Guerra Entre Planetas

The planet Metaluna is desperate need of Uranium to power its defense . As Aliens led by Exeter , Jeff Morrow , come to Earth seeking scientists to help them against enemy invaders . Two scientific , Rex Reason Faith Domergue , are deceived , menaced , abducted and transported from earth to a weird and ruined planet where occurs explosion and destruction.As our heroes are theatened by unknown forces .

Acceptable Scifi movie has thrills , intricate gadgetry , emotion , FX ahead of their time and super mutant monsters .This classic and rare Sci-Fi is considered to be the first serious film about interplanetary escapades .It contains primitive special effects and abundant matte painting . Including passable effects of a flying saucer based on a famous picture of an unidenfitied flying object UFO . Mediocre interpretation by an average cast. Starred by little known actors as Rex Reason as a nuclear scientist , Jeff Morrow as the rare alien , and the beautiful Faith Domergue as a nuclear fission expert who screams lustily . Other secondaries are given little to do such as Lance Fuller , Russell Johnson , Douglas Spencer and Richard Deacon . Here stands out the decent makeup by Bud Westmore creating pulsating cranium FX makeup on a gigantic and ugly Alien monster. Although some reviewers felt that the mutant utterly ruined an otherwise acceptable film . It was shown in US drive-in on a double bill with another classic Scfi titled Forfidden planet .

Strange but appropriate musical score from Herman Stein , Hans J Salter and Henry Mancini . Colorful cinematography in brilliant technicolor , by Clifford Stine , as technical details are presented in convincing enough fashion , being the only technicolor scifi movie Universal-International ever made .This genuine and decent science fiction was well produced by Willian Alland and professionally directed by Joseph M Newman . He was a prolific craftsman who made all kinds of genres as drama , gangster movie , Film Noir , adventure , such as : Tarzan ,Jungle patrol , The king of the roaring 20s the story of Arnold Rothstein , Love nest , Great Dan Patch and , of course , Science Fiction with this vintage film of the fifties titled This island earth. Rating : 6/10 , decent movie . Essential and indispensable watching for SciFi buffs . Well worth seeing.

Guess I'll have to watch MYSTERY SCIENCE THEATER 3000: THE MOVIE to find out what is so bad about THIS ISLAND EARTH. The film is intriguingly plotted, beautifully photographed, and has excellent (even by contemporary standards) art direction, costume design and special effects. So what if Rex Reason sounds as if he was dubbed (he always sounds that way), and some of the other performances seem a bit stilted. The Metaluna Mutant was the most memorable outer space monster until ALIEN.

I can only recall one technical error in the film. After the interociter (communicator) has been reduced to molten metal, Rex Reason picks up a Geiger counter and says, "It's no longer radioactive." There IS no set up for this (i.e., when it proved to be radioactive).

I'd certainly rate this film in the top ten of the best science fiction films of the fifties (probably in the top five). It's philosophical, exciting and well made.

I am old enough to have seen "This Island Earth" when it was first released. After "Forbidden Planet", it was the only other film for a decade to take place outside of Earth's solar system. Galactic fiction had been written for decades by Edmond Hamilton and a handful of others, very successfully; but it is still rare and hard to handle in film, because it requires some level of ideas and logical development of a political-philosophical system other than conventional and unimaginative acceptances--the stock in trade of those who rip off headlines, use titles such as "Across the Ses of Stars"--and then write nothing at all to go with the promising title. Here we have a mysterious robot-controlled aircraft's flight, mail from aliens, the building of an Inter-Rossiter communication device, tall-domed aliens (exhibiting a variety of ethical characters), interstellar flight, a war on a planet called Metalluna, flaming comet-missiles, a competent alien mutant creature, an intelligent cat named Neutron, romance, news conferences, good and bad advice and more. The original story line, for those who have not read Raymond Z. Jones' original mystery-sci-fi, is much better than what was done with its ideas in the film's script. In that novel,Earth was to be destroyed, because it was in the way and being used as a base by one of two sides in a huge interstellar war; at the end, the hero, whose ingenuity has saved the one side, has to make a speech to save the Earth--a climax that did not make it into the film version. Handsome Rex Reason, who lacks classical accent ability, plays scientist Cal Meacham, opposite Faith Domergue, a fair actress who does well as Ruth, his long-lost love, or is she. The film is stolen by Jeff Morrow as Exeter, also star of "Kronos"; Douglas Spencer is a bit disappointing as The Monitor, as is Lance Fuller as an evil Metallunan; the special effects such as rays that explode cars and the aforementioned comets are interesting for their time. What is right about the film I suggest is its color, its adventure narrative and swift-paced unfolding, since it is rather well-directed; what is lacking is the first-rate ideas of the novel from which it was adapted. "This Island Earth" ( a phrase later used in "Star trek's "All Our Yesterdays" also) is arguably a welcome change from all those sci-fi films where rockets seem tied to earth, unable to expand the human horizon. I like it, and recommend it to anyone who wants to escape from the present mean-streets ugliness cult's movies; it is physically beautiful and frankly more entertaining than most have credited it with being these past 50 years.

When it came out, I thought this was the most fantastic movie I'd ever seen. It was easy to identify with the lead character and to share his fascination with the technology that the aliens used to capture his attention and recruit his talents. I particularly remember being entranced by the special effects; the use of vivid color was outstanding among sci-fi offerings of the time. 45 years later, it's still my favorite of the era. I enjoy watching the movie on video and recalling the thrill of seeing it on the big screen for the first time.

I first saw this movie when it was released in 1954. I was about six. I didn't see it again until @1967/1968, as a theatrical re-release. The big screen did help, but this second viewing, and subsequent viewings on video (I own it), show that it wasn't as perfect as my youthful eyes saw it to be. However, I still consider it a great show. It has the same basic plot of world domination by aliens that other movies of its day had, but, it is so different in it's approach, feel, and delivery, it just never seemed like the same plot to me.

It was also a rare Sci-Fi motion picture. It was filmed in color. Of the eleven horror/sci-fi movies of 1954 (and this list might not be exactly complete), only three were in color. Riders To The Stars (1954), Phantom Of The Rue Morgue (1954), and This Island Earth (four if you put 20,000 Leagues Under The Sea (1954) into this group). The remainder of the list range from the cheap quickie to the higher budgeted movie that had some effort put into them. The list is: Devil Girl From Mars (1954), Creature From Black Lagoon (1954), Killers From Space (1954), Godzilla (1954) [this is the Japanese release], Monster From The Ocean Floor (1954), Stranger From Venus (1954), Them! (1954), and Tobar The Great (1954). These black and white shows did have merit in their own way. And, they did what they were made for, to entertain a crowd of kids (and some adults). Almost everyone appreciates color more than black and white, and for a "Kid's" Science Fiction movie to be in color, it made This Island Earth all the more special.

Of course, the special effects, acting, and other aspects of this movie don't match up to today's standards. If it did, it would mean that there had been no advancements in over 40 years. For its day, the special effects are extremely well done. The sets were impressive. The script was intellectual without going leaps and bounds about the child viewer's head. The Mutant really wasn't as good as I remembered, but it was still impressive. Bud Westmore was the master of his day. He, Jack Pierce, and other makeup masters of the past, created the foundation for today's highly imaginative work.

Just think, future generations probably will give negative reviews of Stars Wars, Jurassic Park, E.T. and many of the other groundbreaking movies of our time. They will probably laugh at the "poor" quality of the special effects, or the stilted dialogue and acting just as some of the younger audience does today.

I agree with other writers that point out how much people miss by not watching a black and white, or even just not watching an older movie. They don't come across as hip, realistic, terrifing, or as erotic as today's fare, but, if you really look at these shows, you will find the cornerstone of today's movies created by that moldy oldy from 40, 50, 60, or even 70 years ago.