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IMDbPro

Conspiração do Silêncio

Título original: Bad Day at Black Rock
  • 1955
  • Approved
  • 1 h 21 min
AVALIAÇÃO DA IMDb
7,7/10
26 mil
SUA AVALIAÇÃO
Spencer Tracy, Anne Francis, and Robert Ryan in Conspiração do Silêncio (1955)
Trailer for this mystery
Reproduzir trailer2:02
1 vídeo
87 fotos
Drama psicológicoSuspense – MistérioCrimeDramaMistérioOcidenteSuspense

Um estranho de um braço só chega a uma pequena cidade que possui um passado terrível que eles querem manter em segredo, se necessário, por meios violentos.Um estranho de um braço só chega a uma pequena cidade que possui um passado terrível que eles querem manter em segredo, se necessário, por meios violentos.Um estranho de um braço só chega a uma pequena cidade que possui um passado terrível que eles querem manter em segredo, se necessário, por meios violentos.

  • Direção
    • John Sturges
  • Roteiristas
    • Millard Kaufman
    • Don McGuire
    • Howard Breslin
  • Artistas
    • Spencer Tracy
    • Robert Ryan
    • Anne Francis
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    26 mil
    SUA AVALIAÇÃO
    • Direção
      • John Sturges
    • Roteiristas
      • Millard Kaufman
      • Don McGuire
      • Howard Breslin
    • Artistas
      • Spencer Tracy
      • Robert Ryan
      • Anne Francis
    • 205Avaliações de usuários
    • 64Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 3 Oscars
      • 4 vitórias e 8 indicações no total

    Vídeos1

    Bad Day At Black Rock
    Trailer 2:02
    Bad Day At Black Rock

    Fotos87

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    Elenco principal18

    Editar
    Spencer Tracy
    Spencer Tracy
    • John J. Macreedy
    Robert Ryan
    Robert Ryan
    • Reno Smith
    Anne Francis
    Anne Francis
    • Liz Wirth
    Dean Jagger
    Dean Jagger
    • Tim Horn
    Walter Brennan
    Walter Brennan
    • Doc Velie
    John Ericson
    John Ericson
    • Pete Wirth
    Ernest Borgnine
    Ernest Borgnine
    • Coley Trimble
    Lee Marvin
    Lee Marvin
    • Hector David
    Russell Collins
    Russell Collins
    • Mr. Hastings
    Walter Sande
    Walter Sande
    • Sam
    Walter Beaver
    • Cafe Lounger
    • (não confirmado)
    Billy Dix
    • Cafe Lounger
    • (não confirmado)
    Mickey Little
    • Cafe Lounger
    • (não confirmado)
    K.L. Smith
    K.L. Smith
    • Cafe Lounger
    • (não confirmado)
    Robert Griffin
    Robert Griffin
    • Second Train Conductor
    • (não creditado)
    Harry Harvey
    Harry Harvey
    • First Train Conductor
    • (não creditado)
    Bobby Johnson
    Bobby Johnson
    • One of Two Porters
    • (não creditado)
    Francis McDonald
    Francis McDonald
    • Tall - White-haired Cafe Lounger
    • (não creditado)
    • Direção
      • John Sturges
    • Roteiristas
      • Millard Kaufman
      • Don McGuire
      • Howard Breslin
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários205

    7,725.7K
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    Avaliações em destaque

    8JuguAbraham

    My favourite Spencer Tracy film

    Spencer Tracy did not get an academy award for this film but he was compensated with a more important award--the Cannes Film festival award. It is always interesting that Europe recognizes the better Hollywood works than the Academy ("Thin Red Line" got the top award in Berlin, "Scarecrow" in Cannes--two geat American films ignored at the Oscar ceremonies).

    I read a review of the film on IMDB pointing out the flaws in the script. They are all correct, if we go by rational thinking. But the merits of this film are the superb editing, the beautiful cinemascope photography and the arresting performances. Every time I see this film I am reminded of Spielberg's little known film "Duel" that had similar thrilling tension packed into less than 24 hours of screen time--a film I admire much more as good cinema than the recent box office outputs of Spielberg.

    Compare this film with Sturges' "The Magnificent Seven." Sturges like King Vidor, seemed to pick up stories to film that looked at the oppressed and tried to present a world that could be better. "The Magnificent Seven," like this film, had a predominantly male cast. It appealed to most viewers. And some could see a social and even a political layer beneath these films.

    What I find most appealing is the the ability of Sturges, Vidor, and the early unsung Spielberg's ability to use cinema to combine thrills, human values and craft in say 81 minutes as in this film. Spencer Tracy is not to be admired for the way he delivers his lines, but his body movements which remind you of majestic caged animal that can be deadly if provoked. Sturges brings to the fore evil in different ways--the dead buck strapped on the front of a vehicle, menace on empty roads by big vehicles (used in "Duel" to great effect), evil women when you expect them to be good, laws used in illegal ways (the hotel registration scene), etc. Sergio Leone made similar films in Europe--the famous spaghetti westerns--with laconic dialogues and emphasis on body movements and photography

    In spite of its flaws, it is a film Hollywood can be proud of. I only hope TV reruns show the film in its original cinemascope grandeur, which grabbed me the first time I saw it decades ago.
    8thinker1691

    " It isn't just that a man is dead, it's the fact , no one seems to care "

    Spencer Tracy had a wonderful gift for the theater, his on screen persona was often able to offer audiences quality entertainment. Regardless of the many characters, Tracy's talent always shown through and became memories for his many fans. Here is one exceptional example. The movie, Directed by John Sturges, is called " Bad Day at Black Rock. " It relates the story of John Macreedy, (Spencer Tracy) a U.S. Army veteran who decides to visit the town of Black Rock, the hometown of a Japanese friend killed during the war. However upon arrival, he is greeted with suspicion, resentment and apathy. The longer he stays, the more questions he has to ask. Unfortunately, everyone he questions has been told not to talk to him. Led by Reno Smith (Robert Ryan), others are intimated not to co-operate with the stranger, The exceptional cast includes Dean Jagger, Walter Brennan, Ernest Borgnine, Anne Francis and Lee Marvin. Though the vast scenic desert, surrounds this forgotten town, it nevertheless allows the foreboding atmosphere to commit itself to a linger secret which prevails and haunts the towns folks. An excellent film for a time when true drama could fit well into a pleasant afternoon. ****
    9Parthurfilm

    A Classic

    A film of rare economy, elegance and stillness. Pretentious as it may sound, there's a perfect balance of tension and space about this film. Not a word or scene or character is wasted or unnecessary.

    The other reviewers here give a plot outline and performance details. Tracy dominates the picture, his black and white appearance setting out the clarity of his moral position. The other main presence in this classic picture is the silence. Sturges SHOWS us silence, and what denial can do to a community.

    I'd just like to make a recommendation to those who think that great cinema need sound and action - watch Bad Day at Black Rock, and sink yourself into its opening emptiness and cut-to-the-bone story.

    9/10
    bob the moo

    Tense moral fable

    For the first time in 4 years the train stops at the small desert town of Black Rock. An one armed war veteran gets off looking for a man whose name causes hostility among the residents of the town, led by Reno Smith. Macreedy digs deeper to find a town hiding a shameful secret that they were too apathetic to deal with. But will they stand up now?

    Most people will tell you this film is famous because it was one of the first times an American film acknowledged that, after Pearl Harbour, oriental Americans were abused and treated badly. However to me this film is a damnation to those who stand back and refuse to take a stand against wrong doing. The whole plot is hinged on whether or not people ill stand up and do the right thing with Macreedy. The film plays well as a moral fable but also as a tense thriller and both are enjoyable.

    The film is quite short, but builds well from hostile locals to eventual violence and confrontation in the desert. The moral of taking a stand is weaved into it well without taking away from the main drama and tension. It isn't perfect as it is a bit simplified but in the desert heat of the small town the tension is really well recreated.

    The cast is surprisingly deep in hindsight. Tracy is manners himself as the man who gets more irate by the apathy around him as he gets to uncover more and more of the town. Ryan is cool but a little too inhuman for my tastes. Jagger and Brennan are suitably trapped in their performances and represent those happy to watch bad things happen if they get a quiet life. In retrospect Borgnine and Marvin add star power and do well with what could have been just thug/heavy roles.

    Overall this film worked for me on several levels. The heat of the desert adds to the tension in the actual drama story itself. However it also works as a moral fable with a very clear message – stand up for what is right or watch what you believe slip away at an alarming rate.
    9bkoganbing

    Spence licks the town with one arm

    Bad Day at Black Rock turned out to be the final film that Spencer Tracy did on his MGM contract. The following year he was fired off the set of Tribute to a Bad Man and left MGM abruptly. Some reward for an actor who brought so much prestige to that studio.

    Tracy gets off a train at a hole in the wall, whistlestop, speedtrap of a town called Black Rock located somewhere in the Mojave desert. He's looking for a Japanese farmer named Komoko who seems to have vanished. And the townspeople are downright unfriendly to the stranger.

    It gradually dawns on Tracy that by probing about Komoko's whereabouts, he's stepped in one big festering pile and he's put himself in danger. What he does about it is the rest of the film.

    John Sturges keeps the tension going here worthy of an Alfred Hitchcock film. In fact if Hitchcock had ever decided to do a western and was presented with Bad Day at Black Rock, I doubt he could do it any better. Certain arty Hitchcock touches are missing, but the suspense is there. Sturges was in fact nominated for Best Director.

    As was Tracy nominated for Best Actor. He lost ironically to one of his fellow cast members Ernest Borgnine who copped the big prize for Marty. But in fact any one of the small cast could have been nominated. I'm not sure why chief villain Robert Ryan wasn't.

    A fews years later John Sturges directed another film The Law and Jake Wade about Robert Taylor being held prisoner by Richard Widmark and his gang. There was a lot of suspense there as well, similar to Bad Day at Black Rock, as to whether Taylor would escape his predicament.

    For a feature film in 1955 it is a rather short one, less than 90 minutes. But as Tracy said in another film, what there is is cherce.

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    Mahershala Ali and Alex R. Hibbert in Moonlight: Sob a Luz do Luar (2016)
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    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mistério
    John Wayne and Harry Carey Jr. in Rastros de Ódio (1956)
    Ocidente
    Cho Yeo-jeong in Parasita (2019)
    Suspense

    Enredo

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    Você sabia?

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    • Curiosidades
      John Sturges had already moved on to his next film, A Túnica Escarlate (1955), so Herman Hoffman took charge of filming the opening. The plan was to shoot the train hurtling toward the audience, almost like a 3-D movie, but it would have been deadly to attempt a helicopter maneuver into the path of a speeding locomotive. Stunt flier Paul Mantz offered the perfect solution: have the train running backwards, fly the copter over the retreating engine, then project the footage in reverse. "It's a helluva shot," Sturges later said, "but I didn't make it."
    • Erros de gravação
      As the train approaches the town, the horn blows twice, which is the signal for starting up. The mandatory signal for a grade crossing (long, long, short, long) is never blown, although one clearly exists. When the train departs, the conductor makes a confused hand signal to the engineer resembling the horizontal motion that means "stop" rather than the vertical motion that means "go". The engineer never responds with the "long, long" starting signal.
    • Citações

      Reno Smith: I swear, you're beginning to make me mad.

      John J. Macreedy: All strangers do, hmm?

      Reno Smith: No, they don't. Not all of them. Some do, when they come around snooping...

      John J. Macreedy: Snooping for what?

      Reno Smith: I don't know, outsiders coming in, looking for something...

      John J. Macreedy: Looking for what?

      Reno Smith: I don't know! Somebody's always looking for something in this part of the West. To the historian it's the Old West, to the book writer it's the Wild West, to the businessman it's the Undeveloped West -- they say we're all poor and backward, and I guess we are, we don't even have enough water. But to us, this place is *our* West, and I wish they'd leave us alone!

      John J. Macreedy: Leave you alone to do what?

      Reno Smith: I don't know what you mean.

    • Versões alternativas
      To receive an 'A' (PG) certificate in 1955 the UK cinema version was subject to heavy BBFC cuts. These included Macreedy striking Hector with the brass fire hose nozzle and the climactic shots of Reno on fire. Later TV showings and video releases were fully uncut.
    • Conexões
      Featured in The Spencer Tracy Legacy: A Tribute by Katharine Hepburn (1986)

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    Perguntas frequentes20

    • How long is Bad Day at Black Rock?Fornecido pela Alexa
    • If Mcreedy is one armed, how can he manage a perfecly knotted tie?
    • Was the small town of Black Rock built for the movie or was it already in place?

    Detalhes

    Editar
    • Data de lançamento
      • 13 de fevereiro de 1955 (Canadá)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Conspiración en silencio
    • Locações de filme
      • Alabama Hills, Lone Pine, Califórnia, EUA
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.271.000 (estimativa)
    • Faturamento bruto mundial
      • US$ 10.813
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 21 min(81 min)
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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