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IMDbPro

Nasce uma Estrela

Título original: A Star Is Born
  • 1954
  • Livre
  • 2 h 34 min
AVALIAÇÃO DA IMDb
7,5/10
21 mil
SUA AVALIAÇÃO
Judy Garland in Nasce uma Estrela (1954)
Trailer for the classic musical drama starring Judy Garland and James Mason.
Reproduzir trailer4:21
7 vídeos
99+ fotos
Musical clássicoRomance trágicoDramaMusicalRomance

Uma estrela de cinema ajuda uma jovem cantora e atriz a encontrar a fama, mesmo quando a idade e o alcoolismo enviam sua própria carreira para o abismo.Uma estrela de cinema ajuda uma jovem cantora e atriz a encontrar a fama, mesmo quando a idade e o alcoolismo enviam sua própria carreira para o abismo.Uma estrela de cinema ajuda uma jovem cantora e atriz a encontrar a fama, mesmo quando a idade e o alcoolismo enviam sua própria carreira para o abismo.

  • Direção
    • George Cukor
  • Roteiristas
    • Moss Hart
    • Dorothy Parker
    • Alan Campbell
  • Artistas
    • Judy Garland
    • James Mason
    • Jack Carson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,5/10
    21 mil
    SUA AVALIAÇÃO
    • Direção
      • George Cukor
    • Roteiristas
      • Moss Hart
      • Dorothy Parker
      • Alan Campbell
    • Artistas
      • Judy Garland
      • James Mason
      • Jack Carson
    • 188Avaliações de usuários
    • 88Avaliações da crítica
    • 89Metascore
  • Veja as informações de produção no IMDbPro
    • Indicado a 6 Oscars
      • 7 vitórias e 14 indicações no total

    Vídeos7

    A Star is Born
    Trailer 4:21
    A Star is Born
    A Star Is Born: Gotta Have Me Go With You
    Clip 2:25
    A Star Is Born: Gotta Have Me Go With You
    A Star Is Born: Gotta Have Me Go With You
    Clip 2:25
    A Star Is Born: Gotta Have Me Go With You
    A Star Is Born: Esther
    Clip 2:09
    A Star Is Born: Esther
    A Star Is Born: Take The Plunge
    Clip 1:55
    A Star Is Born: Take The Plunge
    A Star Is Born: Born In A Trunk
    Clip 2:17
    A Star Is Born: Born In A Trunk
    A Star Is Born: Premiere
    Featurette 1:11
    A Star Is Born: Premiere

    Fotos146

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    + 140
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    Elenco principal99+

    Editar
    Judy Garland
    Judy Garland
    • Vicki Lester
    James Mason
    James Mason
    • Norman Maine
    Jack Carson
    Jack Carson
    • Matt Libby
    Charles Bickford
    Charles Bickford
    • Oliver Niles
    Tommy Noonan
    Tommy Noonan
    • Danny McGuire
    • (as Tom Noonan)
    Lucy Marlow
    Lucy Marlow
    • Lola Lavery
    Amanda Blake
    Amanda Blake
    • Susan Ettinger
    Irving Bacon
    Irving Bacon
    • Graves
    Hazel Shermet
    Hazel Shermet
    • Libby's Secretary
    James Brown
    James Brown
    • Glenn Williams
    John Alban
    John Alban
    • Academy Awards Attendee
    • (não creditado)
    Laurindo Almeida
    Laurindo Almeida
    • Guitarist
    • (não creditado)
    Leon Alton
    Leon Alton
    • Usher
    • (não creditado)
    Rudolph Anders
    Rudolph Anders
    • Mr. Ettinger
    • (não creditado)
    David Armstrong
    • Soundman
    • (não creditado)
    Phil Arnold
    Phil Arnold
    • Agent #3
    • (não creditado)
    Nadine Ashdown
    • Esther - Age 6
    • (não creditado)
    Gertrude Astor
    Gertrude Astor
    • Racetrack Spectator
    • (não creditado)
    • Direção
      • George Cukor
    • Roteiristas
      • Moss Hart
      • Dorothy Parker
      • Alan Campbell
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários188

    7,520.5K
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    Avaliações em destaque

    patrick.hunter

    In Defense of Libby....

    Count me among those who love this film, but am I the only one who feels for Libby, played by Jack Carson? Yes, he's snide and spiteful, but for God's sake, who wouldn't be in his shoes? When he says, "Norman Maine's charm escapes me." I tend to agree with him. What makes this violent drunk so special anyway, except that he's played by James Mason? And, although she's played by Judy Garland at her radiant best, isn't Esther a classic co-dependent wife? Have any of you adoring fans ever actually dealt with a close one who's alcoholic?

    When the studio mogul says, after Norman Maine dies, "you didn't know him at all," I feel like arguing the point. Libby should say, "Maybe YOU didn't know him, Oliver. Did he ever insult you for making him do his job? Did he ever punch you out? Did you ever have to continually face his dirty side, as I did, which he--and you too, Oliver--refused to confront?"

    Maybe I'm a poop. But I had to say it.

    And, yes, it's a brilliant film.
    drednm

    Judy Garland at Her Best

    The 1954 musicalized version of A Star Is Born is a great film. Judy Garland and James Mason (both Oscar nominated) turn in terrific performance as Esther and Norman. Like its 1937 predecessor (which starred Janet Gaynor and Fredric March—both Oscar nominated), the 1954 version follows the ups and down of two people set against the vicious world of Hollywood. The newer version sticks to the basic story but adds some great numbers for Garland, including "The Man That Got Away" and "I Was Born in a Trunk." In a major comeback, Garland had not worked in films since Summer Stock (1950), and her performance here is the best of her career. That she lost the Oscar to Grace Kelly for The Country Girl is one of Hollywood's great inequities. Mason lost to Marlon Brando for On the Waterfront. Garland sings superbly and is a great comic and dramatic actress. Her Esther is more vulnerable than Gaynor's just as Mason's Norman is more pathetic than March's. I love both versions. Charles Bickford and Jack Carson play the other major parts, played by Adolphe Menjou and Lionel Stander in 1937. Two major supporting roles from the 1937 version were cut from the 1954 version: Esther's first Hollywood friend (Andy Devine) and her intrepid grandmother (the great May Robson). But Garland's musical numbers make up for their absence. Oddly, despite the great hullabaloo surrounding A Star Is Born, it was not nominated for best picture, and George Cukor was bypassed in the directing category. One of the best musicals ever made.
    axsmashcrushallthree

    Be sure to see the restored version

    Much has been written about this movie (to extremely great length) in other reviews, so I'll try to keep this fairly brief and concise.

    First, the restored version runs at 176 minutes. The movie originally ran at 181 minutes, but was cut to 154 minutes when theater owners complained that they were losing money due to the excessive length. The cut destroyed the integrity of the movie - director Cukor never saw the movie again. However, the restored version contains stills to replace some of the cut footage, and gives a better sense of the film's power and scope.

    Second, all four major studio versions of the story (including "What Price Hollywood?") have their own merits and differ greatly from one another. If you like the story, see them all and compare for yourself. It's quite fun to compare!

    Third, definitely see this version for Judy. Sure, Judy's "The Man That Got Away" may be the greatest musical moment on cinema, but it's her dramatic performance that will keep your attention over almost three hours. James Mason is on target, and the supporting cast is fine, but Judy just dominates the screen. It's an opportunity to see a true genius in action at the absolute height of her powers. For more dramatic Judy, see her in "The Clock".

    George Cukor was acclaimed as the great director of actresses, and he raises Judy to the height she deserves. I love Judy. This is a 10 out of 10.
    8Lechuguilla

    Sing Melancholy Baby

    Is it possible to watch this fictional story without digressing to thoughts about the real life story of Judy Garland? For me it isn't. Both are permanently intertwined. And it's not just the parallel between fiction and fact, but also the dark, brooding, melancholy mood they engender, like ghosts calling out to us from a Hollywood that no longer exists.

    The film's storyline is well known. I won't belabor it here, except to say that it communicates an honest and introspective indictment of the entertainment industry as it once was. The story can be thought of as a kind of archetypal Hollywood memoir, expressed as a musical.

    But musicals are supposed to be upbeat, lighthearted, fun. This one isn't. Moments of humor and joy are swept away in a cascade of emotional pain and tragedy. Fiction mimics real life. How appropriate that the film's signature song "The Man That Got Away" is one that is so uncompromisingly serious, poignant, and smoldering ... a perfect vehicle for Judy Garland.

    Some say she had the greatest singing voice of any entertainer in the twentieth century. This film lends credence to that assertion. Every song she sings is performed with such consummate verve, such emotional commitment that she seems to be singing not just for her contemporaries, but also for generations to come. Indeed, she is. My personal favorite is the "Born In A Trunk" segment, all fifteen minutes of it. Surrounded by sets of true cinematic art, she belts out one tune after another, including, of course, the poignant "Melancholy Baby".

    Judy's singing and the music itself are what make the movie so memorable. But she also demonstrates her considerable acting talent. And the acting of other cast members is fine, especially the performances of James Mason and Jack Carson. I do think that the film was, and still is, too long, the result of an overly ambitious screenplay.

    That Judy Garland was denied the Best Actress Oscar is poignant. But her talent was so massive, her uniqueness was so special, maybe fate required a compensatory level of pain and tragedy, as a prerequisite of legend.
    9Sober-Friend

    Michael Arick or Tommy Will You Ever Turn Over Your Print?

    This is a great film. Yes it is long. Yes some of the songs should have been cut but they weren't but we get a masterpiece anyway.

    In this film Esther Blodgett is a talented aspiring singer with a band, and Norman Maine is a former matinee idol with a career in the early stages of decline. When he arrives intoxicated at a function at the Shrine Auditorium, the studio publicist attempts to keep him away from reporters. After an angry exchange, Norman rushes away and bursts onto a stage where an orchestra is performing. Esther takes him by the hand and pretends he is part of the act, thereby turning a potentially embarrassing and disruptive moment into an opportunity for the audience to greet Norman with applause.

    Norman then takes Esther under his wing and gets her a screen test at the studio in which he works. She ends up homecoming a major star and his drinking escalates!

    After the film was released Warner Brothers recalled the prints. 30 minutes were edited out. In 1983 Ron Haver was able to restore most of the film. Where he could not find footage for the missing scenes he used productions stills. People claim this halts the picture. It doesn't! Besides it only last a total of 7 minutes. It is not 7 minutes all at once!

    Now in 2010 it was reported that film restorer Michael Arick had a print of this film. He will not let Warner Brothers use the print. Some people claim that he doesn't have a print however "He has never publicly denied it".

    It is also Rumored that Tommy from Beverly Hills has hours of the films outtakes on VHS however it is silent footage. Maybe it might include the missing 7 minutes.

    Enredo

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    Você sabia?

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    • Curiosidades
      George Cukor offered Marlon Brando the role of Norman Maine on the set of Júlio César (1953). "Why would you come to me?" asked Brando. "I'm in the prime of my life... If you're looking around for some actor to play an alcoholic has-been, he's sitting right over there"- pointing at his costar James Mason, who got the part.
    • Erros de gravação
      After Vicki comes home and she performs in her house for Norman, the doorbell rings and he goes to the door to accept a package for Vicki. His hair is all mussed-up when he goes to the door, but after he closes it and the camera goes back to him, there isn't a hair out of place. Then he walks over to where Vicki is and his hair is all mussed-up again.
    • Citações

      [last lines]

      Vicki Lester: Hello, everybody. This is Mrs. Norman Maine.

    • Versões alternativas
      Contrary to popular belief, the film was not originally at 181 minutes, but rather 196 (3hrs. and 16mins.) at a post-premiere shown on August 8, 1954 in Huntington Park, California. After its second post-premiere - the very next day - two scenes of 15 minutes total were deleted; making the film run its original world debut length at 181 minutes. One was a number called "When My Sugar Walks Down the Street" that came after Judy's take of "I'll Get By" in the 'Born in the Trunk' sequence, the other was a scene where Garland and James Mason's characters (Vicki and Norman) were picnicking on the beach; production stills and promotional advertisements are the only thing left in existence of the footage. After its world premiere on September 29, 1954, 27 minutes was cut, bringing it down to a mediocre 154 time length. Those scenes were:
      • 1) Esther quitting the band
      • 2) The Trinidad Coconut Oil Shampoo
      • 3) Esther working at a drive-in
      • 4) Norman being driven away drunk in his car
      • 5) Norman inquiring Esther's old landlady
      • 6) Spotting Esther on the TV commercial
      • 7) Tracking down Esther at her new boarding residence
      • 8) Driving down the strip - Esther getting sick
      • 9) "Here's What I'm Here For" musical number - Norman proposes
      • 10) "Lose That Long Face" musical number - Vicki breaks down
    • Conexões
      Featured in Film Night: Special: Forty Years in Hollywood (1970)
    • Trilhas sonoras
      Gotta Have Me Go with You
      (uncredited)

      Music by Harold Arlen

      Lyrics by Ira Gershwin

      Performed by Judy Garland with Jack Harmon & Don McKay

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    Perguntas frequentes25

    • How long is A Star Is Born?Fornecido pela Alexa
    • What is 'A Star is Born' about?
    • Is "A Star Is Born" based on a book?
    • What is Norman Maine's real name?

    Detalhes

    Editar
    • Data de lançamento
      • 25 de dezembro de 1954 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Nace una estrella
    • Locações de filme
      • Cocoanut Grove Nightclub, Ambassador Hotel - 3400 Wilshire Boulevard, Los Angeles, Califórnia, EUA
    • Empresa de produção
      • Transcona Enterprises
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 5.019.770 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 4.335.968
    • Faturamento bruto mundial
      • US$ 4.350.001
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 34 min(154 min)
    • Proporção
      • 2.55 : 1

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