Machado Sangrento

An Indian scout warns the settlers around the army post they are in danger from Indians and he is proved right. Twenty-seven year old Castle fills out her tight-fitting shirt and jeans and makes her presence known as she breaks her engagement with an army officer and falls for Calhoun--who, as a scout, rescues her and the commander after the raid. But the rescue is only temporarily as, on their way to the nearest fort, they are attacked again by Indians led by Lee Van Cleef. He and his fellow Indians want the commander for what he did at Sand Creek. It was there, in history, that the Federal army slaughtered Indian women and children without giving them a chance to surrender. Calhoun wants to keep him alive and take him to the fort for court-martial so to help stop future slaughter of Indians.

It's a typical 50's Western but one of the good ones--perhaps because of Rory Calhoun (who was always good) or Peggy Castle who made cowboys glad they were men. Or both!

Although color would have been nice for this western shot on location in Kanab, Utah, The Yellow Tomahawk is no frills, brutal, and bloody western about some survivors of a massacre trying to make it home to safety. The Cheyennes however are only retaliating for the infamous Sand Creek Massacre in which the commanding officer had a big part. The commander is Major Warner Anderson who has some real issues of his own.

Rory Calhoun and Noah Beery, Jr. play a couple of scouts who see the problem, but are helpless with Anderson's intransigence and stupidity. Anderson even after Sand Creek is now building an army fort on Cheyenne land and the Cheyenne don't take kindly to that. They send the army warning signal of The Yellow Tomahawk which is their way of saying clear out. The scenes of the massacre of the cavalry and some civilians including women is not for the squeamish.

Peggie Castle and Rita Moreno play the women paired with Calhoun and Beery. Peter Graves is a shifty gold prospector. But the film belongs to Warner Anderson, this might be his career role. You won't believe why he ordered the Sand Creek massacre, but it's actually curiously relevant to issues coming before the Supreme Court to be rendered as I write this.

As rugged Indian scout Adam Reed (Rory Calhoun) rides in the open country of Utah towards a US Cavalry outpost, he is stopped by his close friend, Cheyenne warrior Fire Knife (Lee Van Cleef). Fire Knife gives Reed a yellow tomahawk to give to the outpost commandant, Major Ives whom he and Chief Red Cloud call a "butcher" and hold mainly responsible for the Massacre at Sand Creek. That site is a real historical event (1864) where the US Cavalry killed over 100 Indians, most of whom were women and children. The yellow tomahawk is a warning – more than the Cavalry gave earlier to the Indian – for the soldiers to clear out of the planned future fort or face the consequences. The soldiers will be allowed to depart peacefully.

On his way to the military encampment, Reed spots blonde and nubile Kate Bolden (Peggy Castle) bathing and swimming in a pond. They briefly exchange words; Kate tells him that she's from Boston. At the post, arrogant commander Ives (Warner Anderson) is adamant: he has no intention of leaving, even though the encampment is in Cheyenne territory. No lover of the Indian, Ives believes that the red men are dangerous to civilization. Ives gives women (and children) a choice whether to leave for Ft. Ellis or remain. Orders are given for the men to fortify the position. When preparations are being made, Reed tells Master Sergeant Bandini (Dan Riss) that advance pickets should be placed on the hills, and that not all of the men should be placed behind the barricades. Bandini agrees but explains to Reed that he is resigned to taking orders, whether he agrees or not. The Indians soon attack, and Ives' faulty tactics manifest themselves. When the violence ends there are only nine survivors: the major, a corporal, a private, a Mexican Indian scout Tonio (Reed's friend, Noah Beery Jr.), Tonio's Indian girlfriend Honey Bear (a lovely Rita Moreno), an army engineer/surveyor, a slimy prospector (Peter Graves) who has murdered his two partners for gold, blonde Kate, and Reed.

Now the survivors must make the dangerous trek to Ft. Ellis and safety. Reed wants to keep the major alive at all costs so that he can stand trial (court martial) for provoking an Indian war. Along the way, their numbers will shrink, as will those of the attacking Indians. When Reed and Fire Knife have a parlay, the latter says he will let the dwindling survivors leave peacefully, except for Ives. Reed cannot accept this condition. So the trek continues until the inevitable conclusion.

Director Lesley Selander has directed a nice, very well-paced western. The actors are well-cast, and are given an above average script. Some sympathy is given to the Indians, who are defending their tribal lands from encroachment. There are two twists at the end that involve Major Ives; they will not be revealed here. The western was shot in Technicolor but released to television in black and white.

The 1950s was the decade of the message western, and this is a low budget version of the genre. But don't let the low budget (or the deterioration of the film negative) scare you away. This story about a bloody confrontation that is the direct result of a barbarous US general's attempt to occupy Indian lands is surprisingly brutal, sympathetic to the native Americans, and much more cynical about the inherent decency of those in power than one would expect from a movie from this era. Yes, if you look, you will find ample and annoying western movie clichés. Rory Calhoun and Rita Moreno are the recognizable stars here -- and they are playing types, rather than roles. (Rory is the scout raised by the native Americans, who is conflicted. Rita Moreno has an obnoxious role as the cute native American who has attached herself to Rory's Mexican sidekick). The reason to watch is plot, pacing, and, yes, the ending that you will not predict.

Note. The film was shot in color, but TCM broadcast it in black and white. This looks like a film in bad need of restoration, particularly as much of it was shot against sagebrush that was actually in bloom.

Calhoun spends much of his time in this film, warning the builders and settlers of a new army outpost, that they will be wiped out by the hostiles. In this decidedly downbeat tale, he is not only snubbed by authority, but mocked and ridiculed...and guess what? The action scenes are done well, and the unusual ending is fresh.