Machado Sangrento

This western belongs to the second part of career for Lesley Selander, his best part, unlike his cheap one, during the forties. Here, with more budget, he is of course more comfortable, and without being under the lack of freedom, which is usually the bad side of a bigger budget. Producers generally remove any wish for something new, or unusual, when some directors dare something daring. Exectuves only seek the gross, and in that purpose, the key is to propose to audiences what they seek for, what they search for, and certainly not something unexpected. Such a shame. Here, with this film, and others that he made more or less in the same period, Lesley Selander makes me think of a total freedom, concerning camera angles, characters study, and above all the Indian attack over the cavalry base camp, so violent, so brutal, with shocking scenes of women slaughtered with tomahawk. Yes, this is a very effective, excellent western from a specialist. An overall atmosphere and spirit that you can't forget, especially from a grade B movie, and not a Z.

Major Ives (Warner Anderson), one of the commanding officers of the infamous Sand Creek Massacre ( an actual event) is building a fort in Cheyenne territory. Fireknife(Lee Van Cleef) , tells his friend Adam Reed (Rory Calhoun) to warn the soldiers that they must go or be killed. This is a true act of decency as they know the butcher Ives is in command and they really want him: and revenge for the slaughter he caused. Reed and Fireknife may actually have been blood brothers as they refer to each other as brothers and Reed tells Catherine (Peggy Castle) "the Indians are as much my people as you are." The arrogant Ives won't listen, the Indians attack and the action is unusually violent for it's time. (When Catherine tries to find her former fiancé she says, with a look of horror " I can't tell if it's him") The survivors are forced to go through Cheyenne territory to another fort to reach safety, and this sets up a confrontation between friend Reed and Fireknife.

This is another example of a modestly budgeted western with a superior script, very good acting and characters of some depth. Also, the Indians are not the "bad guys". Reed tells Catherine " It might surprise you but Indians love their children and are loyal to their friends." And Fireknife does save his life There is also a very interesting twist in the end which I do not believe has been done before or since. Definitely worth seeing.

The film was originally shot in color but only black and white prints were every released on television. This film deserves to be restored.

The 1950s was the decade of the message western, and this is a low budget version of the genre. But don't let the low budget (or the deterioration of the film negative) scare you away. This story about a bloody confrontation that is the direct result of a barbarous US general's attempt to occupy Indian lands is surprisingly brutal, sympathetic to the native Americans, and much more cynical about the inherent decency of those in power than one would expect from a movie from this era. Yes, if you look, you will find ample and annoying western movie clichés. Rory Calhoun and Rita Moreno are the recognizable stars here -- and they are playing types, rather than roles. (Rory is the scout raised by the native Americans, who is conflicted. Rita Moreno has an obnoxious role as the cute native American who has attached herself to Rory's Mexican sidekick). The reason to watch is plot, pacing, and, yes, the ending that you will not predict.

Note. The film was shot in color, but TCM broadcast it in black and white. This looks like a film in bad need of restoration, particularly as much of it was shot against sagebrush that was actually in bloom.

A lot of the B Westerns were "fluff", but usually the director or writer would want to add some "sidebar" on for their personal motif.

It is the "sidebar" that is usually the message the director and writer want to display. Sometimes, it is "advertising" for products, such as tobacco companies, soda companies, or what have you.

Here, either Director Selander, or writers Simmons and Boone, looked to want to add their own flavor to a fairly routine cavalry Western.

Like most Westerns of the day, the Indians are depicted as semi good guys with evil white men upsetting the apple cart.

The overkill of the evil white men has always been very politically correct, and especially was in the decades that followed this movie.

However, the real sidebar here is what happens with the evil corrupt cavalry officer who causes at least two massacres, quite knowingly, quite viciously.

Also, a few red herrings come into play here. The fates of a few of the characters you won't guess, as they go against the usual Hollywood propaganda formula. Thus, this particular Western has some surprises by the end.

Although color would have been nice for this western shot on location in Kanab, Utah, The Yellow Tomahawk is no frills, brutal, and bloody western about some survivors of a massacre trying to make it home to safety. The Cheyennes however are only retaliating for the infamous Sand Creek Massacre in which the commanding officer had a big part. The commander is Major Warner Anderson who has some real issues of his own.

Rory Calhoun and Noah Beery, Jr. play a couple of scouts who see the problem, but are helpless with Anderson's intransigence and stupidity. Anderson even after Sand Creek is now building an army fort on Cheyenne land and the Cheyenne don't take kindly to that. They send the army warning signal of The Yellow Tomahawk which is their way of saying clear out. The scenes of the massacre of the cavalry and some civilians including women is not for the squeamish.

Peggie Castle and Rita Moreno play the women paired with Calhoun and Beery. Peter Graves is a shifty gold prospector. But the film belongs to Warner Anderson, this might be his career role. You won't believe why he ordered the Sand Creek massacre, but it's actually curiously relevant to issues coming before the Supreme Court to be rendered as I write this.