O Regresso de um Estranho

IMDb's contributors are correct. Actor George Sanders actually "wrote" two crime novels: "Crime on My Hands" (1944) was published under his name and is actually written in the first person. He even mentions some of his films. "Stranger at Home" (sic) followed in 1946. In actual fact, of course, the novels merely served to give Sanders added publicity. He wrote neither. The first was ghost written by Craig Rice, and the second by none other than Leigh Brackett. I've read neither but if the DVD of "The Unholy Four" is anything to go by, "Stranger at Home" presented an intriguing premise but little reader involvement. Certainly it's hard to get over-enthused by the film. The script is weighed down with talk, the direction is stolidly routine, and Paulette Goddard will disappoint her fans. She's neither clothed nor photographed to advantage. Admittedly, a couple of good performances saved the day. I always enjoy Russell Napier. I can usually take or leave Paul Carpenter, but in this case he delivers the best acting in the film. All the same, a movie in which Paul Carpenter shines is not exactly my idea of an engrossing film noir.

English suspense film with a very solid British cast, along with lone American Paulette Goddard. Sylvester, Maben, and Napier are all quite good, but it's Goddard who doesn't quite fill her characters larger than life shoes. She plays Angie, a woman all the men in the film seem to love and adore, as well as Maben's Joan, who is completely devoted to Angie. Goddard is fine but is unable to create a character of great wit, dynamism, beauty, or uniqueness to make such admiration from everyone even remotely plausible. This unfortunately undercuts large parts of the story. The direction is also a bit pedestrian and lacks vision. Despite the many flaws and weaknesses, The Unholy Four is not without suspense was still mildly entertaining.

"The Stranger Came Home" is a 1954 British noir directed by Terence Fisher and starring Paulette Goddard. The film is based on a novel by George Sanders, THE George Sanders. Apparently he wrote a few novels. Let's hope they were more interesting than this.

Goddard plays Angie Vickers, whose husband Philip disappeared four years ago on a fishing trip in Portugal and is presumed dead. He suddenly comes home after having amnesia. His memory of the night he disappeared is dim, but he knows that one of the three friends who accompanied him to Portugal wanted him dead. When one of them turns up dead, Philip is the obvious suspect.

This thing is slow as molasses, with a sleepwalking performance by the leading man. Goddard gives the film some class and spark. She's beautiful, charming, and has a nice wardrobe.

Skip it.

A man with a rather unfortunate haircut shows up after being missing for three years. Turns out he had amnesia due to a blow on the head and has just recently recovered his memory. He confronts his wife and his friends, convinced one of them tried to kill him three years earlier. On the same night he returns, one of his friends winds up murdered and bad haircut guy is the prime suspect.

Talky, mostly dull mystery from Hammer with the added appeal of having Paulette Goddard in it. This is called a film noir by some but frankly I don't see it. Sometimes it seems every movie involving murder or sex from the '40s and '50s is labeled film noir. There has to be a more specific meaning than that. For me there is and this doesn't fit my definition. Anyway, the biggest draw to this is Paulette Goddard. She's fine, as is the rest of the cast, but nothing to write home about. She was in her forties at this time and still looked good but that is NOT her on the movie poster and DVD cover. She does not appear in this movie scantily clad in lingerie. Sorry! Oh, and for some reason they tried to pass this off as being written by the actor George Sanders, when it was actually written by Leigh Brackett. Not sure why the deception. Were audiences in 1954 really craving George Sanders or something?

Most of the other reviews here rate this rather low, and say it's a poor example of film noir. Well I agree, it isn't great film noir. But it IS a very good mystery film. It's based on the novel "Stranger At Home" by George Sanders, which was actually ghost-written by acclaimed author Leigh Brackett. And the film is an amazingly faithful adaptation of the book.

The main character was probably written with Sanders in mind, but William Sylvester (best known for "2001: A Space Odyssey") is excellent in the role of the stranger who came home. This is not a must-see film, but definitely worth checking out if you have the opportunity.