A Revolução dos Bichos

Manor Farm, run by the drunken Mr. Jones, has fallen on hard time. The animals suffer under his brutality. The senior boar named Old Major ferments a revolution among the animals proclaiming that "All Animals are Equal". Old Major dies soon after but the revolution is unstoppable. They drive out Mr. Jones and later his drinking buddies. The pigs lead the revolution and proclaim the Seven Commandments of Animalism. The leader Napoleon takes an interest in the abandoned farmhouse and a litter of puppies left orphan by the revolt. Soon Napoleon drives out his rival Snowball and takes dictatorial powers with the puppies which he raised into vicious dogs. The Commandments are slowly changed and Napoleon starts selling to local trader Mr. Whymper. The last change is that "All Animals are Equal but Some Animals are More Equal Than Others".

The animation style is Disneyesque. The source material is George Orwell. The secret financial backing does alter the material but it is still compelling. The changes are political. As a movie, it is engaging. As propaganda, it is influencing.

George Orwell's novel 'Animal Farm' was a fable that worked as a bang-on critique of the Russian revolution and Stalinism. In it a group of mistreated farmyard animals rise up against their owner and overthrow him. They then briefly form a Utopian society that quickly deteriorates into something very similar to the old system that was in place before.

Different animals represent different people. The wise old pig Old Major represents Karl Marx and the beginning of communist teachings; Farmer Jones is Czar Nicholas II and represents the old regime; Napoleon and Snowball the pigs are respectively the ruthless Joseph Stalin and idealistic Leon Trotsky; the pack of dogs are the secret police and violent state enforcement; Boxer represents the hard working peasants; Benjamin, the wise but powerless individual; the sheep the unthinking masses. While Manor Farm itself is Russia and Animal Farm the Soviet Union.

The format of the fable works extremely well in illustrating the story of the formation of the USSR. This cartoon version of it is in the main a pretty impressive adaption. While the ending goes against the Dystopian one favoured by Orwell, it's not really surprising that it does this, although it's unfortunate. But it doesn't really damage the film very much as it's central idea remains intact. The animation itself is good enough, and even though there is a lot of narration I didn't consider this to be a problem. I thought that all things considered this was a good stab at an iconic bit of literature.

Not to degrade Animal Farm by calling it a cartoon, I am amazed that it was even made into an animated film back in 1954. Even though the story is a popular book in most junior high schools, it is a tough story to take, especially the ending. In this version, the ending is given a re-make. Having more of a positive ending with hope, Animal Farm doesn't end as powerful as it does in its original written version. Still, it is one of very few cartoons that address important issues and leaves its audience with a number of powerful images.

Dealing with dictatorship, communist theory, military warlords, the democratic process and political theories, Animal Farm throws so much at the viewer / reader that it is still a highly acclaimed story. Whether it is suitable for a young audience, that is up to the individual viewer to decide.

I read George Orwells classic about 20yrs ago but was quite frankly devastated by it. For that reason I had no interest in watching any film adaptation but recently gave in.

Animal Farm is as relevant today as the day it was written and perhaps for that reason it is very difficult viewing.

For those unaware the entire story is an allegory for the events leading up to the Russian Revolution of 1917 and then on into the Stalinist era of the Soviet Union.

It tells the story of the overworked animals on a farm who turn on their human master and make it their own only to watch the same thing happen again when one of the pigs becomes the very thing they had revolted against.

The animation style is that of the early Disney cartoons, it's over the top wacky and charming. The trouble is even though the movie is heavily comical and jovial it has several very alarming scenes and a very unnerving under current throughout.

Animal Farm is great viewing and devastatingly relevant across the world,if you're reading this then you are almost certainly experiencing it whether an overworked animal or maybe even a pig.

I rate Animal Farm a tad low perhaps, not because of the quality of content but purely because it's so hard hitting and not in a good way.

The Good:

Charming animation style

In places very sweet

Extremely well written and narrated

Powerful social commentary

The Bad:

Very difficult viewing

Things I Learnt From This Movie:

The animators went out of their way to make every humans nose look ridiculous

Mankind can make a movie to reflect society and how downtrodden most are, but still won't acknowledge it enough to act

I don't understand why critics in recent years have never warmed to "Animal Farm". They believe it's "disappointingly flat" (Leslie Halliwell) or "an illustrated study aid" (Time Out). I remember when I first saw this film a quarter of a century ago. I found the betrayal of Boxer, the horse, horrifying. The description, "an intellectual film, not an emotional one" (Time Out), cannot be reconciled with my own recollections. Are British critics simply holding a British film of a British novel up to standards they would not apply to a non-British production? The film already contains evidence of a Disney influence, from adorable ducklings to a musical score with echoes of Prokofieff's "Peter and the Wolf", and an expiating ending that's not in the book. Any more of that sort of thing and critics would have accused the film of losing all of the book's bite.

George Orwell wrote a fable about revolution betrayed, and laced it liberally with references to the Russian Revolution. Much of this dimension is still visible in the film. A wise pig, Old Major, proclaims the revolution before dying. Old Major is sort of a Marx figure, although, to me, he seems to be drawn to look like Churchill. Proclamation made, nothing happens. However Farmer Jones is drunk and the animals don't get their feed. The Tsar's mismanagement produced his revolution as well. Russian parallels continue. Counter-revolutionary farmers (capitalist states) attack Animal Farm but fail. One pig, Snowball (Trotsky), tries to spread revolution to other farms (world revolution), but is murdered by his associate, Napoleon (Stalin), who prefers to consolidate his power at home. The film also has Five Year Plans, industrialization programmes, forcible collectivization, showtrials with quick executions afterwards, and historical revisionism.

But I saw this film perhaps three times long before I understood anything much about the political parallels. I liked it as much then if not more so. Knowledge of that side does tend to turn the film into an intellectual experience, but viewers who have no prior exposure to the historical facts receive the raw emotional jolt which more politically astute critics maintain the film lacks.

Regardless of whether you know a lot about Russia and her Revolution, or nothing at all, Britain's first animated feature is a film with a strong story which adults and mature kids should find absorbing, maybe even "devastating", as The New York Times once claimed back in the days when Stalin was still lying warm in his grave, if not in anyone's heart.

As for a rating on "Animal Farm", the sheep say, "Four stars good, two stars b-a-a-a-d!"