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IMDbPro

Coisas da Sorte

Título original: Beautiful Stranger
  • 1954
  • Approved
  • 1 h 29 min
AVALIAÇÃO DA IMDb
5,9/10
582
SUA AVALIAÇÃO
Ginger Rogers, Herbert Lom, and Stanley Baker in Coisas da Sorte (1954)
Filme NoirCrimeDramaMistério

Adicionar um enredo no seu idiomaJohnny Victor, an actress living with Louis Galt on the Riviera, becomes involved with Pierre Clemont and learns he is a dangerous criminal.Johnny Victor, an actress living with Louis Galt on the Riviera, becomes involved with Pierre Clemont and learns he is a dangerous criminal.Johnny Victor, an actress living with Louis Galt on the Riviera, becomes involved with Pierre Clemont and learns he is a dangerous criminal.

  • Direção
    • David Miller
  • Roteiristas
    • David Miller
    • Carl Nystrom
    • Alford Van Ronkel
  • Artistas
    • Ginger Rogers
    • Lily Kann
    • Stanley Baker
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,9/10
    582
    SUA AVALIAÇÃO
    • Direção
      • David Miller
    • Roteiristas
      • David Miller
      • Carl Nystrom
      • Alford Van Ronkel
    • Artistas
      • Ginger Rogers
      • Lily Kann
      • Stanley Baker
    • 17Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos24

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    + 16
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    Elenco principal39

    Editar
    Ginger Rogers
    Ginger Rogers
    • Johnny Victor
    Lily Kann
    • Nichole
    Stanley Baker
    Stanley Baker
    • Louis Galt
    Olive Lucius
    • Mlle. Pletsier
    Eddie Byrne
    Eddie Byrne
    • Luigi
    Yves Aysage
    • Croupier
    John Le Mesurier
    John Le Mesurier
    • 1st Man at Casino
    Tony Spear
    • Attendant
    Margaret Rawlings
    Margaret Rawlings
    • Marie Galt
    Herbert Lom
    Herbert Lom
    • Emil Landosh
    Dino Galvani
    Dino Galvani
    • Casino Cashier
    Bernard Rebel
    • Engraver
    Coral Browne
    Coral Browne
    • Helen
    Marcella De Cleve
    • Hairdresser's Receptionist
    John Chandos
    • Nino - the Hairdresser
    Keith Pyott
    Keith Pyott
    • Georges
    Jacques Bergerac
    Jacques Bergerac
    • Pierre Clemont
    Lisa Gastoni
    Lisa Gastoni
    • Yvette
    • Direção
      • David Miller
    • Roteiristas
      • David Miller
      • Carl Nystrom
      • Alford Van Ronkel
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários17

    5,9582
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    10

    Avaliações em destaque

    4timould

    Not much good noiresque

    This movie seems to be hampered by preserving Ginger Rogers' good girl image. This leads to a lot of highly unlikely scenarios, none of which ring true.
    4max von meyerling

    A stinker but an educational one.

    British filmmakers faced what they thought was a problem. They spoke English (of a sort) which meant that they should be able to make some money in the US . This was necessary because UK returns weren't enough to make really big money. The problem, as they saw it then, was that they needed some star appeal for the Americans. Even going back to the twenties they would import American film star to headline the production and hope that people would go to the theaters expecting a first class Hollywood picture and buy a ticket before they found out it was a cheapo British movie by which time it would be too late.

    Their big mistake is importing a 'star' with no box office appeal, or more, likely one who was over the hill, a bit passe, the news of which hadn't caught up in London. Of course it was the alternative that worked, (such as Ealing comedies) - unknown but superb actors in a well written and directed film was more successful and wound up with the unknown star going to Hollywood- e.g. James Mason, Maureen O'Hara, Richard Harris, Richard Burton ad. infinitum.

    Along with the star it was common practice to import a director and a cameraman. Many of the best British cameramen of a generation started as assistants to some Hollywood 'old pro.' The British had an inferiority complex about their own directors.

    For this film they imported Ginger Rogers and David Miller. Rogers was 40+ and her career was winding down. She made a picture with Fred Astaire THE BARKLEYS OF Broadway in '49 and MONKEY BUSINESS with Howard Hawks and Cary Grant in '52 but it was the co-star that everybody noticed and I don't mean the chimp (I.e. Marilyn Monroe). Miller was a superior hack, fully capable of rendering a good script like SATURDAY'S HERO but not able to save a turgid one like BACK STREET.

    The script for BEAUTIFUL STRANGER (TWIST OF FATE) is a derivative rehash of what was mildly popular as a second feature a few years before. In other words - a noir. The dialogue seems to be the type where one expects an actor to turn to the camera and remark 'We're all in a movie, aren't we?' The real potential star of the picture, Stanley Baker, is miscast and badly used as the heavy of the piece, the fifteen year age difference between Rogers and him poorly covered up with grey streaks in his hair. Herbert Lom is a thief and a foreigner and crazy and doing none of them well. Jacques Bergerac was the nominal hero because he was the best looking etc. This was his film debut and was Ginger Rogers fourth husband at the time. Bosco, I believe, is the Italian word for wood and a piece of wood could have done a better acting job. I'm sure he must have had some other talents.

    To make matters worse the film was shot on location on the French Riviera. Not a classic noir location. Once away from the Hollywood Studio system Miller seems unable to stage even the simplest fight or action sequence. Never has the Riviera looked duller (the film is shot without any inspiration or colour). I'm not too sure if it wasn't shot in Devon. A stinker but an educational one.
    jaykay-10

    Conventional melodrama

    This is worth watching for the fine, understated performances by Stanley Baker and Herbert Lom, each of whom exudes menace: a coiled snake and a desperate weakling respectively. The story strains credibility to achieve its effects and keep the plot moving, notwithstanding its reliance on the familiar trappings of melodrama - e.g., greed, betrayal, characters who are not what they seem to be. For a "kept woman," Ginger Rogers displays remarkable innocence. And is it actually possible to open the combination lock on a wall safe by merely turning the dial slowly and listening for clicks? The picture is minor-league Hitchcock (without Hitchcock), and it shows.
    5christopher-underwood

    we don't care about anything at all

    This is problematic from the start. Stanley Baker seems okay but while he enthuses over his young love we are only too aware that poor Ginger Rogers is a little old for her role. Another problem arises almost immediately when we realise just how flat and uninteresting this is going to be. Baker looses it as he has to become more two faced and Rogers doesn't stand a chance as she has to take on another lover. Only Herbert Lom stands a chance of saving the day and as things hot up towards the end it seems as if he might but then the story unravels and we don't care about anything at all.
    6ulicknormanowen

    I can feel a new expression on my face when he walks into the room

    A rather smart plot ,gambling on the mistaken identities; the characters are cardboard, except for Herbert Lom's , the loser flesh on the bone with a lot of self-pity : Lom ' s performance gives the story a little substance , his playing often resembling Peter Lorre's .As for Johnny , to put it mildly ,her generosity verges on naiveté.

    French Jacques Bergerac only made two movies in his native country where he remained virtually unknown ; and abroad,he could never become the French lover, as Charles Boyer and Louis Jourdan did : a pretty face and a slight accent are not enough.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Ginger Rogers and her co-star Jacques Bergerac, who plays Pierre, were married in real life at the time of making this. They had first met in Paris in 1952 and instantly fell in love.
    • Erros de gravação
      When Louis and Johnny leave for the casino after showing her the new yacht, Johnny takes a number of steps walking out of shot. Next shot when Louis asker her to wait in the car she is right in front of him.
    • Citações

      Luigi: You have 24 hours, and no excuses.

    • Conexões
      Referenced in What's My Line?: Ginger Rogers (1954)
    • Trilhas sonoras
      Love Is a Beautiful Stranger
      Written by José Ferrer and Ketti Frings

      Sung by Lita Roza

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 5 de novembro de 1954 (Estados Unidos da América)
    • País de origem
      • Reino Unido
    • Idioma
      • Inglês
    • Também conhecido como
      • Twist of Fate
    • Locações de filme
      • Cannes, Alpes-Maritimes, França
    • Empresa de produção
      • Marksman Productions Ltd.
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 29 min(89 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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