say of action/western flicks. 5 out of 5 star or 10/10 for entertaining and true-felt action that beholds with view.

This, the last of the five Westerns directed by Anthony Mann and starring James Stewart is also the third of their collaborations in this particular genre with screen writer Borden Chase and typifies the characters and conflicts associated with Chase's work as well as featuring stunning cinematography of its Canadian locations by veteran William H. Daniels.

Chase's 'Dr. Broadway' had provided the basis for Mann's first film and Mann had been suggested by Stewart to direct 'Winchester '73' after Fritz Lang had pulled out, feeling that Stewart was unsuitable casting(!) These three were made for each other with Borden's writing and Mann's direction perfectly suited to Stewart's tougher, more cynical post-war persona.

An outstanding element in Mann's westerns is the sometimes uneasy relationships between men and women in a milieu of action and violence and this film is certainly no exception with a fascinating dynamic between the equally self-willed characters played by Stewart and Ruth Roman whilst Stewart is particularly gifted at portraying the emotional ambivalence of the action hero.

The supporting characters, although stereotypical, are given true substance by Walter Brennan, Jay C. Flippen, a chilling Robert J. Wilkie and a gloriously unsavoury John McIntire.

The film's intensity, brutality and final shoot out look ahead to Mann's final and arguably greatest western, "Man of the West'.

Mann's films of this period were alas destined to be underrated by the 'cultivated' American critics but were at least appreciated by the French whilst much-loved James Stewart reigns as one of Hollywood's most complete actor-personalities.

Cowboys James Stewart and Walter Brennan take their herd from Seattle to Alaska and on into Canada to stake a claim. Once there, they have to contend with seductive, shifty businesswoman Ruth Roman and ice-cold, happy-go-lucky villain James McIntire.

John Wayne may get talked about more, but his good pal Stewart made some excellent, hard-edged westerns too, some with the great director Anthony Mann. Frankly, I'd take this, with it's sturdy action sequences and fine melodrama, over North To Alaska any day!

The Far Country features some breathtaking scenery and cinematography that should definitely have been shot in widescreen.

Also, there's some strong support by the always reliable Brennan, Roman (who's great), the incredibly cute Corrine Calvet, and James McIntire, who plays one of my favorite types of bad guy, the kind that doesn't take himself too seriously.

This would make a great double-bill with another highly recommended Mann/Stewart northwest-set western, Bend Of The River.