Vidas Amargas

Director Elia Kazan's film of John Steinbeck's novel, adapted by screenwriter Paul Osborn, is based on just a portion of that book yet has more plot than it knows what to do with. The picture is heated, occasionally heavy-handed or melodramatic, but features a great cast, gorgeous locations, superb color cinematography from Ted McCord, majestic scoring by Leonard Rosenman--so why isn't it a masterpiece? It is encumbered by a script with too much ground to cover; the story threads and characters are enough for two more pictures. In 1917 Northern California, a genial single father and lettuce farmer--just discovering the merits of refrigeration--juggles his attention and affections between his two sons, one a straight arrow with a steady girl and the other a hellraising hothead. The bad son is determined to find out what's become of his mother, reputed dead but really making a decent living as a madam in nearby Monterey. His clean-cut brother, who harbors deep-seated jealousies, is concerned about the impending war with Germany and his own non-involvement (read: cowardice). At times overstated, and with a showy side that reveals a certain self-consciousness, "East of Eden" could surely do without the Biblical parallels and implications; however, it does give its talented performers exceptionally meaty roles to play. James Dean cuts a dandy presence on the screen; though he sometimes comes off as a junior version of Brando, Dean nevertheless owns the film while conveying a range of hyper-sensitive moods quite compellingly. Richard Davalos, playing Abel to Dean's Cain, perhaps isn't quite in the same league as his co-star, but he's well-cast and looks astonishingly like Dean. Julie Harris, as the nice, decent girl who is attracted to both brothers, does the hand-wringing bit convincingly enough, and her bedside speech near the finale is genuinely moving. Jo Van Fleet won a Supporting Oscar as the boys' intimidating mother, Raymond Massey does solid work as their father, and Burl Ives is the cool-headed local law. Some of the editing is sloppy (especially in the early scenes) and, indeed, the picture seems to begin in the middle of this tale, with bold undercurrents we sense but are not privy to. It's a good film, not a great one, and keeps to the right side of soap opera thanks to forceful interaction, a beautiful production design, and the sweep of grand storytelling. *** from ****

James Dean plays Cal, a son of Adam Trask (Raymond Massey) who feels unloved and unwanted by his stern father, a situation not helped by Adam's apparent acceptance of Cal's brother... Cal suspects that his mother, long believed dead, is the madame of a local brothel, and when this is confirmed, the young man is convinced that he has found the reason why he is bad...

His awkward, unhelpful attempts to find himself and come to terms with his situation led young audiences to identify with him immediately, an identification that was compounded by his role in 'Rebel Without a Cause' where again, only with more violence, he rebelled against his middle class family...

The impact he had made on the anxious, unhappy youth of that time was confirmed as much by his death as by the style and abandon of his life..

Dean was a youth who rebelled against the riches of the American Dream, though he finally denounced it all in a reckless moment... Dean therefore embodied the confused attitudes of a generation who had never suffered through the Depression and rejected the acquisitive attitudes of their parents, while at the same time they hankered after the American Dream... Dean gave physical form to the perplexing confusion of ideals, that haunted the majority of postwar American youth...

Although some of his other books receive more acclaim and readership ("The Grapes of Wrath," "Of Mice and Men," "The Winter of Our Discontent"), John Steinbeck said that "East of Eden" was the novel that he lived to write. Indeed, the moralism of his writing reached broader and deeper in Eden than in any of his other works. The story here is set mainly in Steinbeck's beloved Salinas Valley and Monterey County.

Warner Brothers did a commendable job in bringing the story to life on the silver screen. It condensed a 600-page novel into a two–hour film, yet kept all of the main elements of the drama. The title for the story comes from the Bible. Genesis 4:16 reads, "Cain then left the Lord's presence and settled in the land of Nod, east of Eden." The plot of the story is a modern Cain and Abel tale, and it is repeated within succeeding generations.

In the Bible, Cain brought "some of the fruits of the soil" to offer the Lord. Abel brought "the best of the firstlings," or "some of the firstlings and their fat portions." The latter were more pleasing to God. So, Cain did so-so, average, but Abel went out of his way to give the best to the Lord. God didn't love Cain any less -- he was just most pleased with Abel's offering. Yet Cain succumbed to pride, greed, envy, anger and lust.

Most know the story of "East of Eden" or will find other reviews that discuss the plot. So, my remarks here are brief and cover some things not mentioned. Seeing this film again after many years, on a DVD, I had the advantage of extras that included some deleted scenes. I think one inclusion would have made the film perfect – the scene of Cal and Aron in their room after they had argued outside and Cal said that Aron was "the one he wanted" referring to his father's favoritism, as he saw it.

Without that sequence, we see Cal suddenly perking up, pitching in and being Mr. good-guy helping his father. But, there's no real explanation or background to let us know why he would change. I don't know why they deleted that scene – it made the perfect fit and segue with Aron and Cal talking and Aron explaining in a way that Cal could understand. I don't think that would have made the movie too long in itself.

James Dean had the largest role, as Cal, and was the male lead. And, yes, he was a new young and hot star of the time. All of the acting is excellent, including Dean's. But, I think the very best performances in this movie were by Julie Harris as Abra, Jo Van Fleet as Kate, and Raymond Massey as Adam. Richard Davalos, as Aron, wasn't far behind; and Van Fleet's performance was most deserving of the Oscar she won.

James Dean made one more film after this – "Giant," which came out in October 1956. He wasn't alive to see it, because he was killed in a highway accident on Sept. 30, 1955. He had just finished filming for "Giant." That was just five months after "East of Eden" hit theaters. It's interesting to note that the site of Dean's accident was a few miles east of Paso Robles, California. That's at the southern end of the Salinas Valley of Steinbeck's "East of Eden."

Those interested in Steinbeck should enjoy a visit to the National Steinbeck Center. It's a marvelous museum in downtown Salinas, CA.

I am a lover of classic movies. I'm in my 20s, but I've been watching them since I was little. I try not to fall for the "hype" of many of the classics (i.e. Gone with the Wind, Citizen Kane, East of Eden) until I've seen them for myself. Not that my opinion changes their status, but I think a lot of movies have a reputation and too many people are afraid to go against the grain of popular belief.

Anyways, this movie was on TCM this week and I finally got a chance to watch it. I've never read the book, so imagine my surprise when through the reviews and messageboard here, that this movie was only the last portion of the book. That probably explains why nothing in it made me sympathize with the characters. I thought the Cain/Abel theme might be intriguing, but frankly, this was a very boring and overdone movie. I have never understood the hype of James Dean (RIP). What I've seen of him has been hammish. Hammish actors unless it's completely intentional makes me cringe. Anyway, many people have addressed the storyline already, so I will only give my impressions. Maybe it's b/c I was born 30 years after the fact, but James Dean does not come off as a teenager. He comes off as an immature, whiny, self-absorbed young adult. I enjoyed him more in Giant (one of my favorites ever). I kept wanting to tell him to grow up, even at the end.

Now that I've seen it, I will probably never watch it again. The melodrama effect just didn't work for me. I prefer Brando and Newman as well.

I just reserved the book at my library so I can see what was missing.

I recently purchased this film, having never seen it before, and feeling somewhat peeved at the fact that it is never shown on TCM. Immediately, I recognized it as one of the best films ever made. The adaptation from the very dense and wonderful Steinbeck novel obviously required much of the relationship between Adam and Charles to be deleted, however I felt the film did not suffer from this at all.

James Dean is a completely different animal than the other actors of his time, and from start to finish in this film, he is spellbinding. The emotional intensity and reality he brings to the film is so convincing it is almost painful to watch at times, especially when he goes to see his mother for the first time and he desperately tries to speak to her as he is being wrenched away. The tone of his voice, his subtle gestures, his utter desperation for love is amazing and completely his own. I once read that Dean did not consider East of Eden to be his best film, but I disagree with him there. I have never seen a film (or an actor) that even came close to matching this one, particularly when viewed from its position in time and the nature of cinema in the 1950s. James Dean put himself 'out there' emotionally in such a raw way that the power of that brave acting yet holds the ability to touch the audience with every viewing. I think the film makes a hugely important statement about the human condition that is still valid a half a century later.