AVALIAÇÃO DA IMDb
6,8/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWhen a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it and now he finds he must kill again to cover his tracks.When a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it and now he finds he must kill again to cover his tracks.When a brutal police detective Lt. murders a bookmaker's runner for $25,000 in cash, a deaf mute sees him do it and now he finds he must kill again to cover his tracks.
- Direção
- Roteiristas
- Artistas
Lawrence Ryle
- Laddie O'Neil
- (as Larry Ryle)
Herb Butterfield
- Cabot
- (as Herbert Butterfield)
John Beradino
- Gambler Being Booked
- (não creditado)
William Boyett
- Policeman Cooper
- (não creditado)
Robert Bray
- Detective
- (não creditado)
Richard H. Cutting
- Manning
- (não creditado)
Richard Deacon
- The Professor
- (não creditado)
Duke Fishman
- Man in Crowd
- (não creditado)
Mickey Golden
- Alley Crowd Member
- (não creditado)
David Hillary Hughes
- Ernst Sternmueller
- (não creditado)
Avaliações em destaque
In Shield For Murder Edmond O'Brien is tired of being a straight arrow cop. One night he murders a numbers runner and steals %25,000.00 from him. Of course his official version is that he was resisting arrest, but the bookmaker played by Hugh Sanders knows he's out all that money and he'll get it back one way or another.
O'Brien is perfectly cast as the aging detective sick and tired of seeing crooks grow rich. His problem is that he's grown such contempt for the human race he thinks that he's the smartest guy out there. Never credits the crooks or the cops with an ounce of intelligence. That is his downfall.
John Agar is his protégé and still a straight arrow. The undercurrent running through the film is that while Agar is trying to catch O'Brien will he fall victim to the same cynicism?
Some other noteworthy performances in Shield For Murder are from Marla English as O'Brien's troubled girlfriend, Carolyn Jones as a bar girl he has a small fling with, Claude Akins as one of Sanders's hoods and Emile Meyer as the precinct captain.
But Edmond O'Brien is something to see here. In a really crackerjack noir thriller.
O'Brien is perfectly cast as the aging detective sick and tired of seeing crooks grow rich. His problem is that he's grown such contempt for the human race he thinks that he's the smartest guy out there. Never credits the crooks or the cops with an ounce of intelligence. That is his downfall.
John Agar is his protégé and still a straight arrow. The undercurrent running through the film is that while Agar is trying to catch O'Brien will he fall victim to the same cynicism?
Some other noteworthy performances in Shield For Murder are from Marla English as O'Brien's troubled girlfriend, Carolyn Jones as a bar girl he has a small fling with, Claude Akins as one of Sanders's hoods and Emile Meyer as the precinct captain.
But Edmond O'Brien is something to see here. In a really crackerjack noir thriller.
Edmond O'Brien has a "Shield for Murder" in this 1954 noir also starring Marla English, John Agar, and Carolyn Jones. O'Brien plays a bad cop - one review here said he was a good cop who gave into temptation. Not so. He was a bad cop, who had been suspected of trouble in the past but never caught.
In the beginning of the film, Barney (O'Brien), a detective, kills a bookie and steals the $25,000 that the victim is carrying. He claims that he killed in self defense, and his story is accepted. Then the fact that the bookie was carrying money, now missing, emerges. What Barney doesn't know at first is that there is a witness, a deaf and dumb man, who saw the whole thing.
Barney is a person of great interest to the bookie's boss, and also, a young man he helped bring up in the force (John Agar), his staunchist defender against criticism, is anxious to clear him. Barney, meanwhile, wants to purchase a dream house for him and his girlfriend (English) and get married. When he finds out about the witness, he needs to do some fast work.
O'Brien gives a very hard-edged performance. His character is completely unlikable. The very pretty Marla English unfortunately was unable to act. In one scene, however, Barney goes into a bar and meets a platinum blonde, who turns out to be actress Carolyn Jones, normally known for her stylish short black haircut.
Pretty brutal for the '50s. O'Brien elevates the material. Interesting noir, co-directed by Howard Koch and O'Brien.
In the beginning of the film, Barney (O'Brien), a detective, kills a bookie and steals the $25,000 that the victim is carrying. He claims that he killed in self defense, and his story is accepted. Then the fact that the bookie was carrying money, now missing, emerges. What Barney doesn't know at first is that there is a witness, a deaf and dumb man, who saw the whole thing.
Barney is a person of great interest to the bookie's boss, and also, a young man he helped bring up in the force (John Agar), his staunchist defender against criticism, is anxious to clear him. Barney, meanwhile, wants to purchase a dream house for him and his girlfriend (English) and get married. When he finds out about the witness, he needs to do some fast work.
O'Brien gives a very hard-edged performance. His character is completely unlikable. The very pretty Marla English unfortunately was unable to act. In one scene, however, Barney goes into a bar and meets a platinum blonde, who turns out to be actress Carolyn Jones, normally known for her stylish short black haircut.
Pretty brutal for the '50s. O'Brien elevates the material. Interesting noir, co-directed by Howard Koch and O'Brien.
Veteran police Lieutenant Barney Nolan (Edmond O'Brien) murders a bookie and steals $25k from him. A deaf mute neighbor secretly witnesses the event. Nolan stages the crime scene and claims that it was an accident. His Captain reluctantly covers for him and his friend Sergeant Mark Brewster (John Agar) accepts his explanation despite suspicion from the missing money. He plans to use the money to get his girlfriend Patty Winters out of being a sleazy cigarette girl.
This is solid crime noir. It follows the villain and his desperate need for money. It's a descend into hell for a cop turning into a criminal. I like that this is Nolan's story more than Brewster. It would have been interesting to do a full character study on him. This is solid and intriguing.
This is solid crime noir. It follows the villain and his desperate need for money. It's a descend into hell for a cop turning into a criminal. I like that this is Nolan's story more than Brewster. It would have been interesting to do a full character study on him. This is solid and intriguing.
One of those B movies of the fifties, while not great, that is always enjoyable. O'Brien plays detective who is sick of struggling and wants some big dough quick and easy. He murders a stoolie who has $25,000 on him. His longtime partner and friend, Agar, doesn't want to believe his friend could commit such a heinous crime, but all evidence points in that direction. Agar is good as frustrated detective. The funniest scene in the film is Akins pursuing O'Brien through school corridors with his head all bandaged up from blows O'Brien inflicted earlier. Marla English is almost Elizabeth Taylorian in her looks as girlfriend of O'Brien, although I'm not sure what his appeal is.
Middle-aged "Detective Barney Nolan" (Edmond O'Brien) is a bad cop out to make a score for his retirement fund. He finds it by murdering a "bagman" bookie of a local mobster who was carrying $25,000 in mob-money. Nolan stages the scene to make it look like an arrest that deteriorated into an attempted escape, leaves some chump-change on the corpse, and pockets the $25k. Initially, it looks like Nolan will get away with his callous scheme and eventually retire to suburban track-house comfort with his much younger girlfriend, "Patty" (Marla English).
However, he has three things going against him. First, he already has too many shootings "in the line of duty" for this one to be completely shrugged-off by his captain (Emile Meyer), the local crime beat reporter (Herbert Butterfield),and his fellow detectives. Secondly, the mob boss, "Packy Reed" (Hugh Sanders), wants his $25k and sends two goons (one of them a young Claude Akins)after Nolan to get it back. And, finally, there was a witness to the murder. Still, Nolan has his partner, "Sgt. Mark Brewster" (John Agar), who is willing to give his friend every benefit of the doubt, but as the evidence of Nolan's guilt mounts even Sgt. Brewster starts to wonder.
The best thing about "Shield for Murder" is the character of Barney Nolan. He's a violent brute. The beast underneath the badge is never far from the surface. He murders for money. He roughs-up his girlfriend's boss for no reason other than his outrage at her skimpy cigarette girl costume. He brutally pistol-whips two men in front of a bar full of shocked and horrified patrons. Yet, we see glimpses of a man who was not always a monster- his sweetness towards his girlfriend and a scene where he lets a young shoplifter off the hook which was apparently a repeat of something he done in the past to good effect.
Edmond O'Brien probably aged more quickly and badly than any leading man actor of his era. In 1939's "The Hunchback of Notre Dame" he was thin, had a mop of wavy hair, a pencil mustache, and the chiseled features of a handsome Hollywood matinée idol. Yet, within fifteen years, he was badly overweight, puffy-looking, and sweaty. It looks like he didn't give a hoot about his physical appearance which is unusual for an actor. In "Shield for Murder," though, O'Brien's disheveled appearance actually fits his character very well.
However, his scenes with 19 yr old budding starlet Marla English are a bit of a stretch. While one can definitely see what an overweight, middle-aged man would like about Ms. English's "Patty"- she looks like a combination of young Elizabeth Taylor and Joan Collins- we have no idea what she sees in him. Ms. English is OK in the role, but her character could have been played by almost any young actress. It appears Ms. English was chosen by the producers just so they could briefly show-off her physical assets in that cigarette girl costume.
However, he has three things going against him. First, he already has too many shootings "in the line of duty" for this one to be completely shrugged-off by his captain (Emile Meyer), the local crime beat reporter (Herbert Butterfield),and his fellow detectives. Secondly, the mob boss, "Packy Reed" (Hugh Sanders), wants his $25k and sends two goons (one of them a young Claude Akins)after Nolan to get it back. And, finally, there was a witness to the murder. Still, Nolan has his partner, "Sgt. Mark Brewster" (John Agar), who is willing to give his friend every benefit of the doubt, but as the evidence of Nolan's guilt mounts even Sgt. Brewster starts to wonder.
The best thing about "Shield for Murder" is the character of Barney Nolan. He's a violent brute. The beast underneath the badge is never far from the surface. He murders for money. He roughs-up his girlfriend's boss for no reason other than his outrage at her skimpy cigarette girl costume. He brutally pistol-whips two men in front of a bar full of shocked and horrified patrons. Yet, we see glimpses of a man who was not always a monster- his sweetness towards his girlfriend and a scene where he lets a young shoplifter off the hook which was apparently a repeat of something he done in the past to good effect.
Edmond O'Brien probably aged more quickly and badly than any leading man actor of his era. In 1939's "The Hunchback of Notre Dame" he was thin, had a mop of wavy hair, a pencil mustache, and the chiseled features of a handsome Hollywood matinée idol. Yet, within fifteen years, he was badly overweight, puffy-looking, and sweaty. It looks like he didn't give a hoot about his physical appearance which is unusual for an actor. In "Shield for Murder," though, O'Brien's disheveled appearance actually fits his character very well.
However, his scenes with 19 yr old budding starlet Marla English are a bit of a stretch. While one can definitely see what an overweight, middle-aged man would like about Ms. English's "Patty"- she looks like a combination of young Elizabeth Taylor and Joan Collins- we have no idea what she sees in him. Ms. English is OK in the role, but her character could have been played by almost any young actress. It appears Ms. English was chosen by the producers just so they could briefly show-off her physical assets in that cigarette girl costume.
Você sabia?
- CuriosidadesWhen Noland shows Patty the new model house, the sign out front says "Castle Heights Tract Homes". Castle Heights is an actual Los Angeles neighborhood where such homes were being built at the time. It is situated between Chevoit Hills, Beverlywood and the Santa Monica Freeway.
- Erros de gravaçãoAt the beginning of the movie, as Nolan pulls his first victim into the alley, the shadow of the boom mic is clearly visible on the wall behind them.
- Citações
[last lines]
Capt. Gunnarson: [to police reporter] Write his story good.
- Cenas durante ou pós-créditosOnly the film's title and three stars appear at the beginning. All other credits are at the end.
- ConexõesFeatured in Noir Alley: Shield for Murder (2017)
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- How long is Shield for Murder?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Shield for Murder
- Locações de filme
- Beverly Hills High School - 241 Moreno Drive, Beverly Hills, Califórnia, EUA(as Union High School, poolside shootout)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 22 minutos
- Cor
- Proporção
- 1.75 : 1
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